Signiant will be at IBC this year showing off new capabilities to its SDCX (Software-Defined Content Exchange) SaaS platform designed to simplify secure content exchange between companies. These capabilities will appear first in the company’s newest product, Signiant Jet, which makes it easy to automate and accelerate the transfer of large files between geographically dispersed locations.
Targeted at “lights-out” use cases, Jet meets the growing need to replace scripted FTP and legacy transfer tools with a faster, more reliable and more secure alternative. Jet was first introduced at the 2019 NAB Show. Jet is built on Signiant’s innovative SDCX SaaS platform, which also underpins the company’s widely deployed Media Shuttle solution that sends and shares large files around the world.
At IBC, Jet will include the new content exchange capabilities, offering a secure cloud handshake mechanism that simplifies intercompany transfers. The new functionality enables Jet customers to make storage endpoints private, discoverable to all or discoverable only to select partners in their supply chain. Via a secure web interface, companies can request a connection with a partner. Once both sides accept, specific jobs can be configured and mutually approved to allow for secure, automated transfers between the companies. Jet’s predictable pricing model makes it accessible to companies of all sizes and enables easy cost sharing for intercompany content exchange.
At NAB 2018, Arvato Systems previewed an on-demand, SaaS edition of VPMS EditMate, the company’s production asset management system for Adobe Premiere Pro CC.
According to Arvato, the new SaaS version of EditMate addresses the complexity of today’s editing projects by bringing all projects and media into a single, searchable library and eliminating complex folder structures. EditMate also manages project templates, automatically importing regularly used media assets (IDs, graphics, bugs, etc.) into projects and setting up sequence parameters.
The high bit rates of large file sizes can make remote editing tedious and in some cases impractical. EditMate addresses this with an adaptive streaming engine that uses available bandwidth to deliver a high-quality, full-HD “proxy.” This gives users the full Premiere Pro CC experience and toolset without requiring them to wait for or copy large media files. Once users complete an edit, they can check in sequences or subclips “to air” or for review. All of the rendering and high-res creation happens back in the facility or wherever the original material is stored.
A trial version of the EditMate on-demand offering will be available through a web portal alongside entry-level packages for small-to-medium-sized workgroups and advanced packages that include the remote editing features. Additional seats can be added as needed on a monthly basis while enterprise-wide and “private cloud” deployments will also be available on request.