Tag Archives: HPA

COVID-19: How our industry is stepping up

We’ve been using this space to talk about how companies are discounting products, raising money and introducing technology to help with remote workflows, as well as highlighting how pros are personally pitching in.

Here are the latest updates, followed by what we’ve gathered to date:

Adobe
Adobe has made a $4.5 million commitment to trusted organizations that are providing vital assistance to those most in need.

• Adobe is joining forces with other tech leaders in the Bay Area to support the COVID-19 Coronavirus Regional Response Fund of the Silicon Valley Community Foundation, a trusted foundation that serves a network of local nonprofits. Adobe’s $1 million donation will help provide low-income people in Santa Clara County through The Santa Clara County Homelessness Prevention System Financial Assistance Program  with immediate financial assistance to help pay rent or meet other basic needs. Additionally, Adobe is donating $250,000 to the Valley Medical Center Foundation to purchase life-saving ventilators for Bay Area hospitals.
• Adobe has donated $1 million to the COVID-19 Fund of the International Federation of Red Cross and Red Crescent Societies, the recognized global leader in providing rapid disaster relief and basic human and medical services. Adobe’s support will help aid vulnerable communities impacted by COVID-19 around the world. This is in addition to the $250,000 the company is donating to Direct Relief as a part of Adobe’s #HonorHeroes campaign.
• To support the community in India, Adobe is donating $1 million towards the American India Foundation (AIF) and the Akshaya Patra Foundation. The donation will help AIF source much-needed ventilators for hospitals, while the grant for Akshaya Patra will provide approximately 5 million meals to impacted families.

Harbor
Harbor is releasing Inspiration in Isolation, a new talk series that features filmmakers in candid conversation about their creative process during this unprecedented time and beyond. The web series aims to reveal the ideas and rituals that contribute to their creative process. The premiere episode features celebrated cinematographer Bradford Young and senior colorist Joe Gawler. The two, who are collaborators and friends, talk community, family, adapting to change and much more.

The full-length episodes will be released on Harbor’s new platform, HarborPresents, with additional content on Harbor’s social media (@HarborPictureCo).

HPA
The HPA has formed the HPA Industry Recovery Task Force, which will focus on sustainably resuming production and post services, with the aim of understanding how to enable content creation in an evolving world impacted by the pandemic.

The task force’s key objectives are:
• To serve as a forum for collaboration, communication and thought leadership regarding how to resume global production and post production in a sustainable fashion.
• To understand and influence evolving technical requirements, such as the impact of remote collaboration, work from home and other workflows that have been highlighted by the current crisis.
• To provide up-to-date information and access to emerging health and safety guidelines that will be issued by various governments, municipalities, unions, guilds, industry organizations and content creators.
• To provide collaborative support and guidance to those impacted by the crisis.

Genelec
Genelec is donating a percentage of every sale of its new Raw loudspeaker range to the Audio Engineering Society (AES) for the remainder of this year. Additionally, Genelec will fund 10 one-year AES memberships for those whose lives have been impacted by the COVID-19 crisis. A longtime sustaining member of AES, Genelec is making the donation to help sustain the society’s cash flow, which has been significantly affected by the coronavirus situation.

OWC
OWC has expanded its safety protocols, as they continue to operate as an essential business in Illinois. They have expanded their already strong standard operating practice in terms of cleanliness with additional surface disinfection actions, as well as both gloves and masks being used by their warehouse and build teams. Even before recent events, manufacturing teams used gloves to prevent fingerprinting units during build, but those gloves have new importance now. In addition, OWC has both MERV air filters in place and a UV air purifier, which combined are considered to be 99.999% effective in killing/capturing all airborne bacteria and viruses.

Red

For a limited time, existing DSMC2 and Red Ranger Helium and Gemini customers can purchase a Red Extended Warranty at a discounted price. Existing customers who are into their second year of warranty can pay the standard pricing they would receive within their first year instead of the markup price. For example, instead of paying $1,740 (the 20% markup), a DSMC2 Gemini owner who is in within the second year of warranty can purchase an Extended Warranty for $1,450.

This promotion has been extended to June 30. Adding the Red Extended Warranty not only increases the warranty coverage period but also provides benefits such as priority repair, expedited shipping, and premium technical support directly from Red. Customers also have access to the Red Rapid Replacement Program. Extended Warranty is also transferable to new owners if completing a Transfer of Ownership with Red.

DejaSoft
DejaSoft has extended its offering of giving editors 50% off all their DejaEdit licenses — it now goes through the end of June. In addition, the company will help users implement DejaEdit in the best way possible to suit their workflow. DejaEdit allows editors to share media files and timelines automatically and securely with remote co-workers around the world, without having to be online continuously. It helps editors working on Avid Nexis, Media Composer and EditShare workflows across studios, production companies and post facilities ensure that media files, bins and timelines are kept up to date across multiple remote edit stations.

Assimilate
Assimilate is offering all of its products — including Scratch 9.2, Scratch VR 9.2, PlayPro 9.2, Scratch Web and the recently released Live Looks and Live Assist — for free through October 31. Users can register for free licenses. Online tutorials are here and free access to Lowepost online Scratch training is here.

B&H
B&H is partnering with suppliers to donate gear to the teams at Mount Sinai and other NYC hospitals to help health care professionals and first responders stay in touch with their loved ones. Some much-needed items are chargers, power sources, battery packs and mobile accessories. B&H is supporting the Mayor’s Fund to Advance New York City and Direct Relief.

FXhome
FXhome last month turned the attention of its “Pay What You Want” initiative to direct proceeds to help fight Covid-19. This month, in an effort to teach the community new skills, and inspire them with new ideas to help them reinvent themselves, FXhome has today launched a new, entirely free Master Class series designed to teach everything from basic editing, to creating flashy title sequences, to editing audio and of course, learning basic VFX and compositing.

Nugen Audio 
Nugen Audio has a new “Staying Home, Staying Creative” initiative aimed at promoting collaboration and creativity in a time of social distancing. Included are a variety of videos, interviews and articles that will inspire new artistic approaches for post production workflows. The company is also providing temporary replacement licenses for any users who do not have access to their in-office workstations.

Already available on the Staying Creative web page is a special interview with audio post production specialist Keith Alexander. Building from his specialty in remote recording and sound design for broadcast, film and gaming, Alexander shares some helpful tips on how to work efficiently in a home-based setting and how to manage audio cleanup and broadcast-audio editing projects from home. There’s also an article focused on three ways to improve lo-fi drum recording in a less-than-ideal space.

Nugen is also offering temporary two-month licenses for current iLok customers, along with one additional Challenge Response license code authorization. The company has also reduced the prices of all products in its web store.

Tovusound 
Tovusound has extended its 20% discount until the end of the month and has added some new special offers.

The Spot Edward Ultimate Suite expansion, regularly $149, is now $79 with coupon. It adds the Spot creature footstep and movement instrument to the Edward footstep, cloth and props designer. Customers also get free WAV files with the purchase of all Edward instruments and expansions and with all Tovusound bundles. Anyone who purchased one of the applicable products after April 1 also has free access to the WAV files.

Tovusound will continue to donate an additional 10% of the sales price to the CleanOceanProject.org. Customers may claim their discounts by entering STAYHOME in the “apply coupon” field at checkout. All offers end on April 30.

 

Previous Updates

Object Matrix and Cinesys-Oceana
Object Matrix and Cinesys-Oceana are hosting a series of informal online Beer Roundtable events in the coming months. The series will discuss the various challenges with implementing hybrid technology for continuity, remote working and self-serve access to archive content.You can register for the next Beer Roundtable here. The sessions will be open, fun and relaxed. Participants are asked to grab themselves a drink and simply raise their glass when they wish to ask a question.

During the first session, Cinesys-Oceana CTO Brent Angle and Object Matrix CEO Jonathan Morgan will introduce what they believe to be the mandatory elements of the ultimate hybrid technology stack. This will be followed by a roundtable discussion hosted by Harry Skopas, director M&E solutions architecture and technical sales at Cinesys-Oceana, with guest appearances from the media and sports technology communities.

MZed
MZed, an online platform for master classes in filmmaking, photography and visual storytelling, is donating 20% of all sales to the Los Angeles Food Bank throughout April. For every new MZed Pro membership, $60 is donated, equating to 240 meals to feed hungry children, seniors and families. MZed serves the creative community, a large portion of which lives in the LA area and is being hit hard by the lockdown due to the coronavirus. MZed hopes to help play a role in keeping high-risk members of the community fed during a time of extreme uncertainty.

MZed has also launched a “Get One, Gift One” initiative. When someone purchases an MZed Pro membership, that person will not only be supporting the LA Food Bank but will instantly receive a Pro membership to give to someone else. MZed will email details upon purchase.

MZed offers hundreds of hours of training courses covering everything from photography and filmmaking to audio and lighting in courses like “The Art of Storytelling” with Alex Buono and Philip Bloom’s Cinematic Masterclass.

NAB Show
NAB Show’s new digital experience, NAB Show Express, will take place May 13-14. The platform is free and offers 24-hour access to three educational channels, on-demand content and a Solutions Marketplace featuring exhibitor product information, announcements and demos. Registration for the event will open on April 20 at NABShowExpress.com. Each channel will feature eight hours of content streamed daily and available on-demand to accommodate the global NAB Show audience. NAB Show Express will also offer NAB Show’s signature podcast, exploring relevant themes and featuring prominent speakers.

Additionally, NAB Show Express will feature three stand-alone training and executive leadership events for which separate registrations will be available soon. These include:
• Executive Leadership Summit (May 11), produced in partnership with Variety
• Cybersecurity & Content Protection Summit (May 12), produced in partnership with Content Delivery & Security Association (CDSA) and Media & Entertainment Services Alliance (MESA) – registration fees apply
• Post | Production World Online (May 17-19), produced in partnership with Future Media Conferences (FMC) – registration fees apply.

Atto 
Atto Technology is supporting content producers who face new workflow and performance challenges by making Atto Disk Benchmark for macOS more widely available and by updating Atto 360 tuning, monitoring and analytics software. Atto 360 for macOS and Linux have been updated for enhanced stability and include an additional tuning profile. The current Windows release already includes these updates. The software is free and can be downloaded directly from Atto.

Sigma
Sigma has launched a charitable giving initiative in partnership with authorized Sigma lens dealers nationwide. From now until June 30, 2020, 5% of all Sigma lens sales made through participating dealers will be donated to a charitable organization of the dealers’ choice. Donations will be made to organizations working on COVID-19 relief efforts to help ease the devastation many communities are feeling as a result of the global crisis. A full list of participating Sigma dealers and benefiting charities can be found here.

FXhome 
To support those who are putting their lives on the line to provide care and healing to those impacted by the global pandemic, FXhome is adding Partners In Health, Doctors Without Borders and the Center for Disaster Philanthropy as new beneficiaries of the FXhome “Pay What You Want” initiative.

Pay What You Want is a goodwill program inspired by the HitFilm Express community’s desire to contribute to the future development of HitFilm Express, the company’s free video editing and VFX software. Through the initiative, users can contribute financially, and those funds will be allocated for future development and improvements to HitFilm. Additionally, FXhome is contributing a percentage of the proceeds to organizations dedicated to global causes important to the company and its community. The larger the contribution from customers, the more FXhome will donate.

