At the Maxon Supermeet 2018 event, Chaos Group announced its plans to support the Maxon Cinema 4D community with two rendering products: V-Ray for Cinema 4D and Corona for Cinema 4D. Based on V-Ray’s Academy Award-winning raytracing technology, the development of V-Ray for Cinema 4D will be focused on production rendering for high-end visual effects and motion graphics. Corona for Cinema 4D will focus on artist-friendly design visualization.
Chaos Group, which acquired the V-Ray for Cinema 4D product from LAUBlab and will lead development on the product for the first time, will offer current customers free migration to a new update, V-Ray 3.7 for Cinema 4D. All users who move to the new version will receive a free V-Ray for Cinema 4D license, including all product updates, through January 15, 2020. Moving forward, Chaos Group will be providing all support, sales and product development in-house.
In addition to ongoing improvements to V-Ray for Cinema 4D, Chaos Group is also released the Corona for Cinema 4D beta 2 at Supermeet, with the final product to follow in January 2019.
Main Image: Daniel Sian created Robots using V-ray for Cinema 4D.
With V-Ray for Houdini now in open beta, Chaos Group is ensuring that its rendering technology can be used on to each part of the VFX pipeline. With V-Ray for Houdini, artists can apply high-performance raytracing to all of their creative projects, connecting standard applications like Autodesk’s 3ds Max and Maya, and Foundry’s Katana and Nuke.
“Adding V-Ray for Houdini streamlines so many aspects of our pipeline,” says Grant Miller, creative director at Ingenuity Studios. “Combined with V-Ray for Maya and Nuke, we have a complete rendering solution that allows look-dev on individual assets to be packaged and easily transferred between applications.” V-Ray for Houdini was used by Ingenuity on the Taylor Swift music video for Look What You Made Me Do. (See our main image.)
V-Ray for Houdini uses the same smart rendering technology introduced in V-Ray Next, including powerful scene intelligence, fast adaptive lighting and production-ready GPU rendering. V-Ray for Houdini includes two rendering engines – V-Ray and V-Ray GPU – allowing visual effects artists to choose the one that best takes advantage of their hardware.
V-Ray for Houdini, Beta 1 features include:
• GPU & CPU Rendering – High-performance GPU & CPU rendering capabilities for high-speed look development and final frame rendering.
• Volume Rendering – Fast, accurate illumination and rendering of VDB volumes through the V-Ray Volume Grid. Support for Houdini volumes and Mac OS are coming soon.
• V-Ray Scene Support – Easily transfer and manipulate the properties of V-Ray scenes from applications such as Maya and 3ds Max.
• Alembic Support – Full support for Alembic workflows including transformations, instancing and per object material overrides.
• Physical Hair – New Physical Hair shader renders realistic-looking hair with accurate highlights. Only hair as SOP geometry is supported currently.
• Particles – Drive shader parameters such as color, alpha and particle size through custom, per-point attributes.
• Packed Primitives – Fast and efficient handling of Houdini’s native packed primitives at render time.
• Material Stylesheets – Full support for material overrides based on groups, bundles and attributes. VEX and per-primitive string overrides such as texture randomization are planned for launch.
• Instancing – Supports copying any object type (including volumes) using Packed Primitives, Instancer and “instancepath” attribute.
• Light Instances – Instancing of lights is supported, with options for per-instance overrides of the light parameters and constant storage of light link settings.
To join the beta, check out the Chaos Group website.
V-Ray for Houdini is currently available for Houdini and Houdini Indie 16.5.473 and later. V-Ray for Houdini supports Windows, Linux and Mac OS.
Chaos Group’s V-Ray rendering technology is featured in Adobe’s Creative Cloud, allowing graphic designers to easily create photorealistic 3D rendered composites with Project Felix.
Available now, Project Felix is a public beta desktop app that helps users composite 3D assets like models, materials and lights with background images, resulting in an editable render they can continue to design in Photoshop CC. For example, users can turn a basic 3D model of a generic bottle into a realistic product shot that is fully lit and placed in a scene to create an ad, concept mock-up or even abstract art.
V-Ray acts as a virtual camera, letting users test angles, perspectives and placement of their model in the scene before generating a final high-res render. Using the preview window, Felix users get immediate visual feedback on how each edit affects the final rendered image.
By integrating V-Ray, Adobe has brought the same raytracing technology used by companies Industrial Light & Magic to a much wider audience.
“We’re thrilled that Adobe has chosen V-Ray to be the core rendering engine for Project Felix, and to be a part of a new era for 3D in graphic design,” says Peter Mitev, CEO of Chaos Group. “Together we’re bringing the benefits of photoreal rendering, and a new design workflow, to millions of creatives worldwide.”
“Working with the amazing team at Chaos Group meant we could bring the power of the industry’s top rendering engine to our users,” adds Stefano Corazza, senior director of engineering at Adobe. “Our collaboration lets graphic designers design in a more natural flow. Each edit comes to life right before their eyes.”