Tag Archives: CAS Awards

Cinema Audio Society sets next awards date and timeline

The Cinema Audio Society (CAS) will be holding its 55th Annual CAS Awards on Saturday, February 16, 2019 at the InterContinental Los Angeles Downtown in the Wilshire Grand Ballroom. The CAS Awards recognize outstanding sound mixing in film and television as well as outstanding products for production and post. Recipients for the CAS Career Achievement Award and CAS Filmmaker Award will be announced later in the year.

The InterContinental Los Angeles Downtown is a new venue for the awards. They were held at the Omni Los Angeles Hotel at California Plaza last year.

The timeline for the awards is as follows:
• Entry submission form will be available online on the CAS website on Thursday, October 11, 2018.
• Entry submissions are due online by 5:00pm PST on Thursday, November 15, 2018.
• Outstanding product entry submissions are due online by 5:00pm PST on Friday December 7, 2018.
• Nomination ballot voting begins online on Thursday, December 13, 2018.
• Nomination ballot voting ends online at 5:00pm PST on Thursday, January 3, 2019.
• Final nominees in each category will be announced on Tuesday, January 8, 2019.
• Final voting begins online on Thursday, January 24, 2019.
• Final voting ends online at 5:00pm PST on Wednesday, February 6, 2019.

 

CAS celebrates Dunkirk, GoT and more at 54th Awards show

The 54th CAS Awards took place this weekend at the Omni Los Angeles Hotel. The event, hosted by comedian Michael Kosta, was a celebration of people and projects that featured the best sound mixing as well as what the Cinema Audio Society consider the top audio products from 2017.

Re-recording mixer Anna Behlmer was honored  with the CAS Career Achievement AwardShe  is the first woman to receive the CAS Career Achievement Honor. 

The following are all the winners from the evening: 

MOTION PICTURE – LIVE ACTION

Dunkirk

Production Mixer – Mark Weingarten, CAS

Re-recording Mixer – Gregg Landaker

Re-recording Mixer – Gary Rizzo, CAS

Scoring Mixer – Alan Meyerson, CAS

ADR Mixer – Thomas J. O’Connell

Foley Mixer – Scott Curtis

(The Dunkirk team is our main image.)

(Photo: Alex J. Berliner / ABImages)

The Coco team. 

MOTION PICTURE—ANIMATED

Coco

Original Dialogue Mixer – Vince Caro

Re-recording Mixer – Christopher Boyes

Re-recording Mixer – Michael Semanick

Scoring Mixer – Joel Iwataki

Foley Mixer – Blake Collins

MOTION PICTURE—DOCUMENTARY

Jane

Production Mixer – Lee Smith

Re-recording Mixer – David E. Fluhr, CAS

Re-recording Mixer – Warren Shaw

Scoring Mixer – Derek Lee

ADR Mixer – Chris Navarro, CAS

Foley Mixer – Ryan Maguire

TELEVISION MOVIE or MINI-SERIES

Black Mirror: USS Callister

Production Mixer – John Rodda, CAS

Re-recording Mixer – Tim Cavagin

Re-recording Mixer – Dafydd Archard

Re-recording Mixer – William Miller

ADR Mixer – Nick Baldock

Foley Mixer – Sophia Hardman

TELEVISION SERIES – 1 HOUR 

Game of Thrones: Beyond the Wall

Production Mixer – Ronan Hill, CAS

Production Mixer – Richard Dyer, CAS

Re-recording Mixer – Onnalee Blank, CAS

Re-recording Mixer – Mathew Waters, CAS

Foley Mixer – Brett Voss, CAS

Anna Behlmer with her CAS Career Achievement Award.

