By Randi Altman
Blackmagic, which makes tools for all parts of the production and post workflow, is holding its very first Blackmagic Design Conference and Expo, produced with FMC and NAB Show. This three-day event takes place on February 11-13 in Los Angeles. The event includes a paid conference featuring over 35 sessions, as well as a free expo on February 12, which includes special guests, speakers and production and post companies.
Ramy Katrib, founder and CEO of Hollywood-based post house and software development company DigitalFilm Tree, is the keynote speaker for the conference. FotoKem DI colorist Walter Volpatto and color scientist Joseph Slomka will be keynoting the free expo on the 12th.
We reached out to Katrib to find out what he’ll be focusing on in his keynote, as well as pick his brains about technology and trends.
Can you talk about the theme of your keynote?
Resolve has grown mightily over the past few years, and is the foundation of DigitalFilm Tree’s post finishing efforts. I’ll discuss the how Resolve is becoming an essential post tool. And with Resolve 14, folks who are coloring, editing, conforming and doing VFX and audio work are now collaborating on the same timeline, and that is huge development for TV, film and every media industry creative and technician.
Why was it important for you to keynote this event?
DaVinci was part of my life when I was a colorist 25 years ago, and today BMD is relevant to me while I run my own post company, DigitalFilm Tree. On a personal note, I’ve known Grant Petty since 1999 and work with many folks at BMD who develop Resolve and the hardware products we use, like I/O cards and Teranex converters. This relationship involves us sharing our post production pain points and workflow suggestions, while BMD has provided very relevant software and hardware solutions.
Can you give us a sample of something you might talk about?
I’m looking forward to providing an overview of how Resolve is now part of our color, VFX, editorial, conform and deliverables effort, while having artists provide micro demos on stage.
You alluded to the addition of collaboration in Resolve. How important is this for users?
Resolve 14’s new collaboration tools are a huge development for the post industry, specifically in this golden age of TV where binge delivery of multiple episodes at the same time is common place. As the complexity of production and post increases, greater collaboration across multiple disciplines is a refreshing turn — it allows multiple artists and technicians to work in one timeline instead of 10 timelines and round tripping across multiple applications.
Blackmagic has ramped up their NLE offerings with Resolve 14. Do you see more and more editors embracing this tool for editing?
Absolutely. It always takes a little time to ramp up in professional communities. It reminds me of when the editors on Scrubs used Final Cut Pro for the first time and that ushered FCP into the TV arena. We’re already working with scripted TV editors who are in the process of transitioning to Resolve. Also, DigitalFilm Tree’s editors are now using Resolve for creative editing.
What about the Fairlight audio offerings within? Will you guys take advantage of that in any way? Do you see others embracing it?
For simple audio work like mapping audio tracks, creating multi mixes for 5.1 and 7.1 delivery and mapping various audio tracks, we are talking advantage of Fairlight and audio functionality within Resolve. We’re not an audio house, yet it’s great to have a tool like this for convenience and workflow efficiency.
What trends did you see in 2017 and where do you think things will land in 2018?
Last year was about the acceptance of cloud-based production and post process. This year is about the wider use of cloud-based production and post process. In short, what used to be file-based workflows will give way to cloud-based solutions and products.
postPerspective readers can get $50 off of Registration for the Blackmagic Design Conference & Expo by using Code: POST18. Click here to register.