The Visual Effects Society (VES) named acclaimed visual effects supervisor Sheena Duggal as the forthcoming recipient of the VES Award for Creative Excellence in recognition of her valuable contributions to filmed entertainment. The award will be presented at the 18th Annual VES Awards on January 29, 2020, at the Beverly Hilton Hotel.
The VES Award for Creative Excellence, bestowed by the VES Board of Directors, recognizes individuals who have made significant and lasting contributions to the art and science of the visual effects industry by uniquely and consistently creating compelling and creative imagery in service to story. The VES will honor Duggal for breaking new ground in compelling storytelling through the use of stunning visual effects. Duggal has been at the forefront of embracing emerging technology to enhance the moviegoing experience, and her creative vision and inventive techniques have paved the way for future generations of filmmakers.
Duggal is an acclaimed visual effects supervisor and artist whose work has shaped numerous studio tentpole and Academy Award-nominated productions. She is known for her design skills, creative direction and visual effects work on blockbuster films such as Venom, The Hunger Games, Mission: Impossible, Men in Black II, Spider-Man 3 and Contact. She has worked extensively with Marvel Studios as VFX supervisor on projects including Doctor Strange, Thor: The Dark World, Iron Man 3, Marvel One-Shot: Agent Carter and the Agent Carter TV series. She also contributed to Sci-Tech Academy Award wins for visual effects and compositing software Flame and Inferno. Since 2012, Duggal has been consulting with Codex (and now Codex and Pix), providing guidance on various new technologies for the VFX community. Duggal is currently visual effects supervisor for Venom 2 and recently completed design and prep for Ghostbusters 2020.
In 2007, Duggal made her debut as a director on an award-winning short film to showcase the Chicago Spire, simultaneously designing all of the visual effects. Her career in movies began when she moved to Los Angeles to work as a Flame artist on Super Mario Bros. for Roland Joffe and Jake Eberts’ Lightmotive Fatman. She had previously been based in London, where she created high-resolution digital composites for Europe’s top advertising and design agencies. Her work included album covers for Elton John and Traveling Wilburys.
Already an accomplished compositor (she began in 1985 working on early generation paint software), in 1992 Duggal worked as a Flame artist on the world’s first Flame feature production. Soon after, she was hired by Industrial Light & Magic as a supervising lead Flame artist on a number of high-profile projects (Mission: Impossible, Congo and The Indian in the Cupboard). In 1996, Duggal left ILM to join Sony Pictures Imageworks as creative director of high-speed compositing and soon began to take on the additional responsibilities of visual effects supervisor. She was production-side VFX supervisor for multiple directors during this time, including Jane Anderson (The Prize Winner of Defiance, Ohio), Peter Segal (50 First Dates and Anger Management) and Ridley Scott (Body of Lies and Matchstick Men).
In addition to feature films, Duggal has also worked on a number of design projects. In 2013 she designed the logo and the main-on-ends for Agent Carter. She was production designer for SIGGRAPH Electronic Theatre 2001, and she created the title design for the groundbreaking Technology Entertainment and Design conference (TED) in 2004.
Duggal is also a published photographer and traveled to Zimbabwe and Malawi on her last assignment on behalf of UK water charity Pump Aid, where she was photo-documenting how access to clean water has transformed the lives of thousands of people in rural areas.
Duggal is a member of the Academy of Motion Pictures Arts and Sciences and serves on the executive committee for the VFX branch.