Name: Lorin Askill
Can you describe your company?
Exile is an editorial and finishing house based in NYC and LA. I am based in New York.
What’s your job title?
What does that entail?
I take moving images, sound and other raw materials and arrange them in time to create shape and meaning and ultimately tell stories. I always loved the Tarkovsky book title, sculpting in Time. I like to think that is what I do.
What would surprise people the most about what falls under that title?
Probably how much of an all-encompassing creative process it is. As well as editing picture, I source and edit sounds, I experiment with music, I create rough comps and block compositions for VFX, I play with color and place titles. At its best, editing is not only finding the best pieces of footage and ordering them to tell a story, an editor is crafting the whole visual-aural world that will be carried through to the finished piece.
What’s your favorite part of the job?
I love watching the first cut! When you’re excited about a project, you’ve found the gems and assembled your favorite pieces, solved some challenging problems, fudged together some tricky stunt or effects moments (and it’s already working!). Then you put a piece of music under it that (which you know you can’t actually use), and you feel like it has a good shape and runs from start to finish — usually very over length. It’s so much fun getting to this stage, then sitting back, turning the volume up, pressing play and watching it all together for the first time!
What’s your least favorite part?
My least favorite part is then going through and destroying that first cut with boring realities like running length and client requirements… JOKING. I also love the process of tightening and honing a cut to hit all the right notes and achieve the ultimate vision. But there is nothing like watching the first assembly of a project you love.
What is your most productive time of the day?
Probably first thing when I’ve got fresh eyes and I’m solving problems that seemed impossible the day before. Also the very end of the day when you’re in a little delirious zone and you’re really immersed and engrossed. When I’m cutting a music video, I like to pull up the project late at night and give myself the freedom to play because your brain is definitely functioning in a different way, and sometimes it’s really creative.
If you didn’t have this job, what would you be doing instead?
I think I’d photograph landscapes and spread environmental awareness while having food pop-ups in my garden.
Why did you choose this profession? How early on did you know this would be your path?
Ever since I got my first iMac in high school and started speeding up, slowing down and reversing footage in iMovie. I was addicted to it. I was manipulating time and creating stories with images and sound, and it felt like a beautiful combination of visual art and music, both of which I loved and studied. When I realized I could make a living being creative, and hopefully one day make movies. It seemed like a no-brainer.
Can you name some recent projects you have worked on?
Most recently I’ve been editing a passion project. It’s a short film directed by my brother. It’s a proof-of-concept for a film we’ve been writing together for a long time. Before that I was working on a bunch commercial projects while also cutting musical sequences for a feature film directed by Sia.
What do you use to edit?
I grew up on iMovie and then Final Cut Pro. Now I use Adobe Premiere Pro and find it does exactly what I need it to do.
Name a few pieces of technology you can’t live without.
I hate to say my phone, but it’s undeniable. My laptop for edits on the run. Good headphones. My Hasselblad from the ‘60s.
What do you do to de-stress from it all?
I get into nature whenever possible, and I cook.