Modern VideoFilm’s Bryan McMahan on grading the dailies and final film
By Randi Altman
Terrence Malick’s Knight of Cups, which premiered at the Berlin Film Festival in early February, has literally been years in the making. Shot in 2012, on 35mm, 65mm and a variety of digital formats, Knight of Cups has had a two-year post-production cycle.
For the film, which stars Christian Bale as a Hollywood screenwriter having a sort of crisis of conscious, the director called on frequent collaborators, such as cinematographer Emmanuel Lubezki, who has a brand-new shiny Oscar for his Continue reading