Besides adding the three new health-related beneficiaries, FXhome has extended its campaign to support each new cause from one month to three months, beginning in April and running through the end of June. A percentage of all proceeds of revenues generated during this time period will be donated to each cause.

Covid-19 Film and TV Emergency Relief Fund
Created by The Film and TV Charity in close partnership with the BFI, the new COVID-19 Film and TV Emergency Relief Fund provides support to the many thousands of active workers and freelancers who have been hit hardest by the closure of productions across the UK. The fund has received initial donations totaling £2.5 million from Netflix, the BFI, BBC Studios, BBC Content, WarnerMedia and several generous individuals.

It is being administered by The Film and TV Charity, with support from BFI staff. The Film and TV Charity and the BFI is covering all overheads, enabling donations to go directly to eligible workers and freelancers across film, TV and cinema. One-off grants of between £500 and £2,500 will be awarded based on need. Applications for the one-off grants can be made via The Film and TV Charity’s website. The application process will remain open for two weeks.

The Film and TV Charity also has a new COVID-19 Film and TV Repayable Grants Scheme offering support for industry freelancers waiting for payments under the Government’s Self-employment Income Support Scheme. Interest-free grants of up to £2,000 will be offered to those eligible for Self-employment Income Support but who are struggling with the wait for payments in June. The Covid-19 Film and TV Repayable Grants Scheme opens April 15. Applicants will have one week to make a claim via The Film and TV Charity’s website.

Lenovo
Lenovo is offering a free 120-day license of Mechdyne’s TGX Remote Desktop software, which uses Nvidia Quadro GPUs and a built-in video encoder to compress and send information from the host workstation to the end-point device to decode. This eliminates lag on complex and detailed application files.

Teams can share powerful, high-end workstation resources across the business, easily dialing up performance and powerful GPUs from their standard workstation to collaborate remotely with coworkers around the world.

Users keep data and company IP secure on-site while reducing the risk of data breaches and remotely administering computer hardware assets from anywhere, anytime.
Users install the trial on their host workstations and install the receiver software on their local devices to access their applications and projects as if they were in the office.

Ambidio 
To help sound editors, mixers and other post pro who suddenly find themselves working from home, Ambidio is making its immersive sound technology, Ambidio Looking Glass, available for free. Sound professionals can apply for a free license through Ambidio’s website. Ambidio is also waiving its per-title releasing fee for home entertainment titles during the current cinema shutdown. It applies to new titles that haven’t previously been released through Blu-ray, DVD, digital download or streaming. The free offer is available through May 31.

Ambidio Looking Glass can be used as a monitoring tool for theatrical and television projects requiring immersive sound. Ambidio Looking Glass produces immersive sound that approximates what can be achieved on a studio mix stage, except it is playable through standard stereo speaker systems. Editors and mixers working from home studios can use it to check their work and share it with clients, who can also hear the results without immersive sound playback systems.

“The COVID-19 pandemic is forcing sound editors and mixers to work remotely,” says Ambidio founder Iris Wu. “Many need to finish projects that require immersive sound from home studios that lack complex speaker arrays. Ambidio Looking Glass provides a way for them to continue working with dimensional sound and meet deadlines, even if they can’t get to a mix stage.”

Qumulo
Through July 2020, Qumulo is offering its cloud-native file software for free to public and private-sector medical and health care research organizations that are working to minimize the spread and impact of the COVID-19 virus.

“Research and health care organizations across the world are working tirelessly to find answers and collaborate faster in their COVID-19 vaccine mission,” said Matt McIlwain, chairman of the board of trustees of the Fred Hutchinson Cancer Research Center and managing partner at Madrona Venture Group. “It will be through the work of these professionals, globally sharing and analyzing all available data in the cloud, that a cure for COVID-19 will be discovered.”

Qumulo’s cloud-native file and data services allows organizations to use the cloud to capture, process, analyze and share data with researchers distributed across geographies. Qumulo’s software works seamlessly with the applications medical and health care researchers have been using for decades, as well as with artificial intelligence and analytics services more recently developed in the cloud.

Medical organizations can register to use Qumulo’s file software in the cloud, which will be deployable through the Amazon Web Services and Google Cloud marketplaces.

Goldcrest Post
Goldcrest Post has established the capability to conduct most picture and sound post production work remotely. Colorists, conform editors and other staff are now able to work from home or a remote site and connect to the facility’s central storage and technical resources via remote collaboration software. Clients can monitor work through similar secure, fast and reliable desktop connections.

The service allows Goldcrest to ensure theatrical and television projects remain on track while allowing clients to oversee work in as normal a manner as possible under current circumstances.

Goldcrest has set up a temporary color grading facility at a remote site convenient for its staff colorists. The site includes a color grading control panel, two color-calibrated monitors and a high-speed connection to the main Goldcrest facility. The company has also installed desktop workstations and monitors in the homes of editors and other staff involved in picture conforming and deliverables. Sound mixing is still being conducted on-site, but sound editorial and ancillary sound work is being done from home.In taking these measures, the facility has reduced its on-site staff to a bare minimum while keeping workflow disruption to a minimum.

Ziva Dynamics
Ziva Dynamics is making Ziva VFX character simulation software free for students and educators. The same tools used on Game of Thrones, Hellboy and John Wick: Chapter 3 are now available for noncommercial projects, offering students the chance to learn physics-based character creation before they graduate. Ziva VFX Academic licenses are fully featured and receive the same access and support as other Ziva products.

In addition to the software, Ziva Academic users will now receive free access to Ziva Dynamics’ simulation-ready assets Zeke the Lion (previously $10,000) and Lila the Cheetah. Thanks to Ziva VFX’s Anatomy Transfer feature, the Zeke rig has helped make squirrels, cougars, dogs and more for films like John Wick 3, A Dog’s Way Home and Primal.

Ziva Dynamics will also be providing a free Ziva Academic floating lab license to universities so students can access the software in labs across campuses whenever they want. Ziva VFX Academic licenses are free and open to any fully accredited institution, student, professor or researcher (an $1,800 value). New licenses can be found in the Ziva store and are provided following a few eligibility questions. Academic users on the original paid plan can now increase their license count for free.

OpenDrives 
OpenDrives’ OpenDrives Anywhere is an in-place private cloud model that enables customers with OpenDrives to work on the same project from multiple locations without compromising performance. With existing office infrastructure, teams already have an in-place private cloud and can extend its power to each of their remote professionals. No reinvestment in storage is needed.

Nothing changes from a workflow perspective except physical proximity. With simple adjustments, remote control of existing enterprise workstations can be extended via a secure connection. HP’s ZCentral Remote Boost (formerly RGS) software will facilitate remote access over secure connection to your workstations, or Teradici can provide both dedicated external hardware and software solutions for this purpose, giving teams the ability to support collaborative workflows at low cost. OpenDrives can also get teams quickly set up in under two hours on a corporate VPN and in under 24 hours without.

Prime Focus Technologies 
Prime Focus Technologies (PFT), the technology arm of Prime Focus, has added new features and advanced security enhancements to Clear to help customers embrace the virtual work environment. In terms of security, Clear now has a new-generation HTML 5 player enabled with Hollywood-grade DRM encryption. There’s also support for just-in-time visual watermarking embedded within the stream for streaming through Clear as a secure alternative to generating watermarking on the client side.

Clear also has new features that make it easier to use, including direct and faster download from S3 and Azure storage, easier partner onboarding and an admin module enhancement with condensed permissions to easily handle custom user roles. Content acquisition is made easier with a host of new functionalities to simplify content acquisition processes and reduce dependencies as much as possible. Likewise, for easier content servicing, there is now automation in content localization, to make it easier to perform and review tasks on Clear. For content distribution, PFT has enabled on-demand cloud distribution on Clear through the most commonly used cloud technologies.

Brady and Stephenie Betzel
Many of you know postPerspective contributor and online video editor Brady Betzel from his great reviews and tips pieces. During this crisis, he is helping his wife, Stephenie, make masks for her sister (a nurse) and colleagues working at St. John’s Regional Medical Center in Oxnard, California, in addition to anyone else who works on the “front lines.” She’s sewn over 300 masks so far and is not stopping. Creativity and sewing is not new to her. Her day job is also creating. You can check out her work on Facebook and Instagram.

Object Matrix 
Object Matrix co-founder Nick Pearce has another LinkedIn dispatch, this time launching Good News Friday, where folks from around the globe check in with good news!  You can also watch it on YouTube. Pearce and crew are also offering video tips for surviving working from home. The videos, hosted by Pearce, and are updated weekly. Check them out  here.

Conductor
Conductor is waiving charges for orchestrating renders in the cloud. Updated pricing is reflected in the cost calculator on Conductor’s Pricing page. These changes will last at least through May 2020. To help expedite any transition needs, the Conductor team will be on call for virtual render wrangling of cloud submissions, from debugging scenes and scripts to optimizing settings for cost, turnaround time, etc. If you need this option, then email support@conductortech.com.

Conductor is working with partners to set up online training sessions to help studios quickly adopt cloud strategies and workflows. The company will send out further notifications as the sessions are formalized. Conductor staff is also available for one-on-one studio sessions as needed for those with specific pipeline considerations.

Conductor’s president and CEO Mac Moore said this: “The sudden onset of this pandemic has put a tremendous strain on our industry, completely changing the way studios need to operate virtually overnight. Given Conductor was built on the ‘work from anywhere’ premise, I felt it our responsibility to help studios to the greatest extent possible during this critical time.”

Symply
Symply is providing as many remote workers in the industry as possible with a free 90-day license to SymplyConveyor, its secure, high-speed transfer and sync software. Symply techs will be available to install SymplyConveyor remotely on any PC, Mac or Linux workstation pair or server and workstation.

The no-obligation offer is available at gosymply.com. Users sign up, and as long as they are in the industry and have a need, Symply techs will install the software. The number of free 90-day licenses is limited only by Symply’s ability to install them given its limited resources.

Foundry
Foundry has reset its trial database so that users can access a new 30-day trial for all products regardless of the date of their last trial. The company continues to offer unlimited non-commercial use of Nuke and Mari. On the educational side, students who are unable to access school facilities can get a year of free access to Nuke, Modo, Mari and Katana.

They have also announced virtual events, including:

• Foundry LiveStream – a series of talks around projects, pipelines and tools.
• Foundry Webinars – A 30 to 40-minute technical deep dive into Foundry products, workflows and third-party tools.
• Foundry Skill-Ups – A 30-minute guide to improving your skills as a compositor/lighter/texture artist to get to that next level in your career.
• Foundry Sessions – Special conversations with our customers sharing insights, tips and tricks.
• Foundry Workflow Wednesdays –10-minute weekly videos posted on social media showing tips and tricks with Nuke from our experts.

Alibi Music Library
Alibi Music Library is offering free whitelisted licensing of its Alibi Music and Sound FX catalogs to freelancers, agencies and production companies needing to create or update their demo reels during this challenging time.

Those who would like to take advantage of this opportunity can choose Demo Reel 2020 Gratis from the shopping cart feature on Alibi’s website next to any desired track(s). For more info, click here.

