NBCUni 7.26

Quick Chat: Robert Ryang on editing Netflix’s Zion doc

Back in May, Cut+Run’s Robert Ryang took home a Sports Emmy in the Outstanding Editing category for the short film Zion. The documentary, which premiered at Sundance and was released on Netflix, tells the story of Zion Clark, a young man who was born without legs, grew up in foster care and found community and hope in wrestling. Continue reading

NBCUni 7.26

Mixing sounds of fantasy and reality for Rocketman

By Jennifer Walden

Paramount Pictures’ Rocketman is a musical fantasy about the early years of Elton John. The story is told through flashbacks, giving director Dexter Fletcher the freedom to bend reality. He blended memories and music to tell an emotional truth as opposed to delivering hard facts.

The story begins with Elton John (Taron Egerton) attending a group therapy session with other recovering addicts. Continue reading


Review: The Loupedeck+ editing console for stills and video

By Brady Betzel

As an online editor I am often tasked with wearing multiple job hats, including VFX artist, compositor, offline editor, audio editor and colorist, which requires me to use special color correction panel hardware. I really love photography and cinematography but have never been able to use the color correction hardware I’m used to in  Adobe’s Photoshop or Lightroom, Continue reading


Perpetual Grace’s DPs, colorist weigh in on show’s gritty look

You don’t have to get very far into watching the Epix series Perpetual Grace LTD to realize just how ominous this show feels. It begins with the opening shots, and by the time you’ve spent a few minutes with the dark, mysterious characters who populate this world — and gathered hints of the many schemes within schemes that perpetuate the story — the show’s tone is clear. Continue reading


Behind the Title: Spot Welders’ editor Matt Osborne

After the time-consuming and sometimes stressful part of doing selects and putting together an assembly alone, I enjoy sitting in a room with the director and digging into the material.

NAME: Matt Osborne

COMPANY: Spot Welders

CAN YOU DESCRIBE YOUR COMPANY? Continue reading


Andy Greenberg on One Union Recording’s fire and rebuild

San Francisco’s One Union Recording Studios has been serving the sound needs of ad agencies, game companies, TV and film producers, and corporate media departments in the Bay Area and beyond for nearly 25 years.

In the summer of 2017, the facility was hit by a terrible fire that affected all six of its recording studios. Continue reading


Editing Roundtable

By Randi Altman

The world of the editor has changed over the years as a result of new technology, the types of projects they are being asked to cut (looking at you social media) and the various deliverables they must create. Are deadlines still getting tighter and are budgets still getting smaller? The answer is yes, Continue reading


Editing for Short Form

By Karen Moltenbrey

Unlike features or even series, short-form projects such as commercials give the editor the opportunity for a fresh start with each new job. Indeed, some brands have a specific style that they adhere to, but even so, there is a good deal of creative flexibility placed in the hands of the editor. Continue reading

Yesterday director Danny Boyle

By Iain Blair

Yesterday, everyone knew The Beatles. Today, only a struggling singer-songwriter in a tiny English seaside town remembers their songs. That’s the brilliant-yet-simple setup for Yesterday, the new rock ’n’ roll comedy from Academy Award-winning director Danny Boyle (Slumdog Millionaire, Trainspotting) and Oscar-nominated screenwriter Richard Curtis (Four Weddings and a Funeral, Continue reading

Behind the Title: Neko founder Lirit Rosenzweig Topaz

NAME: Lirit Rosenzweig Topaz

COMPANY: Burbank’s Neko Productions

CAN YOU DESCRIBE YOUR COMPANY?
We are an animation studio working on games, TV, film, digital, AR, VR and promotional projects in a variety of styles, including super-cartoony and hyper-realistic CG and 2D. We believe in producing the best product for the budget, Continue reading

Tribeca: Emily Cohn on editing her own film, CRSHD

By Amy Leland

At this year’s Tribeca Film Festival, I went to a screening of the college comedy CRSHD, a feature film by first-time feature writer/director Emily Cohn. CRSHD tells the story of a group of college freshman trying to gain entry to an invitation-only “crush” party, in order to accomplish a pledge one of them made to lose her virginity before the end of the year. Continue reading

DP Chat: Good Omens cinematographer Gavin Finney

By Randi Altman

London-born cinematographer Gavin Finney, BSC, has a wealth of television series and film experience under his belt, including Wolf Hall, The Fear and the upcoming series based on the film of the same name, Hulu’s Four Weddings and a Funeral. One of his most recent projects was the six-episode Amazon series Good Omens, Continue reading

