At IBC in Amsterdam, Panasonic is showing its new cinema-ready version of the VariCam 35, featuring a jointly-developed Codex recorder capable of uncompressed, 4K RAW acquisition.
The VariCam Pure is the latest addition to the company’s family of pro cinematography products. A co-production between Panasonic and Codex, it couples the existing VariCam 35 camera head with a new Codex V-RAW 2.0 recorder, suited for episodic television shows and feature films.
The V-RAW 2.0 recorder attaches directly to the back of the VariCam 35 camera head. As a result, the camera retains the same Super 35 sensor, 14+ stops of latitude and dual native 800/5000 ISO as the original VariCam 35.
“The new VariCam Pure camera system records pure, uncompressed RAW up to 120 fps onto the industry-standard Codex Capture Drive 2.0 media, already widely used by many camera systems, post facilities and studios,” said Panasonic senior product manager Steven Cooperman. “There is significant demand for uncompressed RAW recording in the high-end market. The modular concept of the VariCam has enabled us to meet this demand. We’ve also listened to feedback from cinematographers and camera operators and ensured that the VariCam Pure is rugged, compact and lightweight, weighing just 11 pounds.”
Codex will provide a dailies and archiving workflow available through its Production Suite. In addition, the Codex Virtual File system means users can transfer many file formats, including Panasonic VRAW, Apple ProRes and Avid DNxHR.
Along with the original camera negative, frame-accurate metadata (such as lens and CDL data) can also be captured, streamlining production and post, and delivering time and cost savings.
The V-RAW 2.0 recorder for VariCam Pure is scheduled for release in December 2016 with a suggested list price of $30,000.