2C Creative
Caleb & Calder Sloan’s Awesome Foundation, the charity of 2C Creative founders Chris Sloan and Carla Kaufman Sloan, is running a campaign that will match individual donations (up to $250 each) to charities supporting first responders, organizations and those affected by COVID-19. 2C is a creative agency & production company serving the TV/streaming business with promos, brand integrations, trailers, upfront presentations and other campaigns. So far, the organization’s “COVID-19 Has Met Its Match” campaign has raised more than $50,000. While the initial deadline date for people to participate was April 6, this has now been extended to April 13. To participate, please visit ccawesomefoundation.org for a list of charities already vetted by the foundation or choose your own. Then, simply email a copy of your donation receipt to: cncawesomefoundation@gmail.com and they will match it!

Red Giant 
For the filmmaking education community, Red Giant is offering Red Giant Complete — the full set of tools including Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite — free for students or faculty members of a university, college or high school. Instead of buying separate suites or choosing which tools best suits one’s educational needs or budget, students and teachers can get every tool Red Giant makes completely free of charge. All that’s required is a simple verification.

How to get a free Red Giant Complete license if you are a student, teacher or faculty member:
1. Use school or organization ID or any proof of current employment or enrollment for verification. More information on academic verification is available here.
2. Send your academic verification to academic@redgiant.com.
3. Wait for approval via email before purchasing.
4. Once you get approval, go to the Red Giant Complete Product Page and “buy” your free version. You will only be able to buy the free version if you have been pre-approved.

The free education subscription will last 180 days. When that time period ends, users will need to reverify their academic status to renew their free subscription.

Flanders Scientific
Remote collaboration and review benefits greatly from having the same type of display calibrated the same way in both locations. To help facilitate such workflow consistency, FSI is launching a limited time buy one, get one for $1,000 off special on its most popular monitor, the DM240.

Nvidia
For those pros needing to power graphics workloads without local hardware, cloud providers, such as Amazon Web Services and Google Cloud, offer Nvidia Quadro Virtual Workstation instances to support remote, graphics-intensive work quickly without the need for any on-prem infrastructure. End-users only need a connected laptop or thin client, as the virtual workstations support the same Nvidia Quadro drivers and features as the physical Quadro GPUs used by pro artists and designers in local workstations.

Additionally, last week, Nvidia has expanded its free virtual GPU software evaluation to 500 licenses for 90 days to help companies support their remote workers with their existing GPU infrastructure. Nvidia vGPU software licenses — including Quadro Virtual Workstation — enable GPU-accelerated virtualization so that content creators, designers, engineers and others can continue their work. More details are available here.  Nvidia has also posted a separate blog on virtual GPUs to help admins who are working to support remote employees

Harman
Harman is offering a free e-learning program called Learning Sessions in conjunction with Harman Pro University.

The Learning Sessions and the Live Workshop Series provide a range of free on-demand and instructor-led webinars hosted by experts from around the world. The Industry Expert workshops feature tips and tricks from front of house engineers, lighting designers, technicians and other industry experts, while the Harman Expert workshops feature in-depth product and solution webinars by Harman product specialists.

• April 7—Lighting for Churches: Live and Video with Lucas Jameson and Chris Pyron
• April 9—Audio Challenges in Esports with Cameron O’Neill
• April 15—Special Martin Lighting Product Launch with Markus Klüesener
• April 16—Lighting Programming Workshop with Susan Rose
• April 23—Performance Manager: Beginner to Expert with Nowell Helms

Apple
Apple is offering free 90-day trials of Final Cut Pro X and Logic Pro X apps for all in order to help those working from home and looking for something new to master, as well as for students who are already using the tools in school but don’t have the apps on their home computers.

Avid
For its part, Avid is offering free temp licenses for remote users of the company’s creative tools. Commercial customers can get a free 90-day license for each registered user of Media Composer | Ultimate, Pro Tools, Pro Tools | Ultimate and Sibelius | Ultimate. For students whose school campuses are closed, any student of an Avid-based learning institution that uses Media Composer, Pro Tools or Sibelius can receive a free 90-day license for the same products.

Aris
Aris, a full-service production and post house based in Los Angeles, is partnering with ThinkLA to offer free online editing classes for those who want to sharpen their skills while staying close to home during this worldwide crisis. The series will be taught by Aris EP/founder Greg Bassenian, who is also an award-winning writer and director. He has also edited numerous projects for clients including Coca-Cola, Chevy and Zappos.

mLogic
mLogic is offering a 15% discount on its mTape Thunderbolt 3 LTO-7 and LTO-8 solutions The discount applies to orders placed on the mTape website through April 20th. Use discount code mLogicpostPerspective15%.

Xytech
Xytech has launched “Xytech After Dark,” a podcast focusing on trends in the media and broadcasting industries. The first two episodes are now available on iTunes, Spotify and all podcasting platforms.

Xytech’s Greg Dolan says the podcast “is not a forum to sell, but instead to talk about why create the functionality in MediaPulse and the types of things happening in our industry.”

Hosted by Xytech’s Gregg Sandheinrich, the podcast will feature Xytech staff, along with special guests. The first two episodes cover topics including the recent HPA Tech Retreat (featuring HPA president Seth Hallen), as well as the cancellation of the NAB Show, the value of trade shows and the effects of COVID-19 on the industry.

Adobe
Adobe shared a guide to best practices for working from home. It’s meant to support creators and filmmakers who might be shifting to remote work and need to stay connected with their teams and continue to complete projects. You can find the guide here.

Adobe’s principal Creative Cloud evangelist, Jason Levine, hosted a live stream — Video Workflows With Team Projects that focus on remote workflows.

Additionally, Karl Soule, Senior Technical Business Development Manager, hosed a stream focusing on Remote video workflows and collaboration in the enterprise. If you sign up on this page, you can see his presentation.

Streambox
Streambox has introduced a pay-as-you-go software plan for video professionals who use its Chroma 4K, Chroma UHD, Chroma HD and Chroma X streaming encoder/decoder hardware. Since the software has been “decoupled” from the hardware platform, those who own the hardware can rent the software on a monthly basis, pause the subscription between projects and reinstate it as needed. By renting software for a fixed period, creatives can take on jobs without having to pay outright for technology that might have been impractical

Frame.io 
Through the end of March, Frame.io is offering 2TB of free extra storage .capacity for 90 days. Those who could use that additional storage to accommodate work from home workflows should email rapid-response@frame.io to get it set up.

Frame.io is also offering free Frame.io Enterprise plans for the next 90 days to support educational institutions, nonprofits and health care organizations that have been impacted. Please email rapid-response@frame.io to set up this account.

To help guide companies through this new reality of remote working, Frame.io is launching a new “Workflow From Home” series on YouTube, hosted by Michael Cioni, with the first episode launching Monday, March 23rd. Cioni will walk through everything artists need to keep post production humming as smoothly as possible. Subscribe to the Frame.io YouTube channel to get notified when it’s released.

EditShare
EditShare has made its web-based, remote production and collaboration tool, Flow Media Management, free through July 1st. Flow enables individuals as well as large creative workgroups to collaborate on story development with capabilities to perform extensive review approval from anywhere in the world. Those interested can complete this form and one of EditShare’s Flow experts will follow up.

Veritone 
Veritone will extend free access to its core applications — Veritone Essentials, Attribute and Digital Media Hub — for 60 days. Targeted to media and entertainment clients in radio, TV, film, sports and podcasting, Veritone Essentials, Attribute, and Digital Media Hub are designed to make data and content sharing easy, efficient and universal. The solutions give any workforce (whether in the office or remote) tools that accelerate workflows and facilitate collaboration. The solutions are fully cloud-based, which means that staff can access them from any home office in the world as long as there is internet access.

More information about the free access is here. Certain limitations apply. Offer is subject to change without notice.

SNS
In an effort to quickly help EVO users who are suddenly required to work on editing projects from home, SNS has released Nomad for on-the-go, work-from-anywhere, remote workflows. It is a simple utility that runs on any Mac or Windows system that’s connected to EVO.

Nomad helps users repurpose their existing ShareBrowser preview files into proxy files for offline editing. These proxy files are much smaller versions of the source media files, and therefore easier to use for remote work. They take up less space on the computer, take less time to copy and are easier to manage. Users can edit with these proxy files, and after they’re finished putting the final touches on the production, their NLE can export a master file using the full-quality, high-resolution source files.

Nomad is available immediately and free to all EVO customers.

Ftrack
Remote creative collaboration tool ftrack Review is free for all until May 31. This date might extend as the global situation continues to unfold. ftrack Review is an out-of-the-box remote review and approval tool that enables creative teams to collaborate on, review and approve media via their desktop or mobile browser. Contextual comments and annotations eliminate confusion and reduce reliance on email threads. ftrack Review accepts many media formats as well as PDFs. Every ftrack Review workspace receives 250 GB of storage.

Cinedeck 
Cinedeck’s cineXtools allows editing and correcting your file deliveries from home.
From now until April 3rd, pros can get a one month license of cineXtools free of charge.

 

 

2019 HPA Award winners announced

The industry came together on November 21 in Los Angeles to celebrate its own at the 14th annual HPA Awards. Awards were given to individuals and teams working in 12 creative craft categories, recognizing outstanding contributions to color grading, sound, editing and visual effects for commercials, television and feature film.

Rob Legato receiving Lifetime Achievement Award from presenter Mike Kanfer. (Photo by Ryan Miller/Capture Imaging)

As was previously announced, renowned visual effects supervisor and creative Robert Legato, ASC, was honored with this year’s HPA Lifetime Achievement Award; Peter Jackson’s They Shall Not Grow Old was presented with the HPA Judges Award for Creativity and Innovation; acclaimed journalist Peter Caranicas was the recipient of the very first HPA Legacy Award; and special awards were presented for Engineering Excellence.