TELEVISION SERIES – 1/2 HOUR

Silicon Valley: Episode 9 “Hooli-Con”

Production Mixer – Benjamin A. Patrick, CAS

Re-recording Mixer – Elmo Ponsdomenech

Re-recording Mixer – Todd Beckett

TELEVISION NON-FICTION, VARIETY or MUSIC SERIES or SPECIALS

Rolling Stone: Stories from the Edge

Production Mixer – David Hocs

Production Mixer – Tom Tierney

Re-Recording Mixer – Tom Fleischman, CAS

OUTSTANDING PRODUCT – PRODUCTION

 Sound Devices’ Mix Pre- 10T Recorder

OUTSTANDING PRODUCT – POST PRODUCTION

 iZotope’s RX 6 Advanced

STUDENT RECOGNITION AWARD

Xing  Li

Chapman University – Orange, California


All Images: Alex J. Berliner/ABImages

Sound work recognized by the CAS and MPSE

By Mel Lambert

While George Miller’s Mad Max: Fury Road swept the Academy Awards for both sound editing and sound mixing — congratulations, respectively, to co-supervising sound editors Mark Mangini and David White, production mixer Ben Osmo, and re-recording mixers Chris Jenkins and Gregg Rudloff — members of the Cinema Audio Society/CAS and Motion Picture Sound Editors/MPSE favored a broader cross section of film and TV productions during their recent awards ceremonies held in Hollywood in late February.

Hosted by comedian Elayne Boosler, the 52nd CAS Awards celebrated the lifetime contributions of ADR mixer Doc Kane by honoring him with the CAS Career Achievement Award for his more than 350 film credits. There were special video tributes from both Disney Animation and Pixar, as well as actor Brad Garrett.

Emmy Award-winning director/producer/screenwriter Jay Roach received the CAS Filmmaker Award, with remarks from Oscar-nominated actor Bryan Cranston and sound designer/re-recording mixer John Ross, CAS.

The CAS Motion Picture — Live Action Award went to The Revenant, with production mixer Chris Duesterdiek; re-recording mixers Jon Taylor, CAS, Frank Montaño and Randy Thom, CAS;  scoring mixer Conrad Hensel; ADR mixer Michael Miller, CAS; and Foley mixer Geordy Sincavage. The CAS Motion Picture — Animation Award went to Inside Out, with original dialog mixer Doc Kane; re-recording mixers Tom Johnson and Michael Semanick; scoring mixer Joel Iwataki; and Foley mixer Mary Jo Lang, CAS.

The Revenant (L-R): Geordy Sincavage; Candice Todesco; Jon Taylor, CAS; Randy Thom, CAS; Chris Duesterdiek; and Charlie O’Shea.

The CAS Television Movie or Miniseries Award went to Fargo: “Season 2 Episode 5” and production mixer Michael Playfair, CAS; and re-recording mixers Kirk Lynds and Martin Lee. The CAS Television Series — One-Hour went to Game of Thrones: “Hardhome” and production mixers Ronan Hill, CAS, and Richard Dyer, CAS; re-recording mixers Onnalee Blank, CAS, and Mathew Waters, CAS; and Foley mixer Brett Voss, CAS. The CAS Television Series — 1/2-Hour Award went to Modern Family: “Connection Lost” and production mixer Stephen A. Tibbo, CAS; plus re-recording mixers Dean Okrand, CAS, Brian R. Harman, CAS, and David Michael Torres. The CAS Television Non-Fiction, Variety or Music Series or Specials Award went to Live From Lincoln Center: Danny Elfman’s Music From the Films of Tim Burton, and re-recording mixer Ken Hahn, CAS, and production/house sound mixer Paul Be.

Modern Family (L-R): Presenters Phillip and Mo Collins, Penny Coghlan (supervising sound editor); David Michael Torres, Brian R. Harman, CAS., Dean Okrand, CAS; Srdjan “Serge” Popovic (boom operator); Stephen A. Tibbo, CAS; and William Munroe (boom operator).

Matt Yocum, a student at Savannah College of Art and Design, was given the CAS Student Recognition Award with a check for $2,500. CAS Technical Achievement Awards were presented to Sound Devices SL-6 and iZotope RX5-Advanced for Post Production.

Celebrity presenters included former Screen Actors Guild president Ed Asner, Emmy-nominated actor Walton Goggins, actress/writer Mo Collins, actor Charley Koontz, actress Dana Gourrier and comedian Carlos Alazraqui.