Tips for inside —and outside — the edit suite

By Brady Betzel

Over the past 15 years, I’ve seen lots of good and bad while working in production and post — from people being overly technical (only looking at the scopes and not the creative) to being difficult just for the sake of being difficult. I’ve worked on daytime and nighttime talk shows, Continue reading

Editing for Features and Docs

By Karen Moltenbrey

When editing a feature film, the cutter can often feel as if he or she is assembling a puzzle, putting together a plethora of pieces, from the acting, to the lighting, to the production design, and turning those raw elements into a cohesive, comprehensive story. With so much material to sort through, Continue reading

Editing for Episodics

By Karen Moltenbrey

Consistency is important when editing series. Initially, the editor may collaborate with the director and DP on the style of the show, and once it is set, the focus is on supporting that direction, reflecting the essence and feel of the show and the performance of the characters.

However, Continue reading

Review: Red Giant’s VFX Suite plugins

By Brady Betzel

If you have ever watched After Effects tutorials, you are bound to have seen the people who make up Red Giant. There is Aharon Rabinowitz, who you might mistake for a professional voiceover talent; Seth Worley, who can combine a pithy sense of humor and over-the-top creativity seamlessly; Continue reading

DP Chat: Catch-22’s Martin Ruhe, ASC

By Randi Altman

For the bibliophiles out there, you know Catch-22 as the 1961 book by Joseph Heller. Cinephiles might remember the 1970 film of the same name starring Alan Arkin. And for those who are familiar with the saying, but not its origins, a Catch-22 is essentially a no-win situation. Continue reading

Amazon’s Sneaky Pete: DP Arthur Albert on the look of Season 3

By Karen Moltenbrey

Crime has a way of finding Pete Murphy, or should we say Marius Josipovic (Giovanni Ribisi). Marius is a con man who assumed his cellmate’s identity when he was paroled from prison. His plan was twofold: first, pretend to be the still-incarcerated Pete, from whom the family has been estranged for the past 20 years, Continue reading

Quick Chat: Sinking Ship’s Matt Bishop on live-action/CG series

By Randi Altman

Toronto’s Sinking Ship Entertainment is a production, distribution and interactive company specializing in children’s live-action and CGI-blended programming. The company has 13 Daytime Emmys and a variety of other international awards on its proverbial mantel. Sinking Ship has over 175 employees across all its divisions, including its VFX and interactive studio. Continue reading

EIPMA: Focusing on industry mentoring

By Barry Goch

As an instructor, I try to bridge the gap between the technology of yesterday, today and tomorrow. So much of what I do as an industry pro depends on knowing and respecting the past while keeping an eye on the future. I see a digital divide as I guide my students into the world of contemporary post production. Continue reading

Rocketman director Dexter Fletcher on Elton John musical

By Iain Blair

The past year has been huge for British director Dexter Fletcher. He was instrumental in getting Bohemian Rhapsody across the finish line when he was brought in to direct the latter part of the production after Bryan Singer was fired. The result? A $903 million global smash that Hollywood never saw coming. Continue reading

Behind the Title: Live Nation Entertainment Editor Hillary Lewis

This Indiana-based editor uses Avid Media Composer at work, Adobe Premiere for personal projects and After Effects for both.

NAME: Indianapolis-based Hillary Lewis

COMPANY: TourDesign Creative/Live Nation Entertainment

CAN YOU DESCRIBE YOUR COMPANY?
We are the post house for all Live Nation artists creating their broadcast, Continue reading

Behind the Title: DigitalFilm Tree colorist Patrick Woodard

This colorist, who works on episodic TV series, says, “There are so many talented colorists and photographers on Instagram. It’s where I get my daily inspiration.”

NAME: Patrick Woodard

COMPANY: DigitalFilm Tree (@digitalfilmtree)

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Apple intros long-awaited new Mac Pro and Pro Display XDR

By Barry Goch

The Apple Worldwide Developers Conference (WWDC19) kicked off on Monday with a keynote from Apple CEO Tim Cook, where he announced the eagerly awaited new Mac Pro and Pro Display XDR.