The winners of the 2019 HPA Awards are:

Outstanding Color Grading – Theatrical Feature

WINNER: “Spider-Man: Into the Spider-Verse”
Natasha Leonnet // Efilm

“First Man”
Natasha Leonnet // Efilm

“Roma”
Steven J. Scott // Technicolor

Natasha Leonnet (Photo by Ryan Miller/Capture Imaging)

“Green Book”
Walter Volpatto // FotoKem

“The Nutcracker and the Four Realms”
Tom Poole // Company 3

“Us”
Michael Hatzer // Technicolor

 

Outstanding Color Grading – Episodic or Non-theatrical Feature

WINNER: “Game of Thrones – Winterfell”
Joe Finley // Sim, Los Angeles

 “The Handmaid’s Tale – Liars”
Bill Ferwerda // Deluxe Toronto

“The Marvelous Mrs. Maisel – Vote for Kennedy, Vote for Kennedy”
Steven Bodner // Light Iron

“I Am the Night – Pilot”
Stefan Sonnenfeld // Company 3

“Gotham – Legend of the Dark Knight: The Trial of Jim Gordon”
Paul Westerbeck // Picture Shop

“The Man in The High Castle – Jahr Null”
Roy Vasich // Technicolor

 

Outstanding Color Grading – Commercial  

WINNER: Hennessy X.O. – “The Seven Worlds”
Stephen Nakamura // Company 3

Zara – “Woman Campaign Spring Summer 2019”
Tim Masick // Company 3

Tiffany & Co. – “Believe in Dreams: A Tiffany Holiday”
James Tillett // Moving Picture Company

Palms Casino – “Unstatus Quo”
Ricky Gausis // Moving Picture Company

Audi – “Cashew”
Tom Poole // Company 3

 

Outstanding Editing – Theatrical Feature

Once Upon a Time… in Hollywood

WINNER: “Once Upon a Time… in Hollywood”
Fred Raskin, ACE

“Green Book”
Patrick J. Don Vito, ACE

“Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese”
David Tedeschi, Damian Rodriguez

“The Other Side of the Wind”
Orson Welles, Bob Murawski, ACE

“A Star Is Born”
Jay Cassidy, ACE

 

Outstanding Editing – Episodic or Non-theatrical Feature (30 Minutes and Under)

VEEP

WINNER: “Veep – Pledge”
Roger Nygard, ACE

“Russian Doll – The Way Out”
Todd Downing

“Homecoming – Redwood”
Rosanne Tan, ACE

“Withorwithout”
Jake Shaver, Shannon Albrink // Therapy Studios

“Russian Doll – Ariadne”
Laura Weinberg

 

Outstanding Editing – Episodic or Non-theatrical Feature (Over 30 Minutes)

WINNER: “Stranger Things – Chapter Eight: The Battle of Starcourt”
Dean Zimmerman, ACE, Katheryn Naranjo

“Chernobyl – Vichnaya Pamyat”
Simon Smith, Jinx Godfrey // Sister Pictures

“Game of Thrones – The Iron Throne”
Katie Weiland, ACE

“Game of Thrones – The Long Night”
Tim Porter, ACE

“The Bodyguard – Episode One”
Steve Singleton

 

Outstanding Sound – Theatrical Feature

WINNER: “Godzilla: King of Monsters”
Tim LeBlanc, Tom Ozanich, MPSE // Warner Bros.
Erik Aadahl, MPSE, Nancy Nugent, MPSE, Jason W. Jennings // E Squared

“Shazam!”
Michael Keller, Kevin O’Connell // Warner Bros.
Bill R. Dean, MPSE, Erick Ocampo, Kelly Oxford, MPSE // Technicolor

“Smallfoot”
Michael Babcock, David E. Fluhr, CAS, Jeff Sawyer, Chris Diebold, Harrison Meyle // Warner Bros.

“Roma”
Skip Lievsay, Sergio Diaz, Craig Henighan, Carlos Honc, Ruy Garcia, MPSE, Caleb Townsend

“Aquaman”
Tim LeBlanc // Warner Bros.
Peter Brown, Joe Dzuban, Stephen P. Robinson, MPSE, Eliot Connors, MPSE // Formosa Group

 

Outstanding Sound – Episodic or Non-theatrical Feature

WINNER: “The Haunting of Hill House – Two Storms”
Trevor Gates, MPSE, Jason Dotts, Jonathan Wales, Paul Knox, Walter Spencer // Formosa Group

“Chernobyl – 1:23:45”
Stefan Henrix, Stuart Hilliker, Joe Beal, Michael Maroussas, Harry Barnes // Boom Post

“Deadwood: The Movie”
John W. Cook II, Bill Freesh, Mandell Winter, MPSE, Daniel Colman, MPSE, Ben Cook, MPSE, Micha Liberman // NBC Universal

“Game of Thrones – The Bells”
Tim Kimmel, MPSE, Onnalee Blank, CAS, Mathew Waters, CAS, Paula Fairfield, David Klotz

“Homecoming – Protocol”
John W. Cook II, Bill Freesh, Kevin Buchholz, Jeff A. Pitts, Ben Zales, Polly McKinnon // NBC Universal

 

Outstanding Sound – Commercial 

WINNER: John Lewis & Partners – “Bohemian Rhapsody”
Mark Hills, Anthony Moore // Factory

Audi – “Life”
Doobie White // Therapy Studios

Leonard Cheshire Disability – “Together Unstoppable”
Mark Hills // Factory

New York Times – “The Truth Is Worth It: Fearlessness”
Aaron Reynolds // Wave Studios NY

John Lewis & Partners – “The Boy and the Piano”
Anthony Moore // Factory

 

Outstanding Visual Effects – Theatrical Feature

WINNER: “The Lion King”
Robert Legato
Andrew R. Jones
Adam Valdez, Elliot Newman, Audrey Ferrara // MPC Film
Tom Peitzman // T&C Productions

“Avengers: Endgame”
Matt Aitken, Marvyn Young, Sidney Kombo-Kintombo, Sean Walker, David Conley // Weta Digital

“Spider-Man: Far From Home”
Alexis Wajsbrot, Sylvain Degrotte, Nathan McConnel, Stephen Kennedy, Jonathan Opgenhaffen // Framestore

“Alita: Battle Angel”
Eric Saindon, Michael Cozens, Dejan Momcilovic, Mark Haenga, Kevin Sherwood // Weta Digital

“Pokemon Detective Pikachu”
Jonathan Fawkner, Carlos Monzon, Gavin Mckenzie, Fabio Zangla, Dale Newton // Framestore

 

Outstanding Visual Effects – Episodic (Under 13 Episodes) or Non-theatrical Feature

Game of Thrones

WINNER: “Game of Thrones – The Bells”
Steve Kullback, Joe Bauer, Ted Rae
Mohsen Mousavi // Scanline
Thomas Schelesny // Image Engine

“Game of Thrones – The Long Night”
Martin Hill, Nicky Muir, Mike Perry, Mark Richardson, Darren Christie // Weta Digital

“The Umbrella Academy – The White Violin”
Everett Burrell, Misato Shinohara, Chris White, Jeff Campbell, Sebastien Bergeron

“The Man in the High Castle – Jahr Null”
Lawson Deming, Cory Jamieson, Casi Blume, Nick Chamberlain, William Parker, Saber Jlassi, Chris Parks // Barnstorm VFX

“Chernobyl – 1:23:45”
Lindsay McFarlane
Max Dennison, Clare Cheetham, Steven Godfrey, Luke Letkey // DNEG

 

Outstanding Visual Effects – Episodic (Over 13 Episodes)

Team from The Orville – Outstanding VFX, Episodic, Over 13 Episodes (Photo by Ryan Miller/Capture Imaging)

WINNER: “The Orville – Identity: Part II”
Tommy Tran, Kevin Lingenfelser, Joseph Vincent Pike // FuseFX
Brandon Fayette, Brooke Noska // Twentieth Century FOX TV

“Hawaii Five-O – Ke iho mai nei ko luna”
Thomas Connors, Anthony Davis, Chad Schott, Gary Lopez, Adam Avitabile // Picture Shop

“9-1-1 – 7.1”
Jon Massey, Tony Pirzadeh, Brigitte Bourque, Gavin Whelan, Kwon Choi // FuseFX

“Star Trek: Discovery – Such Sweet Sorrow Part 2”
Jason Zimmerman, Ante Dekovic, Aleksandra Kochoska, Charles Collyer, Alexander Wood // CBS Television Studios

“The Flash – King Shark vs. Gorilla Grodd”
Armen V. Kevorkian, Joshua Spivack, Andranik Taranyan, Shirak Agresta, Jason Shulman // Encore VFX

The 2019 HPA Engineering Excellence Awards were presented to:

Adobe – Content-Aware Fill for Video in Adobe After Effects

Epic Games — Unreal Engine 4

Pixelworks — TrueCut Motion

Portrait Displays and LG Electronics — CalMan LUT based Auto-Calibration Integration with LG OLED TVs

Honorable Mentions were awarded to Ambidio for Ambidio Looking Glass; Grass Valley, for creative grading; and Netflix for Photon.

Phil Kubel named director of HPA

The Hollywood Professional Association (HPA) has appointed Phil Kubel as the organization’s director. He will be the Burbank-based presence of the HPA management team, managing the organization’s day-to-day business as well as supporting strategic planning, membership development and program development.

After his graduation from USC, Kubel worked in a number of production-related positions. In 2003 he became one of the founding members of HRTV, a national television network that featured equestrian and horse racing content. Kubel was instrumental in the design, engineering and production build of the studios and broadcast facility at Santa Anita Park in Arcadia, California. He went on to oversee day-to-day operations of all digital media, production and technology initiatives at HRTV, including creating the subscription-based HRTV.com.

In addition to Kubel’s technical portfolio, he served as VP of post production for HRTV and was the creative force behind the documentary series Inside Information, which earned 10 Emmy wins.

In 2015, Kubel was named VP/EP for a new digital media initiative for The Stronach Group. Under Stronach Digital, he oversaw the launch of XBTV, which is now an industry-leading multi-media horse racing product that provides insight and analysis for wagering customers.

“It’s an exciting time to be joining HPA,” notes Kubel. “We have a rare opportunity to use our accumulated knowledge and relationships to support industry growth by connecting the players and leading the conversation. I look forward to continuing the vision of HPA and developing it as a world-class resource for production professionals.”

He will report to HPA’s executive director, Barbara Lange.

HPA Engineering Excellence winners: BMD, Canon, Cinnafilm, IBM Aspera & Telestream

The Hollywood Professional Association (HPA) Awards Committee has announced the winners of the 2018 HPA Engineering Excellence Award. Winners were determined at a blue ribbon judging session held at IMAX on June 16. The awards will be given out on November 15 at the 13th annual HPA Awards gala at the Skirball Cultural Center in Los Angeles.

The Engineering Excellence Award was created to spotlight and reward companies and individuals providing services to the professional media content industry for their outstanding technical and creative ingenuity in media, content production, finishing, distribution and archiving. The HPA Awards launched in 2005 to recognize creative artistry, innovation and engineering excellence in the professional media content industry.

Joachim Zell, chair of the HPA Awards Engineering Committee says, “Once again, the Engineering Excellence judging sessions brought us outstanding presentations from a variety of companies at work in different parts of the media and entertainment ecosystem. The presenters are representative of the amazing work that great companies and brilliant individuals are bringing to the marketplace. The judges had a strong field of excellent technologies to evaluate, and the results were extremely close. Based on the effort, talent and time from the presenters and the enthusiasm of the judges, it is clear that the HPA Engineering Excellence award is meaningful to our industry, and I want to personally thank our presenters and our intrepid judges. Congratulations to the winners and to the entrants for truly impressive work.”

The winners of the 2018 HPA Award for Engineering Excellence are:

Blackmagic Design – DaVinci Resolve 15
DaVinci Resolve 15, released at NAB this year, offers a major step forward for the post production workflow, a significant shift in technically and creatively matched toolsets as well as overall efficiency. The platform, designed to provide a full suite of post tools, from ingest to delivery, directly integrated in a single ecosystem, includes significant improvements in quality, functionality and time to delivery. Exchange formats, translation and conform can be eliminated, and last-minute change efficiently managed for feature film, episodic TV and short form productions.

“We’re honored to be selected by the Hollywood Professional Association for one of this year’s Engineering Excellence Awards,” says BMD US president Dan May. “Blackmagic Design’s focus has always been to help provide the most innovative tools to the entertainment industry, and being recognized by the HPA for our newest advancements in DaVinci Resolve 15 helps us feel that we are on the right path. We want to thank the judging committee as well as HPA as a whole for its dedication to all advancements in technical and creative ingenuity. Congratulations also go out to all the winners this year. We are in amazing company.”

