Cinnafilm 6.6.19

Review: G-Tech’s G-Speed Shuttle XL with EV Series Adapters, Thunderbolt 3

By Brady Betzel

As video recording file sizes continue to creep up, so do our hard drive storage size, RAID and bandwidth needs. These days we are seeing a huge amount of recorded media needing to be offloaded, edited and color graded in the field. G-Technology has stepped up to bat with its 24TB G-Speed Shuttle XL with EV Series adapters, Continue reading

Cinnafilm 6.6.19

Editing 360 video with Lenovo’s Explorer WMR headset

By Mike McCarthy

Microsoft has released its Windows Mixed Reality (WMR) platform as part of the Fall Creator’s Update to Windows 10. This platform allows users to experience a variety of immersive experiences, and thankfully there are now many WMR headsets available from many familiar names in the hardware business. Continue reading


Review: Dell’s 8K LCD monitor

By Mike McCarthy

At CES 2017, Dell introduced its UP3218K LCD 32-inch monitor, which was the first commercially available 8K display. It runs 7680×4320 pixels at 60fps, driven by two DisplayPort 1.4 cables. That is over 33 million pixels per frame, and nearly 2 billion per second, which requires a lot of GPU power to generate. Continue reading


First Impressions: Apple’s new iMac Pro

This London-based video editor gives it a ride

By Thomas Carter

Over the last few days I’ve had the chance to play with the new iMac Pro from Apple. I’m a professional editor at Trim Editing in London, where I cut high-end commercials, music videos and films. Continue reading


Review: Red Giant Trapcode Suite 14

By Brady Betzel

Every year we get multiple updates to Red Giant’s Adobe After Effects plug-in behemoth, Trapcode Suite. The 14th update to the Trapcode suite is small but powerful and brings significant updates to Version 3 of Trapcode as well as Form (Trapcode Form 3 is a particle system generator much like Particular, Continue reading


Review: GoPro Fusion 360 camera

By Mike McCarthy

I finally got the opportunity to try out the GoPro Fusion camera I have had my eye on since the company first revealed it in April. The $700 camera uses two offset fish-eye lenses to shoot 360 video and stills, while recording ambisonic audio from four microphones in the waterproof unit. Continue reading


Review: Blackmagic Resolve 14

By David Cox

Blackmagic has released Version 14 of its popular DaVinci Resolve “color grading” suite, following a period of open public beta development. I put color grading in quotes, because one of the most interesting aspects about the V14 release is how far-reaching Resolve’s ambitions have become, beyond simply color grading.

Prior to being purchased by Blackmagic, Continue reading


Review: Boxx’s Apexx 4 7404 workstation

By Brady Betzel

The professional workstation market has been blown open recently with companies like HP, Apple, Dell, Lenovo and others building systems containing i3/i5/i7/i9 and Xeon processors, and  AMD’s recent re-inauguration into the professional workstation market with their Ryzen line of processors.

There are more options than ever, and that’s a great thing for working pros, Continue reading

Review: OWC’s USB-C dock

By Brady Betzel

Whether you have a MacBook Pro with only one USB 3.1 Gen 1 port (a.k.a. USB-C) or a desktop PC and aren’t fond of reaching around the back of your tower to plug in peripherals, you’ll need a dock. At first you might think a dock isn’t necessary, but it is. Continue reading

Review: Røde Mic’s Stereo VideoMic Pro Rycote

By Brady Betzel

There are a ton of microphone types out there, and when it comes to adding an external mic to a camera you need to know what kind of mic works best in different situations. For interviews, you most likely want a microphone that picks up the audio that is placed directly in front of the microphone. Continue reading

Review: Blackmagic’s Fusion 9

By David Cox

At Siggraph in August, Blackmagic Design released a new version of its compositing software Fusion. For those not familiar with Fusion, it is a highly flexible node-based compositor that can composite in 2D and 3D spaces. Its closest competitor is Nuke from The Foundry.