MPSE
The 63rd MPSE Golden Reel Awards featured 24 categories encompassing feature films, long/short-form TV, animation, documentaries and other media. Held on February 27 in downtown Los Angeles, opening remarks came from outgoing MPSE president Frank Morrone and incoming president Tom McCarthy.

Doug Hemphill and Lee Smith with Richard King

During the ceremonies, the annual MPSE Filmmaker Award was given to director Sam Raimi by re-recording mixer Marti Humphrey and sound designer/supervising sound editor Jussi Tegelman. Supervising sound editor/sound designer Richard King was presented with an MPSE Career Achievement Award by picture editor Lee Smith and re-recording mixer Doug Hemphill.

MPSE Best Sound Editing: Feature English Language — FX/Foley was a tie, with joint honors going to Mad Max: Fury Road and The Revenant. For Mad Max: Fury Road,  supervising sound editors Mark Mangini, MPSE, Scott Hecker, MPSE, and Wayne Pashley, MPSE; supervising Foley editor Stuart Morton; sound designers David White and Julian Slater; Foley artists John Simpson and Blair Slater; and sound effects editors Fabian Sanjurjo, Cate Cahill, Chris Aud, Chuck Michael, Rick Lisle, Andrew Miller, Emma Mitchell, Alicia Slusarski, Mario Gabrielli, Nigel Christensen, Phil Barrie, Michael Mitchell and Jared Dwyer.

For The Revenant it was supervising sound editors Martín Hernández, Randy Thom, MPSE, and Lon Bender, MPSE; sound designer Jon Title; Foley supervisor Geordy Sincavage; additional supervising sound editor Todd Toon, MPSE; sound effects editors Mark Larry, Dino DiMuro, Adam Kopald, Pernell L. Salinas, Bill Dean, D. Chris Smith, MPSE, Hector Gika, David McMoyler and Stephen Robinson; Foley editors Nancy MacCleod, Ryan Wassil and Aran Tanchum; plus Foley artists Katy Rose, Gretchen Thomas, Rick Owens, Vincent Guisetti, Catherine Harper, Gregg Barbanell and Andrea Gard.

Inside Out

The MPSE Best Sound Editing & Music: Animation — Feature Film went to Inside Out supervising sound editors Shannon Mills and Ren Klyce; supervising dialogue editor Daniel Laurie; supervising music editor Stephen M. Davis; sound designer Ren Klyce; Foley artists John Roesch and Alyson Dee Moore; sound effects editors David C. Hughes, Malcolm Fife and Jeremy Bowker; plus Foley editor Tom Brennan.

The MPSE Best Sound Editing & Music: Documentary — Feature Film went to Kurt Cobain: Montage of Heck and supervising sound editor Cameron Frankley, sound effects editor Dan Kenyon and music editor Jon Michaels.

The MPSE Best Sound Editing: Feature Film — Music Score went to Star Wars: The Force Awakens supervising music editor Ramiro Belgardt and music editor Paul Apelgren. The MPSE Best Sound Editing: Feature Film — Music in a Musical went to Love & Mercy and music editor Nicholas Renbeck. The MPSE Best Sound Editing: Feature English Language — Dialogue/ADR went to Bridge Of Spies supervising sound editors Richard Hymns and Gary Rydstrom; supervising dialogue editor Brian Chumney; and supervising ADR editor Steve Slanec.

Presenters included producer Ra’uf Glasgow, actress Briana Brown, supervising sound editor Alan Murray, actress Julia Parker, actor Joe Spano, producer Andrew Sugarman, supervising sound editor Cameron Frankley, Warner Bros. executive Bill Angorola, music editor Thomas Milano and production sound editor/CAS President Mark Ulano.

A complete list of MPSE Golden Reel Awards can be found on the organization’s website: www.mpse.org.

Mel Lambert is principal of Content Creators, an LA-based copywriting and editorial service. He can be reached at mel.lambert@content-creators.com. Follow him on Twitter @MelLambertLA.

Our Main Image: Inside Out (L-R): Presenter Onnalee Blank, CAS, Michael Semanick, Doc Kane, Mary Jo Lang, CAS, Tom Johnson, Joel Iwataki and presenter/actor Walton Goggins. 

MPSE Photos: Tilt Photo