Canon – Visual and Technical Monitoring of HDR Images
Canon has seen the need for not only visually seeing HDR images on set, in editorial and in finishing but also for engineering tools to know exact values of the HDR images and their pixels; compare SDR and HDR images; compare different HDR deliverable systems; out-of-gamut warnings; and connection to various manufacturers camera metadata.

This complete system from Canon ensures that HDR and SDR image creation is easily and accurately accomplished.

“Canon is thrilled to be among those recognized by the Hollywood Professional Association with an Engineering Excellence Award. The built-in HDR toolkit that now comes standard in our 4K reference displays is a leap forward in creating and monitoring HDR content,” says Kazuto Ogawa, president and chief operating officer, Canon USA.

Cinnafilm – PixelStrings
PixelStrings is a cloud-based video conversion service focusing on ultimate playback quality for media. Leveraging the award-winning framerate conversion, retiming, artifact/noise/telecine correction and transcode technologies from Cinnafilm, this PaaS enables the mass creation of best-possible video versions while leveraging infinite, GPU-enabled cloud compute power. The platform is a growing hub of other best-of-breed media technologies and is a simple pay-as-you-use toolset available 24/7 though a browser. PixelStings enables the freedom of a predictable OpEx process.

“Winning the HPA Engineering Award is such an amazing honor for us,” says CEO Lance Maurer. “The Cinnafilm team has created something truly special with PixelStrings — when respected peers recognize the impact an endeavor like this represents to our industry, it is really quite special.”

IBM Aspera & Telestream – Telestream Vantage With Lightspeed Live Capture Powered by Aspera
IBM Aspera and Telestream have developed a game-changing solution for high-speed capture and production of live, broadcast-quality video from remote locations for faster production turnaround. The API integration of Aspera’s FASPStream streaming technology with Telestream Vantage and Lightspeed Live enables open-file workflows so production teams can work on live video feeds from remote locations in real time, with dramatically lower costs compared to satellite delivery, fiber or on-location production and more flexible deployment options.

“Winning the HPA Engineering Excellence award is a fantastic recognition of the remarkable contributions from many individuals at both Telestream and Aspera,” says Telestream CEO Scott Puopolo. “The original concept was literally drawn on the back of a napkin at NAB 2017 by Telestream’s Dave Norman and Aspera’s Mike Flathers. One year later, it’s the backbone of Fox Sports’ FIFA World Cup post production workflow. It’s a tremendous achievement for both companies.”

Honorable Mention:
Samsung — Samsung Onyx
The Samsung Onyx Cinema LED technology with DCI certification has come to market for both cinema and post uses with two models: a 2K resolution five-meter screen and a 4K resolution 10.3-meter screen. LED technology delivers visual quality, technical performance and reliability beyond that of traditional projector-based operations. This system also features surround sound from Harman/JBL. While operating nominally with traditional 14 fT-L SDR imagery, the screen is adopting support for HDR systems such as EClairColor and PQ with operating points at least to 300 cd/m2 and black performance including “off” and 0.005 cd/m2.

In addition to the honors for excellence in engineering, the HPA Awards will recognize excellence in 12 craft categories including color grading, editing, sound and visual effects.

The recipients of the Judges Award for Creativity and Innovation and other special awards will be announced in the coming weeks.

HPA opens call for entries for Engineering Excellence Award

The HPA (Hollywood Professional Association) has opened its call for entries for the Engineering Excellence Award, which will be presented at the 2018 HPA Awards. Now in its 13th year, the HPA Engineering Excellence Award spotlights companies and individuals who draw upon technical and creative ingenuity to develop breakthrough technologies.

Submissions for this year’s Engineering Excellence category will close on May 25, 2018.

2017 award winners with presenters Barbara Lange (left) and Joachim Zell (right).

Joachim Zell, who chairs the committee for this award, said, “Artistic vision is what drives the technical and engineering processes that bring that vision to life. Ultimately, our work is fundamentally about helping filmmakers realize their vision. The companies and individuals supporting creative storytellers face constant pressure to evolve and expand the creative palette. Their contribution to the entertainment industry cannot be overstated. The Engineering Excellence Award is a highly competitive honor, and the past winners have changed the course of entertainment technology. We encourage the submission of your significant technological achievements.”

Entrants for this peer-judged award may include products or processes, and must represent a significant step forward for its industry beneficiaries. Past winners have included Aspera, Canon, Colorfront, Dolby, The Foundry/Sony Pictures Imageworks, Macom, Nvidia, Panasonic, Quantel, and Red Digital Cinema.

Winners will be announced in advance and celebrated during the HPA Awards show on November 15, 2018 at the Skirball Cultural Center in LA.

Larry Chernoff to get 2017 HPA Lifetime Achievement Award

Post production industry veteran Larry Chernoff has been named the 2017 recipient of the HPA Lifetime Achievement Award by the HPA (Hollywood Professional Association). Chernoff will receive the award during the HPA Awards gala on November 16 at the Skirball Cultural Center in Los Angeles.

The mission of the award is to give recognition to individuals who have, with great service, dedicated their careers to the betterment of the industry. The Lifetime Achievement Award is given at the discretion of the HPA Board and Awards Committee and it is not required to be bestowed every year.

As the recipient of the Los Angeles Entrepreneur of the Year Award in 1997, Chernoff is recognized as a successful entrepreneur, helping to found and lead several successful post production companies that, in turn, have launched hundreds of post production careers. He has built companies and impacted the industry by fostering innovation and by nurturing talented young people to develop their craft, believing that they are the key to a company’s, and the industry’s, future.

Chernoff grew up on the Upper West Side of Manhattan and attended New York’s School of Visual Arts. Between high school and college, at the age of 18, he landed a job as a “can carrier” at a commercial production house. Once there, he learned to sync dailies. When an editor called in sick, he was asked to fill in, thus beginning his editing career. In 1974, Chernoff moved to Los Angeles and joined Filmcore, a recently formed commercial editing company. Within two years he became partner, going on to play a lead role in the founding of post houses Encore and Riot. He served as president of 4MC, later Ascent Media Creative Services, overseeing operations in Los Angeles, New York and London.

Chernoff joined MTI Film as a board member in 2003 and was elevated to CEO in 2005. Under his direction, the company has become a leading independent provider of post finishing and restoration services. Its software division has been the source of products, including DRS Nova, a tool for digital restoration, and Cortex, a family of solutions for dailies processing and workflow management.

In acknowledging the honor, Chernoff said, “I am, of course, honored to be recognized by my peers. I follow an illustrious list of previous honorees who, like me, have dedicated their professional lives to the advancement of post production and its standing in the industry. I share this award with many people who have consistently partnered with me to create outstanding contributions to the work and industry we love.”

In addition to The Lifetime Achievement Award, other special awards, including Engineering Excellence, The Judges Award for Creativity and Innovation, and honors in 12 creative categories (editing, visual effects, sound and color grading) will be given out at the gala.

HPA Tech Retreat takes on realities of virtual reality

By Tom Coughlin

The HPA Tech Retreat, run by the Hollywood Professional Association in association with SMPTE, began with an insightful one-day VR seminar— Integrating Virtual Reality/Augmented Reality into Entertainment Applications. Lucas Wilson from SuperSphere kicked off the sessions and helped with much of the organization of the seminar.

The seminar addressed virtual reality (VR), augmented reality (AR) and mixed reality (MR, a subset of AR where the real world and the digital world interact, like Pokeman Go). As in traditional planar video, 360-degree video still requires a director to tell a story and direct the eye to see what is meant to be seen. Successful VR requires understanding how people look at things, how they perceive reality, and using that understanding to help tell a story. Some things that may help with this are reinforcement of the viewer’s gaze with color and sound that may vary with the viewer — e.g. these may be different for the “good guy” and the “bad guy.”

VR workflows are quite different from traditional ones, with many elements changing with multiple-camera content. For instance, it is much more difficult to keep a camera crew out of the image, and providing proper illumination for all the cameras can be a challenge. The image below from Jaunt shows their 360-degree workflow, including the use of their cloud-based computational image service to stitch the images from the multiple cameras.
Snapchat is the biggest MR application, said Wilson. Snapchat’s Snapchat-stories could be the basis of future post tools.

Because stand-alone headsets (head-mounted displays, or HMDs) are expensive, most users of VR rely on smart phone-based displays. There are also some places that allow one or more people to experience VR, such as the IMAX center in Los Angeles. Activities such as VR viewing will be one of the big drivers for higher-resolution mobile device displays.

Tools that allow artists and directors to get fast feedback on their shots are still in development. But progress is being made, and today over 50 percent of VR is used for video viewing rather than games. Participants in a VR/AR market session, moderated by the Hollywood Reporter’s Carolyn Giardina and including Marcie Jastrow, David Moretti, Catherine Day and Phil Lelyveld, seemed to agree that the biggest immediate opportunity is probably with AR.

Koji Gardiner from Jaunt gave a great talk on their approach to VR. He discussed the various ways that 360-degree video can be captured and the processing required to create finished stitched video. For an array of cameras with some separation between the cameras (no common axis point for the imaging cameras), there will be area that needs to be stitched together between camera images using common reference points between the different camera images as well as blind spots near to the cameras where they are not capturing images.

If there is a single axis for all of the cameras then there are effectively no blind spots and no stitching possible as shown in the image below. Covering all the space to get a 360-degree video requires additional cameras located on that axis to cover all the space.

The Fraunhofer Institute, in Germany, has been showing a 360-degree video camera with an effective single axis for several cameras for several years, as shown below. They do this using mirrors to reflect images to the individual cameras.

As the number of cameras is increased, the mathematical work to stitch the 360-degree images together is reduced.

Stitching
There are two approaches commonly used in VR stitching of multiple camera videos. The easiest to implement is a geometric approach that uses known geometries and distances to objects. It requires limited computational resources but results in unavoidable ghosting artifacts at seams from the separate images.

The Optical Flow approach synthesizes every pixel by computing correspondences between neighboring cameras. This approach eliminates the ghosting artifacts at the seams but has its own more subtle artifacts and requires significantly more processing capability. The Optical Flow approach requires computational capabilities far beyond those normally available to content creators. This has led to a growing market to upload multi-camera video streams to cloud services that process the stitching to create finished 360-degree videos.

Files from the Jaunt One camera system are first downloaded and organized on a laptop computer and then uploaded to Jaunt’s cloud server to be processed and create the stitching to make a 360 video. Omni-directionally captured audio can also be uploaded and mixed ambisonically, resulting in advanced directionality in the audio tied to the VR video experience.

Google and Facebook also have cloud-based resources for computational photography used for this sort of image stitching.

The Jaunt One 360-degree camera has a 1-inch 20MP rolling shutter sensor with frame rates up to 60fps with 3200 ISO max, 29dB SNR at ISO800. It has a 10 stops per camera module, with 130-degree diagonal FOV, 4/2.9 optics and with up to 16K resolution (8K per eye). Jaunt One at 60fps provides 200GB/minute uncompressed. This can fill a 1TB SSD in five minutes. They are forced to use compression to be able to use currently affordable storage devices. This compression creates 11GB per minute, which can fill a 1TB SSD in 90 minutes.