The raft of new updates in Version 9 could be categorized into one of two areas: features created in response to user requests, Continue reading

Review: Lenovo’s ThinkPad P71 mobile workstation

By Mike McCarthy

Lenovo was nice enough to send me their newest VR-enabled mobile workstation to test out on a VR workflow project I am doing. The new ThinkPad P71 is a beast with a 17-inch UHD IPS screen. The model they sent to me was equipped with the fastest available processor, Continue reading

Review: Polaroid Cube+

By Brady Betzel

There are a lot of options out there for outdoor, extreme sports cameras — GoPro is the first that comes to mind with their Hero line, but even companies like Garmin have their own versions that are gaining traction in the niche action camera market. Polaroid has been trying their hand in lots of product markets lately, Continue reading

Fangs Film Gear’s Wolf Packs and Panther lens bags

By Brady Betzel

Summertime is the perfect time to make sure you have the right gear bags to throw your cameras, memory cards and lenses in. Fangs Film Gear is a brand from the company Release the Hounds Studios. They also have other products, like Ground Control color correction LUTs, Continue reading

Quick Look: Jaunt One’s 360 camera

By Claudio Santos

To those who have been following the virtual reality market from the beginning, one very interesting phenomenon is how the hardware development seems to have outpaced both the content creation and the software development. The industry has been in a constant state of excitement over the release of new and improved hardware that pushes the capabilities of the medium, Continue reading

Review: Sony’s a6300 E-mount camera

By Brady Betzel

It’s fair to say that the still and motion camera market isn’t boring. Canon and Nikon have been the huge players in the market, more so a few years ago when Canon introduced the landscape-changing 7D and full-frame 5D cameras. The 5D was the magic camera for the filmmaking community. Continue reading

Mocha VR: An After Effects user’s review

By Zach Shukan

If you’re using Adobe After Effects to do compositing and you’re not using Mocha, then you’re holding yourself back. If you’re using Mettle Skybox, you need to check out Mocha VR, the VR-enhanced edition of Mocha Pro.

Mocha Pro, and Mocha VR are all standalone programs where you work entirely within the Mocha environment and then export your tracks, Continue reading

Review: Zylight’s IS3 LED lights

By Brady Betzel

I see a lot of footage from all over the world captured on all sorts of cameras and shot in good and bad lighting conditions. Besides camera types and lenses, proper lighting is consistently an area that needs the most attention.

If you troll around YouTube, you will see all sorts of lighting tutorials (some awful, Continue reading

Review: Red Giant Magic Bullet Suite 13, Part 2

By Brady Betzel

In Part 1 of my review of Red Giant’s Magic Bullet Suite 13, I went through Magic Bullet Looks 4 as well as Colorista IV. Both are color correction and grading plug-ins that are compatible with Adobe’s After Effects and Premiere Pro and Apple’s Final Cut Pro X and Motion. Continue reading

Review: Blackmagic’s Ursa Mini 4.6K camera

By David Hurd

I have already tested two of Blackmagic’s cameras, and I found both of them to be a great value for the money. This left me with great expectations for the Ursa Mini 4.6K camera.

The Ursa Mini 4.6K feels like a very solid, well-built camera. I spent 15 years on broadcast sports trucks, Continue reading

Review: Red Giant Magic Bullet Suite: Looks 4 and Colorist IV

By Brady Betzel

Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.”

Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading

Review: Blackmagic’s DaVinci Resolve Mini Panel

By Brady Betzel

If you’ve never used a color correction panel like the Tangent Element, Tangent Ripple, Avid Artist Color, or been fortunate enough to touch the super high-end FilmLight Blackboard 2, Blackmagic Advanced Panel or the Nucoda Precision Control Panel, then you don’t know what you are missing.

If you can, Continue reading

Review: GoPro’s Karma Grip and Quik Key

By Brady Betzel

There has been a flood of GoPro-compatible accessories introduced over the last several years, with few having as much impact as handheld stabilizers. Stabilizers have revolutionized videography (more specifically GoPro videography) and they are becoming extremely compact and very reasonably priced.

A while ago, I reviewed a GoPro Hero 3- and 4-compatible handheld stabilizer from Polaroid, Continue reading

Review: LogicKeyboard’s Astra PC keyboard for Resolve 12/12.5

By Brady Betzel

I love a good keyboard. In fact, my favorite keyboards have always been mechanical, or pseudo-mechanical, like those old Windows keyboards you can find at thrift stores for under 10 bucks — in fact, I went back and bought one just the other day at a Goodwill. I love them because of the tactile response and click you get when depressing the keys. Continue reading

Review: Dell Precision 7910 tower workstation

By Mike McCarthy

While I started my career on Dell Precision workstations, I have spent the last 10 years with HP workstations under my desk. They have served me well, which is why I used them for five generations. At the beginning of 2016, I was given the opportunity to do a complete hardware refresh for director Scott Waugh’s post house, Continue reading

