Tag Archives: Avid DNxHR

Avid Media Composer now supports ProRes RAW and DNx codecs

Avid has added native support in Media Composer for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a free download for all users. These integrations will allow content creators and post companies to natively create high-quality ProRes content regardless of their operating system and save time during the creative storytelling process.

ProRes is a high-performance editing codec that provides multistream, high-quality images and low complexity for premium realtime editing. The codec, which will be available to Media Composer users on Windows, supports frame sizes ranging from SD and HD to 2K, 4K and beyond at full resolution with image-quality preservation and reduced storage rates.

In addition, Media Composer for macOS and Windows, which was completely redesigned for 2019, also will add native support for ProRes RAW. ProRes RAW applies ProRes compression to the RAW data from a camera sensor to provide the flexibility of RAW video with the performance of ProRes for editing today’s highest-resolution outputs.

Finally, Avid says the continued availability of Avid’s DNxHD and DNxHR decoders for macOS is a benefit to content creators using Apple and Avid products and will ensure the longevity of content creators’ DNx material encoded in MXF and QuickTime files.

 

Red DSMC2 product line to support Avid DNxHR, DNxHD

The Avid DNxHR and Avid DNxHD recording formats will soon be supported by Red Digital Cinema’s DSMC2 line of cameras, including Weapon, Scarlet-W and Red Raven.

Avid’s DNxHR and DNxHD are known for their ability to reduce storage and bandwidth requirements, and Avid DNxHD has been accepted by the Society of Motion Picture and Television Engineers as the foundation format for the VC-3 standard.

Additionally, these formats offer a direct-to-edit experience for professionals looking to preserve image quality and leverage their investments in Avid in-house production systems. With Avid codecs being an in-camera tool within Red cameras, users will be able to shoot RedCode RAW simultaneously alongside Avid’s DNxHR and DNxHD.

The Avid DNxHR and DNxHD formats will be added to the existing recording capability that Red’s DSMC2 cameras currently offer via RedCode RAW and Apple ProRes formats. Avid DNxHR and Avid DNxHD will be made available via a free firmware upgrade in mid-2016.