By Randi Altman
The newly formed Blackmagic Collective, a group founded by filmmakers for filmmakers, is holding the first of its free monthly meetings on Saturday, January 12 at the Gnomon School of Visual Effects in Hollywood.
The group, headed up by executive director Brett Harrison, says they are dedicated to sharing info on the art of filmmaking as well as education. “With Blackmagic Design’s support, the group will feature ‘TED Talk’-like presentations from media experts, panels covering post and production topics and film festivals, as well as networking opportunities.”
In addition, Blackmagic Design is offering free Resolve training attached to the meetings. While Blackmagic is a sponsor, this is not a Blackmagic-run group. According to Harrison, “The Blackmagic Collective is an independent group created to support the art of filmmaking as a whole. We are also a 501(c)(3) charity, with plans to find ways to give back to the community.” Membership is free, with no application process. Members can simply sign-up on the site. Despite the name, Harrison insists that the group, while inspired by Blackmagic’s filmmaking tools, is focused on filmmaking as a whole. “You do not need to use BMD tools to be a member,” adds Harrison.
On creating the Collective, Harrison says, “After producing the Blackmagic Design Conference + Expo in LA early in 2018, I realized that a monthly group in Hollywood for filmmakers to learn from other professionals and share with and inspire each other would be well-received and vital, particularly for Blackmagic users in the industry. BMD allows for an end-to-end workflow that encompasses the spectrum of production and post, with endless topics for our group to focus on, though we will be speaking on a range of topics and not strictly BMD gear and software.”
At their first meeting, esteemed film and television cinematographer Roy H. Wagner, ASC, will be interviewed by Christian Sebaldt, ASC, with a focus on Roy’s new feature film Stand!. There will be a panel discussing the art and experiences of young colorists from Efilm, Apache and Company 3. Also, the Blackmagic Collective will be announcing a film festival that will start in April and end in November with a final competition. Filmmakers can submit films each month. Selected films will be streamed on the group website, with a select few shown at the monthly meetings starting in April. Members will have the opportunity to vote for the best each month, with a final competition for the top five films at the November event.
In case you were wondering, and we know you are, the current plan for the film festival is this:
“Our film festival submissions must use BMD technology to be eligible to enter the contest. That may include cameras, software or both, depending on the category,” explains Harrison.
The Collective will also be hosting job fairs at every other meeting.
“We are thrilled to be supporting the Blackmagic Collective,” says Blackmagic president Dan May. “Our company shares a passion with filmmakers by creating hardware and software that make their craft easier and more cost effective. We feel the Collective will provide the added resource of bringing a focus to the art form of filmmaking, as well as helping share new ideas and technology among creatives at all skill levels, from student to professional.”
You can sign up for the Resolve editing class or the event (or both) at the website.