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NYC’s The-Artery expands to larger space in Chelsea

The-Artery has expanded and moved into a new 7,500-square-foot space in Manhattan’s Chelsea neighborhood. Founded by chief creative officer Vico Sharabani, The-Artery will use this extra space while providing visual effects, post supervision, offline editorial, live action and experience design and development across multiple platforms.

According to Sharabani, the new space is not only a response to the studio’s growth, but allows The-Artery to foster better collaboration and reinforce its relationships with clients and creative partners. “As a creative studio, we recognize how important it is for our artists, producers and clients to be working in a space that is comfortable and supportive of our creative process,” he says. “The extraordinary layout of this new space, the size, the lighting and even our location, allows us to provide our clients with key capabilities and plays an important part in promoting our mission moving forward.”

Recent The-Artery projects include 2018’s VR-enabled production for Mercedez-Benz, their work on Under Armour’s “Rush” campaign and Beyonce’s Coachella documentary, Homecoming.

They have also worked on feature films like Netflix’s Beasts of No Nation, Wes Anderson’s Oscar-winning Grand Budapest Hotel and the crime caper Ocean’s 8.

The-Artery’s new studio features a variety of software including Flame, Houdini, Cinema 4D, 3ds Max, Maya, the Adobe Creative Cloud suite of tools, Avid Media Composer, Shotgun for review and approval and more.

The-Artery features a veteran team of talented team of artists and creative collaborators, including a recent addition — editor and former Mad River Post owner Michael Elliot. “Whether they are agencies, commercial and film directors or studios, our clients always work directly with our creative directors and artists, collaborating closely throughout a project,” says Sharabani.

Main Image: Vico Sharabani (far right) and team in their new space.


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