Tag Archives: cloud-based

NAB: Critique upped to version 4, using AWS for cloud

From the minds at LA-based post house DigitalFilm Tree comes a new version of Critique, its cloud-collaboration software. Critique, which is now in v.4, is already used on shows such as Modern Family, The Simpsons and NCIS: Los Angeles. In addition to many new features and security controls in Critique 4, this is the first time the app has been deployed on AWS.

Critique’s new relationship with AWS is key to version 4, says Guillaume Aubuchon, CIO of Critique. “AWS is not only the largest cloud provider, but they are the cloud provider of choice in the M&E space. Our infrastructure shift to AWS afforded us the ability to architect the software to leverage the range of services in the AWS cloud platform. It allowed us to build Critique 4 from scratch in a matter of mere months.”

Critique 4 is a secure digital media asset management (MAM) platform with extensive features to support creative processes and production workflow for both the media and entertainment space as well as enterprise. Built to be extremely easy to use, Critique facilitates collaboration through realtime chat, live annotations, and secure sharing over the Internet to deliver productions on time and on budget. Realtime chat and drawing annotations are viewable across the Web and iOS — they also work with the new Apple Pencil for iPad Pro.

Designed to improve workflow, the software facilitates every step from protected dailies screening to VFX workflows to post to distribution while capitalizing on enterprise-level security to protect valuable assets.

Critique 4 was born of the minds of its executive team of Aubuchon, a veteran in the production space having worked on such projects such as Her, NCIS:LA and Angie Tribeca, and Chris Chen, an expert in the production streaming space and the former CTO of DAX. With its ability to use its own DigitalFilm Tree as a beta test site, Critique is built to ensure it works in real-world media environments.

One of the new exciting features of Critique 4 is its ability to index Amazon Simple Storage Service (Amazon S3) to allow companies to manage their own content inside of Critique’s award-winning interface. It also offers high-performance cloud MAM for simultaneous video and document management: Users can collaborate with Critique’s review, approval and annotation workflows not only for video but also for production documents including scripts, graphics and still images.

“Digital Rights Management (DRM) protection is rarely used, if at all, for unreleased content, which is arguably where it is needed the most,” notes Chen. “Critique was designed to leverage DRM invisibly throughout its video distribution system on desktop, web, and mobile environments. This allows Critique to break through the legacy walled-garden approach, allowing a new level of flexibility in collaboration while maintaining security. But we do it in such a way that the users don’t even know it’s there.”

The ability to share assets in this way expands its mobility and Critique is available via web, phones, tablets and Apple TV. The video service is backed by a true CDN running multi-bit-rate video to prevent glitches on any platform. “Users can take advantage of Critique anywhere — in their office, living room, the subway or even on a plane,” explains Chen. “And it will be true to the original media.

Other highlights of Critique 4 include: storage, archiving and management of Raw material; automatic transcoding of Raw material into a proxy format for viewing; granular permissions on files, folders, and projects; easy-to-manage sharing functions for users outside the system with the ability to time-limit and revoke/extend individual permissions; customizable watermarking on videos.

While Critique was born in the creative and operations side of the media and entertainment market, it is extending to enterprise, small to medium-size businesses, publishing, education and government/military sectors.

This latest version of Critique is available now for a free 30-day trial (AWS usage fees apply). Pricing is extremely competitive with 10, 20, 50 and 100 user levels starting as low as $39 per user. Enterprise level contracts are available for larger projects and companies with multiple projects. The fee includes unlimited streaming of current content and 24/7 white-glove tech support. AppleTV, Apple iPad and iPhone apps are also included. For a nominal fee, users can add DRM, high-resolution cloud transcode and storage for camera raw and mezzanine files.

Wipster at a glance — review and approvals made easy

This VFX supervisor/filmmaker shares his thoughts on this newish cloud-based platform for reviewing, approving and collaborating.

By Hasraf “HaZ” Dullul

We now work in an industry where talent isn’t restricted to being local or location dependent. The same can be said about clients. In any project there is always “review” or “dailies” to be done for feedback on the work or sign-offs.

Software like CineSync does a very good job in providing that remote collaboration dailies session, but for a small boutique studio or freelancer working from home the price tag is a bit out of reach. There are other tools out there in the market, and online reviews/dailies feature is a core component in VFX management tools like ftrack and Shotgun. These are feature rich and Continue reading

Talking collaboration with Wipster founder Rollo Wenlock

By Randi Altman

Just over a month ago, Wipster, a cloud-based collaborative video review and approval platform, officially launched after a deliberately lengthy beta program. Created by a filmmaker Rollo Wenlock, this product targets anyone creating video content.

With artists working remotely more than ever these days, as well as clients based all over the world, collaboration tools are becoming more important than ever, as evidenced by just how many there are out there in the market at the moment.

The tool offers the ability to comment and reply to feedback directly on the video; unlimited access to all versions of your video; frame and comment activity notifications via email; Continue reading

DigitalFilm Tree embraces OpenStack and cloud-based post workflows

The studio is running OpenStack private clouds for TNT’s Perception and ABC’s Mistresses.

By Randi Altman
Los Angeles — Ramy Katrib and the team over at DigitalFilm Tree (www.digitalfilmtree.com) have always set their own path. I first met Ramy at NAB in 2001. He was there looking at tools that would allow him to embrace a data-based workflow, something he thought was the future of post. He thought right.

He has spent over 14 years successfully creating data-based workflows for TV series like Scrubs, Cougar Town, NCIS: Los Angeles and feature films like Her.

Continue reading