In recent years, many working in M&E felt as if Apple had moved away from supporting creative pros in this industry. Continue reading

RPS editors talk workflow, creativity and Michelob Ultra’s Robots

By Randi Altman

Rock Paper Scissors (RPS) is a veteran editing house specializing in commercials, music videos and feature films. Founded by Oscar-winning editor Angus Wall (The Social Network, The Girl With the Dragon Tattoo), RPS has a New York office as well as a main Santa Monica location that it shares with sister companies A52, Continue reading

Whiskey Cavalier DPs weigh in on the show’s look, DITs

While ABC recently cancelled freshman series Whiskey Cavalier, their on-set workflow is an interesting story to tell. The will-they-won’t-they drama featured FBI agent Will Chase (Scott Foley) and CIA operative Frankie Trowbridge (Lauren Cohan) — his codename is Whiskey Cavalier and hers is Fiery Tribune. The two lead an inter-agency team of spies who travel all over the world, Continue reading

DP Chat: Brandon Trost on the Ted Bundy film Extremely Wicked

By Randi Altman

To say that cinematographer Brandon Trost was born to work in the entertainment industry might not be hyperbole. This fourth-generation Angeleno has family roots in the industry — from his dad who did visual/physical effects, to his great uncle, actor Victor French (Little House on the Prairie). Continue reading

Using editing to influence the tone of a spot

By Maury Loeb

We all have a basic understanding about what editing consists of. In the simplest terms, editors stitch together raw footage to create a cohesive and coherent story. But one of the most vital features of a “good edit” is the establishment of tone. Tone is the aspect of a piece that describes its particular mood, Continue reading

Showrunner and EP Peter Gould on AMC’s Better Call Saul

By Iain Blair

Having a legal issue? Thinking of calling someone who has a questionable relationship with the rule of law? Jimmy McGill? Saul Goodman? Or, maybe, Gene, the lonely Cinnabon store manager? The slippery, shady, shape-shifting character — played beautifully by multiple Emmy-nominee Bob Odenkirk — is at the heart of Better Call Saul, Continue reading

Amazon’s Good Omens: VFX supervisor Jean-Claude Deguara

By Randi Altman

Good versus evil. It’s a story that’s been told time and time again, but Amazon’s Good Omens turns that trope on its head a bit. With Armageddon approaching, two unlikely heroes and centuries-long frenemies— an angel (Michael Sheen) and demon (David Tennant) — team up to try to fight off the end of the world. Continue reading

Nvidia, AMD and Intel news from Computex

By Mike McCarthy

A number of new technologies and products were just announced at this year’s Computex event in Taipei, Taiwan. Let’s take a look at ones that seem relevant to media creation pros.

Nvidia released a line of mobile workstation GPUs based on its newest Turing architecture. Like the GeForce lineup, Continue reading

Behind the Title: Ntropic Flame artist Amanda Amalfi

NAME: Amanda Amalfi

COMPANY: Ntropic (@ntropic)

CAN YOU DESCRIBE YOUR COMPANY?
Ntropic is a content creator producing work for commercials, music videos and feature films as well as crafting experiential and interactive VR and AR media. We have offices in San Francisco, Continue reading

Review: Polaroid 320 RGB LED light for controlled environments

By Brady Betzel

If you read a lot of reviews and articles like I do, sometimes you can get overwhelmed by how many products are out there. Lighting is one of those categories where the availability of products seems never ending. From ARRI Fresnels that can go for over $5,000 to the Kino Flo Diva-Lite at over $1,300, Continue reading

The editing and tech behind Netflix’s Black Mirror: Bandersnatch

This interactive film’s editor talks challenges as well as how Netflix’s Branch Manager tech made it all possible.

By Karen Moltenbrey

In any film, or web/television series for that matter, the final presentation is the culmination of many choices. The director’s, the scriptwriter’s, the editor’s… just about everyone’s but the viewers. Continue reading

Checking In: Glassworks’ Duncan Malcolm, Flame Award winner

Back in April, during an event at NAB, Autodesk presented its 2019 Flame Award to Duncan Malcolm. This Flame artist and director of 2D at Glassworks VFX in London is being celebrated for his 20-plus years of artistic achievements.

