NAME: Trent Johnson
COMPANY: MTI Film
CAN YOU DESCRIBE YOUR COMPANY?
MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development.
AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE?
In order to be excellent in this profession you have to be obsessive about the details, because it is in the composite of details that the whole mood and tempo of the show comes alive.
At this point in the post process, I may even become more passionate about certain aspects of the project than the clients. With years of experience under my belt, I have mastered many tricks of the trade that clients may or may not be aware of. I can see what needs to be corrected in lighting and color to make the director, cinematographer and producer’s vision for the piece become a reality.
It is my responsibility to make it right and I take this responsibility very seriously and down to the tiniest detail. For example, I can unify inconsistent shots, change the time of day, augment special effects that have to be married into practical photography, tint color to affect an emotional response from the audience and enhance the appearance of characters, to name a few. The addition of my creative input to the creative process – at the direction of the creative heads of a project – serves as the icing on the cake. It’s the final perfection of the product before it’s delivered and released.
WHAT SYSTEMS DO YOU WORK ON?
I am proficient on Nucoda, Resolve and Baselight.
ARE YOU SOMETIMES ASKED TO DO MORE THAN JUST COLOR ON PROJECTS? IF SO, CAN YOU DESCRIBE?
I take on light editorial tasks: compositing, speed changes, titling, etc. For a restoration project it could be sifting through various elements to choose the best quality.
The Emoji Movie
WHAT’S YOUR FAVORITE PART OF THE JOB?
I have lots of favorites. First is working with very talented creative clients who know what they want and how to communicate a vision. Sitting in a theatre with these creative giants, over a period of several days, an atmosphere of camaraderie develops. This has resulted in many wonderful working relationships.
Second, I love being given a challenge on a film or TV project and then being able to meet or exceed expectations. I have always said there are two kinds of people in this world: those who give you reasons why they can’t do something and those who give you reasons why something that seems impossible can be done. I like to be the guy that figures out how to make it happen for a client, even though it may be out of the wheelhouse of most color correctors.
Third, once I meet a challenge and succeed in enhancing the creative vision of the client to an unexpected level, I like reviewing what I colored and how it’s made everything come together according to the vision. I thoroughly enjoy looking at what I colored yesterday and liking it, not to mention witnessing my client’s satisfaction with the final product.
WHAT’S YOUR LEAST FAVORITE?
Rushing through the grade. I’m a perfectionist and like to refine a look until everyone in the room is pleased. I’m willing to put the time to get it right.
IF YOU DIDN’T HAVE THIS JOB, WHAT WOULD YOU BE DOING INSTEAD?
I edited as well as colored early in my career. I could have easily pursued editing, as I enjoy it quite a lot. I like focusing on performances and finding the magic moments in shots and scenes and piecing it all together to move the story forward. I bring these skills into the color bay every day and draw on them by using color to amplify and strengthen the storyline of the project I’m working on.
HOW EARLY ON DID YOU KNOW THIS WOULD BE YOUR PATH?
As a child I binge-watched TV shows and movies and developed a love of classic Hollywood. I can walk into a room and glance at a movie and usually know what the title is. My kids get a kick out of that. I have a bit of a photographic memory in that sense. This has come in handy because I not only remember the movie, but the color and lighting as well, and how it was used in that particular instance to create a mood.
As I grew into my teens, I decided to make that movie-watching time investment pay off. I bought a Super 8 camera in high school and began making movies with my friends. I’ve never looked back. I majored in film production at the collegiate level at USC and San Diego State University. I started my career at Complete Post in Hollywood, and the rest is history.
CAN YOU NAME SOME RECENT PROJECTS YOU HAVE WORKED ON?
I recently worked on Overboard for MGM, Proud Mary for Screen Gems and The Emoji Movie for Sony/Columbia.
WHAT IS THE PROJECT THAT YOU ARE MOST PROUD OF?
I’ve worked on all the Smurfs movies. I started on the animated TV series early in my career and was hired to color correct all three of the motion pictures. The most challenging aspect of these movies early on was the combination live action and animation.
I became known as the “Smurf Blue guy” for keeping the characteristic blue color of the characters consistent. I especially enjoyed working with the animation clients on these shows because they are extremely precise, and I respect that.
A close second favorite is the motion picture Burlesque. The cinematography on that film was executed brilliantly; it featured dramatic dance numbers enhanced with creative lighting, had an avant-garde cast and was a throw-back to old Hollywood.
WHERE DO YOU FIND INSPIRATION? ART? PHOTOGRAPHY?
I feel as connected to the old as to the new. Technology is always morphing, and the way movies are made constantly in flux. This is a source of fascination to me, and I’m inspired by the way all forms of art both reflect and influence culture. I study how camerawork and lighting techniques come and go, and how they were and are effectively used artistically in movies past and present. How to communicate different facets of life is the fundamental inspiration for art. What I do is a technical art form, so it draws deeply on these principles.
NAME SOME TECHNOLOGY YOU CAN’T LIVE WITHOUT.
XM Radio, television, my iPhone and my coffeemaker.
WHAT SOCIAL MEDIA CHANNELS DO YOU FOLLOW?
I thoroughly enjoy reading blogs, and especially listening to podcasts of cinematographers and other colorists to stay current on innovation trends. Anything to do with the industry on Facebook, YouTube, etc. is always interesting to me.
WHAT DO YOU DO TO DE-STRESS FROM IT ALL?
Sinatra, classic radio shows and pastry. Actually, it’s my sense of humor that keeps me going. Also, coming home to my loving family and being highly involved in my children’s lives is my lifeblood.