The actual stitched image, laid out flat, looks like a distorted projection. But when viewed in a stereoscopic viewer it appears to look like a natural image of the world around the viewer, giving an immersive experience. At one point in time the viewer does not see all of the image but only the image in a restricted space that they are looking directly at as shown in the red box in the figure below.

The full 360-degree image can be pretty high resolution, but unless the resolution is high enough, the resolution inside the scene being viewed at any point in time will be much less that the resolution of the overall scene, unless special steps are taken.

The image below shows that for a 4k 360-degree video the resolution in the field of view (FOV) may be only 1K, much less resolution and quite perceptible to the human eye.

In order to provide a better viewing experience in the FOV, either the resolution of the entire view must be better (e.g. the Jaunt One high-resolution version has 8K per eye and thus 16K total displayed resolution) or there must be a way to increase the resolution in the most significant FOV in a video, so at least in that FOV, the resolution leads to a greater feeling of reality.

Virtual reality, augmented reality and mixed reality create new ways of interacting with the world around us and will drive consumer technologies and the need for 360-degree video. New tools and stitching software, much of this cloud-based, will enable these workflows for folks who want to participate in this revolution in content. The role of a director is as important as ever as new methods are needed to tell stories and guide the viewer to engage in this story.

2017 Creative Storage Conference
You can learn more about the growth in VR content in professional video and how this will drive new digital storage demand and technologies to support the high data rates needed for captured content and cloud-based VR services at the 2017 Creative Storage Conference — taking place May 24, 2017 in Culver City.


Thomas M. Coughlin of Coughlin Associates is a storage analyst and consultant. He has over 30 years in the data storage industry and is the author of Digital Storage in Consumer Electronics: The Essential Guide.

Aspera’s Michelle Munson to receive HPA’s Charles S. Swartz Award

The Hollywood Professional Association (HPA) has named Aspera co-founder and CEO Michelle Munson as the recipient of its 2016 Charles S. Swartz Award. The HPA Awards recognize creative artistry, innovation and engineering excellence in the professional media content industry, and the Charles S. Swartz Award honors the recipient’s significant impact across diverse aspects of the industry. The HPA Awards will be handed out on November 17 at the Skirball Cultural Center in Los Angeles.

Munson is the co-inventor of Aspera’s Emmy award-winning FASP transport technology and is responsible for overseeing the company’s direction in collaboration with co-founder, Serban Simu. Munson was a software engineer in research and start-up companies, including the IBM Almaden Research Center before founding Aspera in 2004. She has dual B.Sc. degrees in electrical engineering and in physics from Kansas State University, was a Goldwater Scholar for achievement in science and mathematics, and later was a Fulbright Scholar at Cambridge University where she received a postgraduate Diploma in Computer Science. She was also the youngest recipient ever of the KSU College of Engineering Alumni Fellow, which was awarded in 2006.

The Charles S. Swartz Award may be awarded to a person, group, or company that has made a significant artistic, technological, business or educational impact across diverse aspects of the media industry. The award was named in honor of the late Charles S. Swartz, who led the Entertainment Technology Center at the University of Southern California from 2002 until 2006, building it into the industry’s premiere test bed for new digital cinema technologies. In addition to a long and successful career as a producer, educator and consultant, Swartz served on the Board of Directors of the HPA. Past recipients of the Charles S. Swartz Award include Ben Burtt, Elizabeth Daley and Ray Dolby.

HPA’s SCRG mixer is back with table-led discussions, no panels

The HPA has re-envisioned its Sales Career Resource Group (SCRG) meetings with a new format and a new location for its networking cocktail mixers.

“We’ve taken a disruptive approach to SCRG, reshaping and rethinking it,” explains HPA president Seth Hallen. “SCRG has always been a place where colleagues met and shared important information, and that will remain. It’s still going to be full of great content and conversations… almost everything else about it is changing!”

“SCRG is coming back, as an afternoon of high-impact information exchanges, at a new venue, ending with networking and drinks,” says Josh Wiggins, chair of SCRG. “But that’s the pragmatics. What’s fundamentally important is that it’s an entirely different kind of gathering, where expert-led tables feature the latest conversation on topics that everyone needs to explore and learn about. By going away from the traditional panel, Q&A and putting attendees in direct contact with table leads, it’s a livelier exchange and one that offers a ton of the latest information.  And, of course, its great to have these conversations and then segue to a drink and further talk.”

The first event for SCRG is currently scheduled for early August at London Hotel in West Hollywood. It will feature table topics that include:
• IMF – For production, post and archive
• IMF – For delivery. How is it working for the buyers of all this great content?
• HDR Remaster – Can you re-master without creative (no director or colorist)?
• HDR Capture – Where’s my reference?
• Cloud & Rendering – How is it coming along?
• VR – Virtual reality in production and post
• VR – Virtual reality for delivery and consumption
• Archive – What needs archiving? How much bigger are these files getting? Serviceability? Archiving VR files?
• Audio – Interoperability for immersive audio
• Moore’s Law and transport of digital files
• Extras and complimentary content – Is it an extra the consumer needs or wants?
• Localization – Supply and demand and special cases, such as day and date needs

Leon Silverman steps down, Seth Hallen named new HPA president

In a crowded conference room in Indian Wells, California, during the HPA Tech Retreat, HPA founding president Leon Silverman literally handed the baton to long-time board member Seth Hallen. The organization has also taken on a new name, the Hollywood Professional Association. More on that later.

Hallen, who joined the HPA board in 2007, is SVP of Global Creative Services at Sony DADC New Media Solutions. Silverman, who helped found the organization, will continue to serve on the board of directors in the newly created role of past president.

“It is a distinct honor to continue the important work that Leon has undertaken for this organization, and I am clearly dedicated to making the next phase of HPA a great one,” said Hallen. “Enabling our industry to evolve by fueling our community with ideas, opportunity and recognition remains our goal. I look forward to working with our incredibly talented and dedicated board and continuing our collaboration with our colleagues at SMPTE, and the staff, volunteers and community that are the heart and soul of HPA, as we build upon the work of the past 14 years and look toward the future.”

The HPA, which is now part of SMPTE, also announced newly elected board members, including Craig German, SVP Studio Post at NBCUniversal Media; Jenni McCormick, executive director of American Cinema Editors (ACE); and Chuck Parker, CEO of Sohonet. Newly elected board member Bill Roberts, CFO of Panavision, will assume treasurer responsibilities as Phil Squyres steps down from the post he has held since HPA’s founding. Squyres will remain on the board.

Wendy Aylsworth, past president of SMPTE, was named SMPTE representative. Barbara Lange serves as executive director of SMPTE and HPA. The new Board members join Mark Chiolis, Carolyn Giardina, Vincent Maza, Kathleen Milnes, Loren Nielsen and VP Jerry Pierce on the HPA board.

In commenting on the new HPA name, executive director Lange noted, “The nature of the work and responsibilities that our community is engaged in has changed, and will continue to change. After carefully exploring how to address this growth, it became clear that Professional more accurately and inclusively identifies the creative talent, content holders and global infrastructure of services, as well as emerging processes and platforms. As an organization, we are dedicated to seeing beyond the horizon to the wider future, and bringing a wide array of individuals and companies into the organization. Our new name and identity makes that statement.”

A chat with post production veteran Leon Silverman

This industry mainstay will be receiving the HPA Lifetime Achievement Award this month.

By Randi Altman

Leon Silverman is an industry icon. He’s GM of the Digital Studio at Walt Disney Studios and president of the Hollywood Post Alliance (HPA), the organization that is presenting him with its Lifetime Achievement Award on November 12.

I’ve known Leon for a very long time, meeting him for the first time when he was a senior executive of LaserPacific. He was then, and still remains, a genuinely good guy who has done a lot to help create a feeling of community within an industry filled with competitive businesses. He has also been a big supporter of me personally, for which I will always be grateful.

Anyway, not long before the late October SMPTE Conference in Hollywood, Leon was kind enough to talk to me about the Lifetime Achievement Award, the SMPTE and HPA growing partnership and the industry in general.

Leon will be accepting the HPA Lifetime Achievement Award on November 12.

Leon will be accepting the HPA Lifetime Achievement Award on November 12.

When I asked him how it felt to be chosen for this honor, he was humble, saying, “It’s flattering, embarrassing, and it means a lot to me. It reminds me of those who have helped, mentored me and taught me in my life and career — those who helped me along the path. What it’s really about is how the industry has made transitions, and how the recognition of me is really the recognition of a lot of people who contributed to transformative change in our industry.”

Leon’s passion for the media and entertainment business started early — he says ever since he could remember. In school he was the projectionist and worked at the high school radio station. He was also known to hop the train into downtown Chicago and stare into the window at the WLS radio station and watch them broadcast. He thought it was “the most interesting thing in the world.” So imagine how he felt after taking a tour of CBS Television with his friend’s dad. He was hooked.

Next was a degree in telecommunications and a ticket to Hollywood. “I moved from Chicago to LA with $1,000 in my pocket, thinking I was rich, to work at Compact Video, although they didn’t know it.”

Yup, he moved across country for the possibility of getting a job at Compact Video. Leon had seen the company’s brochure, with pictures of “cool” production vehicles and a helicopter and a Lear jet, all adorned with the Compact logo. “I really wanted to work there, so I wrote a letter to founder Robert Seidenglanz. That led to an interview with Newt Bellis, but there was not a job available at that time, so I ended up getting a number of temporary and weird jobs while I was waiting for Compact Video.

After four months of knocking on Compact’s door, he was allowed in… working in their shipping and receiving department, and doing whatever was asked of him. It was there he stayed until, one day, an ad for a sales trainee at Compact Video appeared in the trades.

“That was my job,” he says, explaining that he knocked on the door of the VP of marketing & sales office until he gave him a chance. Within four and a half years, Leon was head of marketing and sales at Compact. His dream was coming true. It was during that time he met mentors who played a big role in his life, such as Emory Cohen and Steve Schifrin.

Listen up kids: determination and a dream really can play a role in your dream job.

The award for Best in Show at the recent SMPTE HPA Film Festival. Leon Silverman congratulates the winners along with Bob Seidel, SMPTE.

The award for Best in Show at the recent SMPTE HPA Film Festival. Leon Silverman congratulates the winners along with Bob Seidel, president of SMPTE.

Ok, now let’s turn to the Hollywood Post Alliance (HPA), which Leon helped found and is now a part of SMPTE (Society of Motion Picture Engineers).

It seems you have always been interested in encouraging a spirit of community within the industry. Can you talk about the genesis of the HPA, and how you’ve seen it grow?
HPA wasn’t a beginning, it was a continuation of a long effort of many people in this community who were in trade associations that focused on post — this goes back to the late ‘70s/early ‘80s. The HPA has its roots in the Southern California chapter of the ITS (International Teleproduction Society), which had a very active board of directors.

One of the great accomplishments was the ITS technology retreat, which HPA inherited (the yearly HPA Tech Retreat takes place in Palm Springs, California). They also got involved in California politics, which resulted in the changing of the tax laws to eliminate the state sales tax on post equipment. This is still in effect to today, as well as the reassessing of how property tax was assessed on post equipment.

