Tag Archives: Adrian Bull

Joce Capper joins Cinelab London as creative director

Film lab and post facility Cinelab London has brought on Joce Capper as creative director/strategic business development. Capper has over 25 years of experience managing and growing post and VFX companies, most notably serving as managing director of Rushes, one of the UK’s most widely admired post houses, for 20 years.

Capper’s open approach in the leadership of talent, staff and new technologies — combined with her resourceful understanding of the scalable processes needed to meet budgets and timescales — has seen her play a huge part in delivering many multi-award-winning projects for leading brands and clients across the advertising, music, entertainment and feature film sectors during her career.

Since the closure of Rushes, Capper has spent the past 18 months in management consulting for Supernova Heights. In this role, she worked across multiple companies in the media industry, including Cinelab London. Now, she will take up her role there full-time.

”I’ve learned a huge amount about myself in the last year,” says Capper. “How much I enjoy the creative industries; and that being involved in productions with creative staff is key to my happiness. I am self-motivated, but I need to be part of a friendly and talented team, be somewhere I can make a difference and believe wholeheartedly in what the company is offering.”

Capper will work with the executive management and sales teams to continue to grow the profile of Cinelab London, its client base and its international reach. Part of her responsibility will also be to help educate the industry and the next generation of filmmakers on the skills and craft needed when shooting on film.

“I have known Joce for many years, previously working with her in operational and corporate roles at Ascent Media and Deluxe Entertainment,” explains Adrian Bull, co-founder/CEO of Cinelab London. “She will help us push the business forward; I am delighted to have her working with us full-time.”

Cinelab London adds sound mastering supervisor and colorist

Cinelab London, which provides a wide range of film and digital restoration services, has added two new creatives to its staff — sound mastering supervisor Jason Stevens and senior colorist Mike David.

Stevens brings with him over 20 years of experience in sound and film archive restoration. Prior to his new role, he was part of the archive and restoration team at Pinewood Studios. Having worked there his whole career, Stevens’ worked on many big films, including the recent Yesterday, Rocketman and Judy. His clients have included the BFI, Arrow Films, Studio Canal and Fabulous Films.

During his career, Stevens has also been involved in short films, commercials and broadcast documentaries, recently completing a three-year project for Adam Matthew, the award-winning digital publisher of unique primary source collections from archives around the world.

“We have seen Jason’s enviable skills and talents put to their best use over the six years we have worked together,” says Adrian Bull, co-founder and CEO of Cinelab London. “Now we’re thrilled to have him join our growing in-house team. Talents like Jason’s are rare. He brings a wealth of creative and technical knowledge, so we feel lucky to be able to welcome him to our film family.”

Colorist Mike Davis also joins from Pinewood Studios (following its recent closure) where he spent five years grading feature films and episodic TV productions and specializing in archive and restoration. He has graded over 100 restoration titles for clients such as BFI, Studio Canal and Arrow Films on projects such as A Fish Called Wanda, Rita, Sue & Bob Too and Waterworld.

Davis has worked with the world’s leading DPs, handling dailies and grading major feature films including Mission Impossible, Star Wars: Rogue One and Annihilation. He enjoys working on a variety of content including short films, commercials, broadcast documentaries and Independent DI projects. He recently worked on Adewale Akinnuoye-Agbaje’s Farming, which won Best British Film at the Edinburgh Film Festival in June.

Davis started his career at Ascent Media, assisting on film rushes, learning how to grade and operate equipment. By 2010, he segued into production, spending time on set and on location working on stereoscopic 3D projects and operating 3D rigs. Returning to grading film and TV at Company 3, Davis then strengthened his talents working in long format film at Pinewood Studios.

Main Image: (L-R) Stevens and Davis