Review: Soundly — an essential tool for sound designers

By Ron DiCesare

The people behind the sound effects database Soundly and I think alike. We both imagine a world where all audio files are accessible from any computer at anytime. Soundly is helping accomplish that with their cloud-based audio sound effect searchable database and online sound effects library. Having access to thousands of sound effects online via the cloud from any computer anywhere with Internet access is long overdue. Continue reading

Review: Maxon Cinema 4D Studio Release 18

By Brady Betzel

Each year I get to test out some of the latest and greatest software and hardware releases our industry has to offer. One of my favorites — and most challenging — is Maxon’s Cinema 4D. I say challenging because while I love Cinema 4D, I don’t use it every day. Continue reading

Review: Nvidia’s new Pascal-based Quadro cards

By Mike McCarthy

Nvidia has announced a number of new professional graphic cards, filling out their entire Quadro line-up with models based on their newest Pascal architecture. At the absolute top end, there is the new Quadro GP100, which is a PCIe card implementation of their supercomputer chip. It has similar 32-bit (graphics) processing power to the existing Quadro P6000, Continue reading

Review: Polaroid camera accessories

By Brady Betzel

When you hear the name Polaroid, your mind likely serves up an image of an instant camera, but that image might vary depending on your age. Not long ago, the once ubiquitous company sold off its last instant film factory — to a very interesting company named Impossible — and began to produce new cameras for the digital age as well as boatloads of camera accessories. Continue reading

A one-man production band… on wheels

Capturing an event with pro know-how and flexible tools

By David Hurd

I recently had an opportunity to shoot a gala event at a mall for the Tampa Innovation Alliance. The CEOs of all the big local companies, as well as the mayor were there, along with 600 guests. Continue reading

Review: Apple’s new MacBook Pro

By Brady Betzel

What do you need to know about the latest pro laptop from Apple? Well, the MacBook Pro is fast and light; the new Touch Bar is handy and sharp but not fully realized; the updated keys on the keyboard are surprisingly great; and working with ProRes QuickTime files in resolutions higher than 1920×1080 inside of FCP X, Continue reading

Review: Mettle VR plug-ins for Adobe Premiere

By Barry Goch

I was very frustrated. I took a VR production class, I bought a LG 360 camera, but I felt like I was missing something. Then it dawned on me — I wanted to have more control. I started editing 360 videos using the VR video viewing tools in Adobe Premiere Pro, Continue reading

Review: Lenovo ThinkStation P410

By Brady Betzel

With the lukewarm reaction of the professional community to the new Apple MacBook Pro, there are many creative professionals who are seriously — for the first time in their careers — considering whether or not to jump into a Windows-based world.

I grew up using an Apple II GS from 1986 (I was born in 1983, Continue reading

Review: NewBlueFX’s ColorFast 2 for editors

By Brady Betzel

Basic color correction is rapidly becoming a skill that is expected of an editor, or even an assistant editor. If you have had the luxury of using a colorist and/or an online editor, you have probably seen them use apps such as Blackmagic Resolve, Avid Symphony, FilmLight’s Baselight or other color grading tools. Continue reading

Review: DJI’s Phantom 4 drone

By Brady Betzel

I’ve been trying to get my hands on a professional drone to review for a few years now. My wife even got me a drone from a local store that was a ton of fun to play with but was hard to master.  For years, I’ve been working on television shows that use drone footage and capture incredible imagery, Continue reading

Apple updates FCPX, adds shared libraries, more

By Amy Leland

There exists within the post world a deep schism. On one side are those who use Final Cut Pro X, appreciate it for what it is, and want to know more about it. On the other side are those who see it as “iMovie Pro” and disdain all discussion on the topic. Continue reading

Digging Deep: Sony intros the PXW-FS7 II camera

By Daniel Rodriguez

At a press event in New York City a couple of weeks ago, Sony unveiled the long-rumored follow-up to its extremely successful Sony PXW FS7 — the Sony PXW-FS7 II. With the new FS7 II, Sony dives deeper in the mid-level cinematographer/ videographer market that it firmly established with the FS100, Continue reading

Review: The HP Z1G3 All-in-One workstation

By Brady Betzel

I’ll admit it. I’ve always been impressed with HP’s All-in-One workstations — from their z840 to their zBook mobile workstation and now their HP Z1G3. Yes, I know, the HP line of workstations are not cheap. In fact, you can save quite a bit of money building your own system, Continue reading