Malcolm has been working in production and post for 33 years. At Glassworks, Continue reading

Phosphene’s visual effects for Showtime’s Escape at Dannemora

By Randi Altman

The Showtime limited series Escape at Dannemora is based on the true story of two inmates (David Sweat and Richard Matt) who escape from an Upstate New York prison. They were aided by Tilly, a female prison employee, whose husband also worked at Clinton Correctional Facility. She helped run the tailor shop where both men worked and had an intimate relationship with both men. Continue reading

Review: CyberPower PC workstation with AMD Ryzen

By Brady Betzel

With the influx of end users searching for alternatives to Mac Pros, as well as new ways to purchase workstation-level computing solutions, there is no shortage of opinions on what brands to buy and who might build it. Everyone has a cousin or neighbor that builds systems, right?

I’ve often heard people say, Continue reading

Hobo Films’ Howard Bowler on new series The System

By Randi Altman

Howard Bowler, the founder of New York City-based audio post house Hobo
Audio, has launched Hobo Films, a long-form original content development company.

Bowler is also the founder and president of Green Point Creative, a marijuana-advocacy branding agency focused on the war on drugs and changing drug laws. Continue reading

All Is True director Kenneth Branagh

By Iain Blair

Five-time Oscar-nominee Ken Branagh might be the biggest Shakespeare fan in the business. In fact, it’s probably fair to say that the actor/director/producer/screenwriter largely owes his fame and fortune to the Bard. For the past 30 years he’s directed (and often starred in) dozens of theatrical productions, as well as feature film adaptations of Shakespeare’s works, Continue reading

Review: Razer Blade 15-inch mobile workstation

By Mike McCarthy

I am always looking for the most powerful tools in the smallest packages, so I decided to check out the Razer Blade 15-inch laptop with an Nvidia GeForce RTX 2080 Max-Q graphics card. The Max-Q variants are optimized for better thermals and power usage — at the potential expense of performance — in order to allow more powerful GPUs to be used in smaller laptops. Continue reading

Showrunner: Eric Newman of Netflix’s Narcos: Mexico

By Iain Blair

Much like the drugs that form the dark heart of Narcos: Mexico, the hit Netflix crime drama is full of danger, chills and thrills — and is highly addictive. It explores the origins of the modern, ultra-violent drug war by going back to its roots, beginning at a time when the Mexican trafficking world was a loose and disorganized confederation of independent growers and dealers. Continue reading

DP Chat: The Man in the High Castle’s Gonzalo Amat

By Randi Altman

Amazon’s The Man in the High Castle is based on the 1962 Phillip K. Dick novel, which asks the question: “What would it look like if the Germans and Japanese won World War II?” It takes a look at the Nazi and Japanese occupation of portions of the United States and the world. Continue reading

Quick Chat: M&C Saatchi LA’s Dan Roman on Time Scouts campaign

Have you ever wondered what it would be like to visit another place and time? To walk the Roman ruins before they were, well, ruined? If so, you might want to join the Time Scouts.

What is Time Scouts? Well, according to the website, it is a “multiverse-spanning organization dedicated to the growth of its members through the travel of space and time. Continue reading

Idris Elba and Gary Reich talk about creating Netflix’s Turn Up Charlie

By Iain Blair

Idris Elba has always excelled at playing uber-cool, uber-controlled characters — often villains and troubled souls, such as drug lord Stringer Bell on HBO’s The Wire, detective John Luther on the BBC’s Luther, and the war lord in the harrowing feature film Beasts of No Nation. Continue reading

Review: Avid Media Composer Symphony 2018 v.12

By Brady Betzel

In February of 2018, we saw a seismic shift in the leadership at Avid. Chief executive officer Louis Hernandez Jr. was removed and subsequently replaced by Jeff Rosica. Once Rosica was installed, I think everyone who was worried Avid was about to be liquidated to the highest bidder breathed a sigh of temporary relief. Continue reading

Jesse Averna: A veteran editor shares some wisdom

You work hard in a tough industry in challenging times. It can be easy to get bogged down with the expectations you’ve set for yourself and your career. If you’re in need of a dose of perspective and positivity, then take a moment to step away from your timeline, grab a coffee and meditate on a series of recent tweets by LA-based editor Jesse Averna (@dr0id).While they might not be strictly post production tweets, Continue reading

NAB 2019: Storage for M&E workflows

By Tom Coughlin

Storage is a vital element in modern post production, since that’s where the video content lives. Let’s look at trends in media post production storage and products shown at the 2019 NAB show. First let’s look at general post production storage architectures and storage trends.

My company produces the yearly “Digital Storage in Media and Entertainment Report,” Continue reading