Tag Archives: Goldcrest Post Production

Goldcrest adds 4K theater and colorist Marcy Robinson

Goldcrest Post in New York City has expanded its its picture finishing services, adding veteran colorist Marcy Robinson and unveiling a new, state-of-the-art 4K theater that joins an existing theater and other digital intermediate rooms. The moves are part of a broader strategy to offer film and television productions packaged post services encompassing editorial, picture finishing and sound.

Robinson brings experience working in features, television, documentaries, commercials and music videos. She has recently been working as a freelance colorist, collaborating with directors Noah Baumbach and Ang Lee. Her background also includes 10 years at the creative boutique Box Services, best known for its work in fashion advertising.

Robinson, who was recruited to Goldcrest by Nat Jencks, the facility’s senior colorist, says she was attracted by the opportunity to work on a diversity of high-quality projects. Robinson’s first projects for Goldcrest include the Netflix documentary The Grass is Greener and an advertising campaign for Reebok.

Robinson started out in film photography and operated a custom color photographic print lab for 13 years. She became a digital colorist after joining Box Services in 2008. As a freelance colorist, her credits include the features Billy Lynn’s Long Halftime Walk, DePalma and Frances Ha, the HBO documentary Suited, commercials for Steve Madden, Dior and Prada, and music videos for Keith Urban and Madonna.

Goldcrest’s new 4K theater is set up for the dual purposes of feature film and HDR television mastering. Its technical features include a Blackmagic DaVinci Resolve Linux Advanced color correction and finishing system, a Barco 4K projector, a Screen Research projection screen and Dolby-calibrated 7:1 surround sound.

IBC Blog: scanners, LTO and SDI

By Tim Spitzer

Although we all know “Film is Dead,” film scanners are popping up all over in an effort to resuscitate the medium.  Three of the new players to my circus of knowledge are:

MWA Nova GmbH, which make realtime scanners in 2.5K and 4K at 5fps, with the 4K, are soon to be realtime flavors. The scanner is capstan-driven (without sprockets), with room for PTR rollers, so looks to be easy on archival film. A laser senses the perf position to modulate the speed of the transport to deal with shrunken perforation pitch. Their gates are available for most known film formats from 35mm down to Super 8.

Blackmagic is offering a 35mm scanner with stabilization software and Resolve thrown in for free. The machine comes with a 35mm gate, and the rollers are milled to also handle S-16mm, Continue reading