Molinare has officially opened a new ADR suite in its Soho studio in anticipation of increased ADR output and to complement last month’s CAS award-winning ADR work on Fleabag. Other recent ADR credits for the company include Good Omens, The Capture and Strike Back. Molinare sister company Hackenbacker also picked up some award love with a a BAFTA TV Craft and an AMPS award for Killing Eve.
Molinare and Hackenbacker’s audio setup includes nine mixing theaters, three of which have Dolby 5.1/7.1 Theatrical or Commercials & Trailers Certification, and one has full Dolby Atmos home entertainment mix capability.
Molinare works on high-end TV dramas, feature films, feature documentaries and TV reality programming. Recent audio credits include BBC One’s Dracula, The War of the Worlds from Mammoth Screen and Worzel Gummidge. Hackenbacker has recently worked on HBO’s Avenue 5 for returning director Armando Iannucci and Carnival Film’s Downton Abbey and has contributed to the latest season of Peaky Blinders.
Molinare has promoted Nigel Bennett to the role of managing director. He joined the studio earlier this year from Pinewood Studios, where over a 20-year period he worked his way up from re-recording mixer to group director of creative services, a position that he held since 2014.
Bennett’s responsibilities include growing revenue across feature film, TV drama, feature documentaries and reality TV. Over the coming months he will work with the existing senior team at Molinare to implement a new business growth and investment plan with the full support of Molinare’s shareholders, Saphir Capital and Next Wave Partners.
Bennett replaces Julie Parmenter, who has left the company after seven years. While at Molinare, Parmenter was integral to maintaining the successful Molinare brand, subsequent acquisition of Hackenbacker and expansion into Hoxton.
Nigel Bennett will be joining London’s Molinare as commercial director. He was most recently at Pinewood Studios and starts in May. Bennett brings experience managing creative, technical and financial pressures within post production.
At Pinewood Studios, Bennett was the group director of creative services, a position he had held since 2014, where he oversaw the opening of Pinewood Digital in Atlanta. With a career in post, Nigel worked his way up from re-recording mixer, through operations management across film, TV and games, head of operations of digital content services, up to his most recent role.
As a re-recording mixer at Shepperton Studios, he worked on a range of titles such as Nanny McPhee, Troy, Love Actually, Gosford Park and Last Orders. The London facility looks to build on the success of award-winning dramas Killing Eve and Bodyguard, the Primetime Emmy award-nominated Patrick Melrose, the documentary Three Identical Strangers and feature Mission: Impossible – Fallout, all from last year.