When the headquarters of ITS disbanded in the early 2000s, the Southern California chapter felt there was more to do. That was the birth of HPA. There are differences — the ITS was only for those working in the video facility business and the HPA has a broader tent. As a tool manufacturer, you could sponsor the ITS, but you couldn’t sit at the table. The HPA was about a larger community of, not just competitors in the facility business, but collaborators across the entire content creation ecosystem.

Leon Silverman and Barbara Lange.

Leon Silverman and Barbara Lange.

What about your relationship with SMPTE?
As SMPTE and HPA get together, HPA becomes the forum for the discussion of issues that impact the industry, and SMPTE becomes the forum for taking some of those ideas and making them into standards… more importantly broadening our perspective from the local Hollywood base to one that is internationally focused as well.

Barbara Lange (executive director of SMPTE) likes to talk about SMPTE as the 100-year-old startup. So as we start this really new chapter, in which SMPTE celebrates 100 years, and as HPA finds its way within SMPTE. We have a huge opportunity to create a broader view of the content creation ecosystem and how to impact both the discussions and the issues that are really challenging in this digital age — and the real task of how we begin the integration of digital technology in more standardized approaches and, in fact, within industry standards.

There is currently much talk of HDR within the industry. What does the future hold?
The industry has always gravitated towards ways to present our stories in a higher quality and in more compelling ways. Developments like immersive audio and higher brightness projectors that can display contrast greater than film — or colors that we haven’t seen before — allow for a creative pallet that filmmakers are excited about using. Those who create and distribute content are excited about bringing a superior consumer experience to people who enjoy our content.

HDR and immersive audio are new content creation tools that we will really learn the impact of as the creative community puts their own hands and creative minds around how this technology could be deployed in service of a story. Personally, I’m very excited in the things that I’ve seen in films like Tomorrowland and Inside Out. Seeing Inside Out in Dolby Cinema’s EDR was a revelation. I think the industry will work together, as it always has, to understand the impact of how we increasingly create higher-quality products and how best to ensure that this quality flows into our archives.

The HPA Awards, happening in early November in LA, turn 10 years old this year. Congratulations.
The HPA, and the generation that I represent, helped to create this transition from a world of filmed cinema to this digital world, hopefully creating a future that’s worthy of its past. That’s what we’re really celebrating. Over the last 20 or 30 years, we have moved our industry to a place where it’s not really just about the tools or new distribution entities, it’s about a community that now routinely understands how to work together to take advantage of transformative change and how to take this industry into the future.

Part of what our generation did, part of what we did at Pacific Video and LaserPacific, and the idea behind Emory Cohen’s vision of the Electronic Laboratory, was to show how to take the film model and bring that into the electronic and digital age. We’re now done using the past as a future model, because I don’t think there’s a blueprint for the industry today, and I think that’s very exciting, but over the process of the last 30 years we’ve created an industry that understands how to talk to each other, work together. It’s competitors and colleagues — from all aspects of the industry — working together to create this industry’s future.

—-
Leon Silverman will accept his HPA Lifetime Achievement Award on November 12 during the HPA Awards at the Skirball Cultural Center.

SMPTE and HPA finalize relationship

After almost a year of working closely together, The Society of Motion Picture and Television Engineers (SMPTE) and the Hollywood Post Alliance (HPA) have finalized their plans to consolidate. The partnership between SMPTE and HPA gives both organizations the opportunity to extend their reach — from engineering and technical professionals to the creative community.

“This is a monumental occasion for both SMPTE and HPA, two leading professional organizations serving the media and entertainment industry,” said Robert Seidel, president of SMPTE. “The new relationship between SMPTE and HPA presents many exciting possibilities, including fresh occasions for interactions and dialog, broader educational opportunities, and even richer contributions to standards development.”

SMPTE and HPA are already collaborating on two upcoming events. HPA Women in Post and SMPTE are presenting the Women in Technology Luncheon. The luncheon will take place in conjunction with the SMPTE 2015 Annual Technical Conference & Exhibition (SMPTE 2015) at the Loews Hollywood Hotel at the Hollywood and Highland Center at noon on Monday, October 26 and will feature a conversation between Cheryl Boone Isaacs, president of the Academy of Motion Picture Arts and Sciences (AMPAS), and Carolyn Giardina of The Hollywood Reporter. Also in conjunction with SMPTE 2015, the organizations are launching the SMPTE-HPA Student Film Festival on Tuesday, October 27 following the Opening Night Reception for the conference.

“HPA and SMPTE have long been collaborators in enabling the creative and technical communities to address the challenges and opportunities afforded by a rapidly changing media landscape,” said Leon Silverman, HPA board president. “Formal approval of our consolidation plan by the SMPTE Board of Governors and the HPA Board of Directors represents a major milestone in our relationship, and one that signals great things to come for the communities both organizations serve — within Hollywood and around the world.”

Wendy Aylsworth, SMPTE past president and former senior VP of technology at Warner Bros. Technical Operations, will serve as the SMPTE-designated member on the HPA Board of Directors. While this partnership establishes closer ties between SMPTE and HPA on many levels, from executive to administrative, each organization will maintain its unique brand and culture.

 

HPA Award noms and reactions

The Hollywood Post Alliance (HPA) has announced the nominees for the 2015 HPA Awards, which recognize outstanding achievement in Editing, Sound, Visual Effects and Color Grading for work in television, commercials and feature films. The winners of the 10th Annual HPA Awards will be announced at a ceremony on November 12, 2015, at the Skirball Cultural Center in Los Angeles.

The 2015 HPA Award nominees are:

Outstanding Color Grading – Feature Film

Monsoon
Charles Boileau // Post-Moderne

The Boxtrolls
John Daro // FotoKem

Whiplash
Natasha Leonnet // Modern VideoFilm

Outstanding Color Grading – Feature Film

Lady of Csejte
Keith Roush // Roush Media

Steve Scott at last year's awards. Photo: Capture Imaging/Ryan Miller

Steve Scott at last year’s awards. Photo: Capture Imaging/Ryan Miller

Birdman
Steven J. Scott // Technicolor
“I’m incredibly honored and grateful to be nominated for this year’s HPA Award for Outstanding Color Grading -Feature Film,” says Scott. “I remember how dumbfounded I was when I first talked with cinematographer Chivo Lubeski about Birdman, and he told me, ‘The whole movie is basically one long shot.’ Through previous experience with this amazing DP, I knew that we would be asked to carry out many complex tasks on any particular moment along this fluid, hand-held continuum of a movie. How do you even begin to sort that out in the DI? To my knowledge, no DI had ever been done on a movie that was a single long shot. There was no precedent, and no one to ask for advice. We had to create a new way of working. That was the biggest challenge of this project, and working that challenge out to help Chivo and Alejandro realize their original creative vision was the most gratifying, rewarding part of my experience with Birdman.”

Outstanding Color Grading – Television

Olive Kitteridge – Incoming Tide 
Pankaj Bajpai // Encore

Boardwalk Empire – Golden Days for Boys and Girls  
John Crowley // Technicolor PostWorks NY

John Crowley

John Crowley

Golden Days for Boys and Girls was Episode One of Season 5, which was my first encounter of the series,” explains Crowley. “I was a new member of such an outstanding and established team and I knew I had to be on top of my game. It was a great challenge as a colorist to try to carry on the feel and unique looks that were established from the past four seasons, and now to be nominated for my work is such a gratifying feeling.

“I’d like to thank Brad Carpenter, one of the shows producers, for having the confidence in me to make that happen. I’d also like to thank the director of the show, Timothy Van Patten, and the cinematographer of this episode, Jonathan Freeman. It was such a great honor and privilege to be associated with such distinguished members of our industry.”

Sense8 – What’s Going On? 
Tony Dustin // Technicolor

Game of Thrones – Hardhome
Joe Finley // Chainsaw

Masters of Sex – A Parliament of Owls
Matt Lear // Sony Pictures Television

Outstanding Color Grading – Commercial   

Toyota – Harrier 
Siggy Ferstl // Company 3

Lexus – Face Off
Dave Hussey // Company 3

Dodge – Wisdom
Beau Leon // Company 3

Lincoln – Intro
Tom Poole // Company 3

Caterpillar – Lantern Festival
Rob Sciarratta // Company 3

Outstanding Editing – Feature Film 

Selma
Spencer Averick

American Sniper
Joel Cox, ACE; Gary Roach, ACE

Whiplash

Whiplash
Tom Cross, ACE

The Imitation Game
William Goldenberg, ACE

Interstellar
Lee Smith, ACE

Outstanding Editing – Television

Foo Fighters: Sonic Highways – Austin
Scott D. Hanson // Therapy Studios

Vice on HBO – Cold War 2.0
Rich Lowe

Foo Fighters: Sonic Highways – Nashville
Kristin McCasey // Therapy Studios

House of Cards

House of Cards – Chapter 32
Cindy Mollo, ACE // Netflix

Game of Thrones – Hardhome
Tim Porter // Beyond the Wall Productions, Inc.

Outstanding Editing – Commercial

Adidas – Takers
Steve Gandolfi // Cut+Run

Fiat – Alive
Kristin McCasey // Therapy Studio

Skullcandy – Push Play
Doobie White // Therapy Studios

GNP Seguros – World Cup
Doobie White // Therapy Studios

Google – Young Together
Miky Wolf // Big Sky Edit

Outstanding Sound – Feature Film

Interstellar
Richard King, Gary Rizzo, Gregg Landaker, Mark Weingarten // Warner Bros. Post Production Services

Mad Max: Fury Road
Mark Mangini, Scott Hecker, Chris Jenkins, Gregg Rudloff // Warner Bros. Post Production Services

American Sniper
Alan Murray, Tom Ozanich, John Reitz, Gregg Rudloff // Warner Bros. Post Production Services

Birdman
Jon Taylor, Frank A. Montano, Martin Hernandez, Aaron Glascock // NBCUniversal StudioPost

Unbroken
Jon Taylor, Frank A. Montano, Becky Sullivan, Andrew DeCristofaro // NBCUniversal StudioPost

Outstanding Sound – Television

Halt and Catch Fire – SETI
Sue Cahill, Keith Rogers, Scott Weber, Jane Boegel, Mark Cleary, Kevin McCullough // NBCUniversal StudioPost

Black Sails – XVIII
Benjamin Cook, Stefan Hendrix, Jeffrey Pitts, Sue Cahill, Onnalee Blank, Matthew Waters // Starz

Game of Thrones – Hardhome
Tim Kimmel, Paula Fairfield, Bradley Katona, Paul Bercovitch, Onnalee Blank, Mathew Waters // Formosa Group

Banshee – You Can’t Hide from the Dead
Bradley North, Joseph DeAngelis, Ken Kobett, Tiffany Griffith, David Werntz // Technicolor

Homeland – Redux
Nello Torri, Alan Decker // NBCUniversal StudioPost
Craig Dellinger // Sony Sound Services

Outstanding Sound – Commercial

Medicontour – Bi-Flex 1.8
Phil Bolland // Factory

The Syria Campaign – In Reverse
Jon Clarke // Factory

Honda – The Other Side
Tom Joyce, Anthony Moore // Factory

Volvo –The Swell
Aaron Reynolds // Wave Studios

Prada – The Battlefield
Miky Wolf // Big Sky Edit

Outstanding Visual Effects – Feature Film

Jurassic World
Tim Alexander, Glen McIntosh, Tony Plett, Kevin Martel, Martyn Culpitt // Industrial Light & Magic

