OWC 12.4

Creative Outpost buys Dolby-certified studios, takes on long-form

After acquiring the studio assets from now-closed Angell Sound, commercial audio house Creative Outpost is now expanding its VFX and audio offerings by entering the world of long-form audio. Already in picture post on its first Netflix series, the company is now open for long-form ADR, mix and review bookings.

“Space is at a premium in central Soho, so we’re extremely privileged to have been able to acquire four studios with large booths that can accommodate crowd sessions,” says Creative Outpost co-founders Quentin Olszewski and Danny Etherington. “Our new friends in the ADR world have been super helpful in getting the word out into the wider community, having seen the size, build quality and location of our Wardour Street studios and how they’ll meet the demands of the growing long-form SVOD market.”

With the Angell Sound assets in place, the team at Creative Outpost has completed a number of joint picture and sound projects for online and TV. Focusing two of its four studios primarily on advertising work, Creative Outpost has provided sound design and mix on campaigns including Barclays’ “Team Talk,” Virgin Mobile’s “Sounds Good,” Icee’s “Swizzle, Fizzle, Freshy, Freeze,” Green Flag’s “Who The Fudge Are Green Flag,” Santander’s “Antandec” and Coca Cola’s “Coaches.” Now, the team’s ambitions are to apply its experience from the commercial world to further include long-form broadcast and feature work. Its Dolby-approved studios were built by studio architect Roger D’Arcy.

The studios are running Avid Pro Tools Ultimate, Avid hardware controllers and Neumann U87 microphones. They are also set up for long-form/ADR work with EdiCue and EdiPrompt, Source-Connect Pro and ISDN capabilities, Sennheiser MKH 416 and DPA D:screet microphones.

“It’s an exciting opportunity to join Creative Outpost with the aim of helping them grow the audio side of the company,” says Dave Robinson, head of sound at Creative Outpost. “Along with Tom Lane — an extremely talented fellow ex-Angell engineer — we have spent the last few months putting together a decent body of work to build upon, and things are really starting to take off. As well as continuing to build our core short-form audio work, we are developing our long-form ADR and mix capabilities and have a few other exciting projects in the pipeline. It’s great to be working with a friendly, talented bunch of people, and I look forward to what lies ahead.”

 


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