Review: Red Giant’s Universe 2

By Brady Betzel

Throughout 2016, we have seen some interesting acquisitions in the world of post production software and hardware — Razer bought THX, Blackmagic bought Ultimatte and Fairlight and Boris FX bought GenArts, to name a few. We’ve also seen a tremendous consolidation of jobs. Editors are now being tasked as final audio mixers, Continue reading

Review: Tangent Ripple color correction panel

By Brady Betzel

Lately, it feels like a lot of the specializations in post production are becoming generalized and given to the “editor.” One of the hats that the editor now wears is that of color corrector — I’m not saying we are tasked with color grading an entire film, but we are asked to make things warmer or cooler or to add saturation. Continue reading

Review: Microsoft Surface Pro 4 running Resolve 12.5

By Brady Betzel

Not long ago, I was asked if I wanted to check out Blackmagic’s DaVinci Resolve 12.5 on a Microsoft Surface Pro 4. I was dubious, and wondered, “Do they really think I can edit, color correct, and deliver footage on a tablet?”

I was incredulous. I really thought this seemed like a pipe dream for Microsoft and Blackmagic. Continue reading

Review: Avid Media Composer 8.5 and 8.6

By Brady Betzel

It seems that nonlinear editing systems, like Adobe Premiere, Apple FCP X, Lightworks, Vegas and Blackmagic Resolve are being updated almost weekly. At first, I was overjoyed with the frequent updates. It got to the point where I would see a new codec released on a Monday and by Friday you could edit with it (maybe a slight exaggeration, Continue reading

Updates to Adobe Creative Cloud include project sharing, more

By Brady Betzel

Adobe has announced team project sharing!! You read that right — the next Adobe Creative Cloud update, to be released later this year, will have the one thing I’ve always said kept Adobe from punching into Avid’s NLE stake with episodic TV and film editors.

While “one thing” is a bit of hyperbole, Continue reading

Review: Mocha Pro 5 plug-in for Media Composer

By Brady Betzel

A common theme among editors and colorists these days is where to draw the line when asked to do more than their job description. Some editors want to stick to cutting, while others find it exciting to push their creative boundaries. Personally, the more options I have in my toolkit, Continue reading

Review: FxFactory’s AudioDenoise, EchoRemover, Xsend Motion

By Brady Betzel

Over the last few years, I’ve really enjoyed working on Windows-based PCs , but some of the drawbacks are the inability to use FCP X, Motion and any of their plug-ins. Recently, I opened my MacBook Pro once again because I found three plug-ins from FxFactory’s partners Automatic Duck and CrumplePop that I really wanted to check out inside of FCP X: AudioDenoise, Continue reading

Review: Rampant Design Tools FCP X plug-ins

By Brady Betzel

Over the past few weeks, I’ve been diving into FCP X and testing out some new tools that work within the editing system, including Rampant Design Tool’s FCP X plug-ins. Rampant Design helps you add value to your project, like adding video enhancements including light leaks, glitch effects, transitions, moving matte overlays and much more. Continue reading

Review: Polaroid’s GoPro 3-way stabilizer and 350 LED light

By Brady Betzel

We’ve all seen the trend: technology has started to take off exponentially and give everyday people access to professional-level equipment and software for semi-affordable prices. It also allows professionals to capture images in a way they might not have considered in the past.

For example, you can buy a GoPro Hero4 and create your own stunning timelapses in 4K, Continue reading

A look at the new AMD Radeon Pro SSG card

By Dariush Derakhshani

My first video card review was on the ATI FireGL 8800 more than 14 years ago. It was one of the first video cards that could support two monitors with only one card, which to me was a revolution. Up until then I had to jam two 3DLabs Oxygen VX1 cards in my system (one AGP and the other PCI) and wrestle them to handle OpenGL with Maya 4.0 running on two screens. Continue reading

Review: BenQ’s 4K/UHD monitor

By Brady Betzel

If you have been dabbling in higher-than 1920×1080 resolution multimedia production, you have likely been investigating a color-accurate and affordable 4K/UHD monitoring solution.

If you’ve Googled the Dolby PRM-4220 professional reference monitor you probably had a heart attack when you saw the near $40K price tag. This monitor is obviously not for the prosumer, Continue reading