Tomorrowland
Craig Hammack, Eddie Pasquarello, Francois Lambert, Maia Kayser, Barry Williams // Industrial Light & Magic

Into the Woods
Matt Johnson, Christian Irles, Daniel Tarmy, Nicolas Chevallier, Benoit Dubuc // MPC

Birdman

Birdman
Ara Khanikian, Sebastien Moreau, Sebastien Francoeur, Patrick David, Laurent Spillemaecker // Rodeo FX

The Hobbit: The Battle of the Five Armies
Joe Letteri, Eric Saindon, David Clayton, R. Christopher White, Matt Aitken // Weta Digital
Outstanding Visual Effects – Television

Game of Thrones – The Dance of Dragons
Joe Bauer, Steve Kullback, Derek Spears, Eric Carney, Jabbar Raisani // Fire and Blood Productions

Outstanding Visual Effects – Television

Ripper Street – Whitechapel Terminus
Ed Bruce, Nicolas Murphy, John O’Connell, Joseph Courtis, Ronan Gantly // Screen Scene

Marvel’s Agent Carter – Now Is Not The End
Sheena Duggal, Richard Bluff, Jay Mehta, Chad Taylor, Cody Gramstad // Industrial Light & Magic

Black Sails – XVIII
Erik Henry // Starz
Ken Jones // Digital Domain
Nic Spier // Shade FX
Christina Spring, Bjorn Ahlstedt // Crazy Horse Effects

The Flash – Grodd Lives
Armen V. Kevorkian, Andranik Taranyan, Stefan Bredereck, Jason Shulman, Gevork Babityan // Encore VFX

Outstanding Visual Effects – Commercial

Shell – Shapeshifter
Russell Dodgson, Robert Herrington, Ahmed Gharraph, Rafael Camacho // Framestore UK

Pepsi – Halftime Touches Down
Chris Eckhardt, Michael Ralla // Framestore

General Electric – Invention Donkey
Seth Gollub, Theo Jones, Russell Miller, Raul Ortego // Framestore NY

Game Of War – Decisions
Benjamin Walsh, Brian Burke, Ian Holland, Brandon Nelson // Method Studios

Game Of War – Time
Benjamin Walsh, Brian Burke, Ian Holland, Chris Perkowitz // Method Studios

Where warmth, technology meet: HPA offers up Tech Retreat schedule

The yearly pilgrimage to the desert for engineers and post pros, the HPA Tech Retreat, is taking place in Indian Wells, California, from February 9-13.

There will be sessions on technology and trends, a small exhibit floor, breakfast roundtables where small groups get to focus on a particular topic or tech, and mingling… lots of mingling. And for those of you coming from colder climates, there will be sunshine and warmth. Not a frozen pile of snow in sight.

Here are some highlights of the Retreat, but click here for a full schedule:

Monday, February 9
Preregistration. Physics, Optics, and Electronics of Image Sensors is a pre-retreat course offered by Charles Poynton.

Tuesday, February 10
The day-long HPA Supersession kicks off the Tech Retreat with Shift Happens: Not Your Father’s Post, led by Leon Silverman with Michael Cioni. Even as some stability returns, fundamental changes continue in the creation, finishing and distribution of content. The Supersession takes a thoughtful look at these changes and ultimately offers insight about how to be prepared for them.

After the Supersession, the Demo Room opens its doors with a cocktail reception.

Wednesday, February 11
The highly anticipated annual Broadcasters Panel returns, as well as sessions including a CES Review; A Year in Review from Mark Schubin, From Smartphones to Cinema; Extended Color Gamuts; Contemplating the Expanding Canvas with Bill Bennett, ASC alongside other leading cinematographers; the Future of Cinema and many others.

Thursday, February 12
Sessions focused on topics as diverse as Maintaining Creative Intent; The Cloud Demystified; Role of Nonlinear Coding of the Television Image from NHK Science and Technology Research Laboratories; IP or not IP; and Drones for Dummies are among the many offerings in a day filled with panels and presentations.

Friday, February 13
As the week draws to a close, compelling presentations continue with Lightfield Capture and Post Update with Siegfried Foessel; Enhancing the Creative Palette While Preserving Intent from Camera to Consumer; the SMPTE Update; and more. The day closes up with a post-HPA Tech Retreat session, How The Great Depression Led to Cloud Computing.

“The Tech Retreat is not just a conference where the latest, greatest, most important and interesting technology and topics are displayed, presented, discussed, debated and sometimes even refuted — it is the closest thing to adult geek summer camp (held in the Palm Springs winter) that one can imagine,” says Leon Silverman, president of the HPA. “Come for the topics, stay for the people who can change your life. For the past 21 years, the Tech Retreat has truly been a place to meet the movers and the shakers right before they make their moves.”

HPA offers up winners of Engineering Excellence, Judges awards

With the HPA Awards ceremony a month away, the Hollywood Post Alliance has released the names of companies and organizations that will be receiving honors this year for their technology and innovations.

The 2014 Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation in Post Production awards recognize the technical excellence and creative innovation that continually drive the post production industry in the advancement and support of content creation.

The awards will be handed out on November 6 during the 9th Annual HPA Awards event at the Skirball Cultural Center in Los Angeles.

According to the HPA, the Engineering Excellence Award spotlights companies and individuals who draw upon technical and creative ingenuity and apply it to real-world post demands while raising the profile of breakthrough technologies.

The winners of the 2014 HPA Engineering Excellence Awards are:

Macom: 12G-SDI Chipset
12G-SDI is the next data rate in the evolution of SDI, and Macom has introduced the industry’s first complete chipset to enable next-generation 4K video production applications.  Our newest family of SDI equalizers, reclockers and cable drivers supports 4K video resolutions at 60 frames per second over a single link and complements our industry-leading crosspoint switch portfolio.

Nvidia’s VCA

Nvidia: Nvidia VCA
Accelerate design and VFX workflows with Nvidia Visual Computing Appliance (VCA), the “fastest way” to interactive photorealistic digital 3D models and scenes. This network-attached appliance easily integrates into the design workflow and scales to multiple VCAs, each decreasing the time to noiseless, physically based global illumination.

Wohler and Cinnafilm Joint Venture: Tachyon Wormhole 

Tachyon Wormhole is a file-based Retiming and Standards Transcoding solution which leverages commodity enterprise hardware to deliver content based on time or standards requirements. Fully automated with audio pitch correction and caption retiming, Tachyon Wormhole processes two files faster than real time, simultaneously, on a single small footprint server.

“The HPA Engineering Excellence Award is a tremendous honor and true recognition of the technology innovations achieved with Tachyon Wormhole.  I am excited that this technology also offers our post production customers a truly file-based solution to other more expensive and less versatile alternatives,” said Craig Newbury, VP of  sales, Wohler.

The HPA Judges Award for Creativity and Innovation in Post Production was conceived to recognize companies and individuals who have demonstrated excellence, whether in the development of workflow and process to support creative storytelling and/or technical innovation. A jury of peers and industry experts determines the HPA Judges Award winners.

The 2014 winners of the HPA Judges Award for Creativity and Innovation in Post Production are:

American Society of Cinematographers: Color Decision List (ASC CDL)
The ASC CDL helps maintain and communicate creative intent, from production, dailies, post, VFX and editorial, in a multi-facility, multi-vendor environment. The ASC CDL enables creatives to set the look of a shot via system-independent primary color corrections communicated as metadata from on-set through dailies and post. Developed by the ASC Technology Committee — a broad group of industry members working to benefit the industry — the ASC CDL is freely available, saving time and money, improving the artistic result and audience experience in the vast majority of motion pictures, TV shows and VFX.

“The ASC CDL was developed to help all participants in the production and post pipeline most effectively produce the best result and deliver the creative vision of filmmakers to audiences,” said David Reisner, D-Cinema Consulting. “The ASC CDL could only have been created by filmmakers, the post community, and vendors’ active collaboration.”

DigitalFilm Tree Cloud Post Workflow Initiative (ProStack)
ProStack enables instantly accessible, widely deployable post production. ProStack packs the capacity and bandwidth needed to manage the entire post process- high-end color correction, VFX and DI workflows- into a scalable solution. Flexible design and implementation incorporates the best tools for every job, connecting all users via cloud storage. ProStack, in conjunction with Critique, integrates the entire spectrum of file-based workflows into one hub, while simultaneously embracing the evolving role of production and the post facility.

Digitalfilm Tree’s Guillaume Aubuchon

“We have been focused on developing a system that is truly cloud based and easily useable for our clients, an OpenStack environment with secure and instantaneous access,” said Guillaume Aubuchon, DigitalFilm Tree CTO. “It is an honor to be recognized by the HPA for our work on ProStack, and we are honored to receive our second C&I Award.”

Tickets for the HPA Awards are on sale now.

SMPTE and HPA to merge officially in 2015

The Society of Motion Picture and Television Engineers (SMPTE), has announced plans for a new partnership with the Hollywood Post Alliance (HPA). The partnership will begin with SMPTE providing administrative support to HPA, and it is expected to culminate in the merger of the two organizations by May 2015.

“HPA is known not only for its unique brand identity, but also for facilitating open dialog among all disciplines in the entertainment industry,” said Wendy Aylsworth, president of SMPTE . “Complementing SMPTE’s work in standards and education, these qualities will enrich the experience of SMPTE members worldwide, giving them the opportunity to engage in more frequent dialogue with nontechnical and supporting industry professionals. For these and many other reasons, we look forward to extending the HPA brand to a broader global audience.”

The partnership unites two technical organizations serving the media and entertainment business. It gives both SMPTE and HPA the opportunity to extend their reach and expand their membership while better serving the whole industry — from the engineering and technical professionals to the creative community.

“With this partnership, HPA and SMPTE strengthen our collaborative work in addressing how our communities plan for the future of technology and the creative process,” said Leon Silverman, HPA board president. “For HPA, a closer relationship with SMPTE is also valuable in that it will enable our organization to extend the reach of our content and our work to a global audience beyond Hollywood.”

#PostChat: Women in post

In celebration of International Women’s Day, this Wednesday’s #PostChat @postchat on Twitter was about women in post production. Guests included editor Kylee Wall (@kyl33t), Creative Cow editor-in-chief Tim Wilson (@metropolitim), Creative Cow (@CreativeCOW) editorial manager Stefani Rice, long-time industry writer and Creative Cow contributor Debra Kaufman (@MobilizedDebra), and  myself (@postperspective). Of course, Jesse Averna (@Dr0id) was  there helping keep things moving in the right direction.

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HPA Tech Retreat blog: 4K-ready content, fast production with dual content cameras

By Tom Coughlin

Indian Wells, California — Although current content distribution is at HD, it is clear that 4K distribution will be commonplace in just a few years. As a result, many content producers are capturing content in both HD formats and 4K formats.

As might be expected, this increases the total data rate needed to capture this dual format content as well as the resulting storage capacity requirements. The actual size of the total content package depends upon the 4K content format.

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