Brandon Heaslip from Colofront talks about how the company's products were used to enable color-consistent 4K/6K/8K

Greg Ciaccio talks about the workflow for The Lost Lederhosen. He was first assistant director and second AC running slate

Frame.io's Michael Cioni talks about how the company's cloud collaboration platform was used on the HPA Tech

Save Yourselves! editor Sofi Marshall talks about cutting the film and her workflow.

Special Thanks to Adobe, Universal Production Music

The editor of Scare Me, Patrick Lawrence, talks to postPerspective's Brady Betzel about editing and his process.

Special Thanks

Black Bear's writer/director Lawrence Michael Levine lures us into a tense and intrepid tale of gender dynamics and

New York-based Gil Seltzer talks about his path to editing and his work on Aggie. Special Thanks to Adobe

Spree, which focuses on a guy who drives for a ridesharing company, who has come up with the perfect way

Texas-based editor Courtney Ware used Adobe Premiere to edit the film Miss Juneteenth. Here she talks about her process

Jack and Tomasz talk about joining SMPTE and building the UK section, and how they help educate people about DCP

Ness' Sujay Kumar talks about their software product engineering, extending existing company's development and engineering arm. Ness has been

Blackbox's Chris Hsu talks about their Emerald Unified KVM Platform, how it works with all network switches and also

Ownzones is building a media logistics platform in the cloud. They were at the conference showing FrameDNA, a consolidation tool

Pat Griffis, whose day job is with Dolby, has been involved with SMPTE for over 20 years and has been

Dalet, which offers MAM, supply chains, video servers and transcoders, this summer Dalet purchased the Ooyala Flex Media Platform.

Larry talks about their 20 year history, specializing in media workflows. He talks about the Tektronix acquisition, and how the

Naveen outlines IEEE's organization and membership, and how they are showcasing the SMPTE Digital Library through IEEE Explorer.

Renard talks about the Storyteller Sessions at SMPTE, and his role as a governor for the organization. He also shares

Bruno talks about Colorfront's new version of transcoder, onset dailies and express dailies, and talks about the drive behind

Ariana discusses NHK's work in real time MTF measurements.

Michael Krulik from Avid discusses Media Composer 2019 and its newest features, as well as Nexis storage that works closely

AJA was at the SMPTE Conference showing a variety of gear, including its 12G HDR Image Analyzer targeting those in

NASA's Rodney Grubbs and Dylan Mathis stopped by after their session where they hosted a live chat with the

Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to

Pliny is the co-founder of Endcrawl.com, a cloud tool for building and rendering end credits with unlimited do

creative.space is an on-premise managed storage service, so users get a NAS appliance at their studio (with support

Josh Rizzo joins us to give us an update on eSports and its relationship to the traditional media and entertainment

Vela Research was at the SMPTE conference with its Encompass product, a compliance, monitoring, logging and IP-based multiviewer.

Enjoy

Peter Collins, fresh off a long stint at UK's The Farm Group, talks about moving to LA and jumping

Rohde & Schwarz were at SMPTE showing its storage product SpycerNode, which the company introduced in February. Also at the

Longtime member and former SMPTE president Pete Lude talks about joining the organization as a teen as well as his

Former astronaut and current filmmaker Terry Virts talks about making the documentary "One More Orbit," which focuses on a pilot

Barbara Lange sat down with postPerspective to give us an update on where the organization is now, one year into

Marc Zorn has been a member of SMPTE for 15 years and is involved in a number of the organization

Back in August, MovieLabs released a white paper envisioning the future of media creation in 2030 — it involves a

Mark Harrison, who is a Governor of the UK section of SMPTE, talks to us about DPP, which tries to

In addition to his responsibilities at Codex, Brian Gaffney is the new SMPTE Hollywood chair. He talks about building a

Jonathan Solomon from IBM Aspera, a SMPTE member organization, talks about the benefits provided to individuals and organizations.

Enjoy postPerspective

Prolific sound supervisor Bernard Weiser also heads up EIPMA - Entertainment Industry Professionals Mentoring Alliance. He stopped by to talk about

SMPTE Fellow Michael Zink's day job is VP of Technology at Warner Bros. Here he talks about what drew

Efilm's Joachim Zell, fresh off the first Mexican ASC Master Class in Mexico City, talks about the evolution of

Over the past year, Quantum introduced six new products, including the new F-Series NVMe storage solution. The latest version

Ncam had the beta version of its new camera bar on its stand — it is 5x lighter, more accurate

Object Matrix supplies storage systems as well as software around that storage to enable users to easily manage that storage

Cinnafilm was at the show with partner Technicolor talking about how their solution gets you from SDR content into HDR

OWC had a variety of its storage products on its stand, including the new Envoy Pro 2TB drive that is

Dell Technologies was at the show talking about its hybrid cloud strategy — a mixture of on-prem, public and

Arvato Systems launched updates to its EditMate system, including a new Web UI and connections to its Vidinet platform allowing

Signiant specializes in moving large files quickly between people, systems and to and from the cloud. The company was at

AJA was at the show with new products and updates, including the HDR Image Analyzer 12G, the Kumo 6464-12G

R&S' Clipster, a content mastering and delivery system, has been upgraded. It now includes the final content mapping

Facilis' newly shipped Hub shared storage system had its European debut and the company previewed Hub 8 and FastTracker 3

EditShare upgraded its file system EFS to Version 2020.Their Flow MAM was also upgraded to Version 2020, and that

Berlin's CinePostProduction created the COPRA dailies system based on their own needs. It allows you to upload dailies footage

Xytech rolled out over 100 improvements to its MediaPulse product, many centered around the UI and including a contextual interface

The Boris FX founder talks about his company's recent purchase of the Oscar Award-winning Silhouette FX as well

Dell Technologies was showing its Precision Workstations working along with its IT infrastructure solutions targeting M&E. That includes

One of Adobe's big show announcements was Auto Reframe for Premiere Pro. Powered by Adobe Sensei, Auto Reframe intelligently

Ncam was on The Studio - B&H booth at the show, demo-ing a CAD file of a McLaren

Nvidia was showing how accelerated raytracing has taken off with its RTX GPU. New at the show was RTX Studio

Chaos released V-Ray for Houdini, which has already been used in beta on The Walking Dead, and Brooklyn Nine

Signs of Life is a 35-minute planetarium show that will take place in a 76-foot immersive dome at

Digital Domain worked back to back on the last two Avengers films, using a variety of Foundry tools in the

Jogger Studios is the finishing arm of Cut n Run Editorial. They are based mainly around Flame, After Effects and

While they have locations around the world, it was Framestore's Montreal studio that worked on portions of Captain Marvel

Blackmagic was at Siggraph with Resolve 16, which is now in a very stable public beta 7. Fusion is fully

This 18-year-old animation and visual effects studio has offices spread throughout in UK. Jellyfish will go all virtual

This Siggraph veteran talks about trends and new technology he saw at the show, including virtual motion capture and laser

Epic Games demonstrated how its Unreal Engine helps to create photorealistic digital humans, plus advancements in raytracing, augmented reality, virtual

Boxx was demo-ing its Apexx Enigma S3 workstation showing the potential of 8K editing. Also on display was the

Panasas has been targeting visual effects houses, among others, with its storage offerings, so they were at the show talking

The Unity game engine allows creators to see the work immediately. Instead of having silo'd work sections, the process

Dell's Matt Allard walks us through the latest Precision mobile workstations with Nvidia technology inside

At the Studio Network Solutions booth this year they showed their EVO shared storage system, updates to ShareBrowser and Slingshot

New for the show was the ArmorATD portable hard drive with USB-C port. It complements the company's other