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Review: Foundry’s Athera cloud platform

By David Cox

I’ve been thinking for a while that there are two types of post houses — those that know what cloud technology can do for them, and those whose days are numbered. That isn’t to say that the use of cloud technology is essential to the survival of a post house, Continue reading

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Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion

By Brady Betzel

There is a lot of what’s become known as mobile filmmaking being done with cell phones, such as the iPhone, Samsung Galaxy and even the Google Pixel. For this review, I will cover two apps and one hybrid hard drive/mobile media ingest station built specifically for this type of mobile production. Continue reading


Review: OConnor camera assistant bag

By Brady Betzel

After years and years of gear acquisition, I often forget to secure proper bags and protection for my equipment. From Pelican cases to the cheapest camera bags, a truly high-quality bag will extend the life of your equipment.

In this review I am going to go over a super-heavy-duty assistant camera bag by OConnor, Continue reading


Review: Blackmagic’s Resolve 15

By David Cox

DaVinci Resolve 15 from Blackmagic Design has now been released. The big news is that Blackmagic’s compositing software Fusion has been incorporated into Resolve, joining the editing and audio mixing capabilities added to color grading in recent years. However, to focus just on this would hide a wide array of updates to Resolve, Continue reading


Review: Using an eGPU with an Apple MacBook Pro (Thunderbolt 2)

By Twain Richardson

When I’m on set, I use my MacBook Pro to backup data and do quick edits, but it’s a laptop and lacks the power needed to handle RAW files in that environment. With Mac OS High Sierra, Apple introduced connecting eGPUs to Macs via Thunderbolt 3, but my big question was: “Will this work with a Thunderbolt 2 Mac?” Doing a bit of Google research, Continue reading


Review: Maxon Cinema 4D R19 — an editor’s perspective

By Brady Betzel

It’s time for my yearly review of Maxon’s Cinema 4D. Currently in Release 19, Cinema 4D comes with a good amount of under-the-hood updates. I am an editor, first and foremost, so while I dabble in Cinema 4D, I am not an expert. There are a few things in the latest release, Continue reading


Review: The Litra Torch for pro adventure lighting

By Brady Betzel

If you are on Instagram you’ve definitely seen your fair share of “adventure” photography and video. Typically, it’s those GoPro-themed action-adventure shots of someone cliff diving off a million-mile-high waterfall. I definitely get jealous. Nonetheless, one thing I love about GoPro cameras is their size. They are small enough to fit in your pocket, Continue reading


Review: HP DreamColor Z31x studio display for cinema 4K

By Mike McCarthy

Not long ago, HP sent me their newest high-end monitor to review, and I was eager to dig in. The DreamColor Z31x studio display is a 31-inch true 4K color-critical reference monitor. It has many new features that set it apart from its predecessors, which I have examined and will present here in as much depth as I can. Continue reading

Review: The PNY PrevailPro mobile workstation

By Mike McCarthy

PNY, a company best known in the media and entertainment industry as the manufacturer of Nvidia’s Quadro line of professional graphics cards, is now offering a powerful mobile workstation. While PNY makes a variety of other products, mostly centered around memory and graphics cards, the PrevailPro is their first move into offering complete systems. Continue reading

Review: HP’s zBook x2 mobile workstation

By Brady Betzel

There are a lot of laptops and tablets on the market these days that can seemingly power a SpaceX Falcon 9 rocket launch and landing. If you work in media and entertainment like I do, these days you might even be asked to edit and color correct that Falcon 9 footage that could have been filmed in some insane resolution like 8K. Continue reading

Review: Warren Eagles’ Blackmagic Resolve training

By Brady Betzel

With Blackmagic’s DaVinci Resolve 15 released at this year’s NAB, a lot of editors, colorists and now audio mixers want to dive in and see what all of the fuss is about.

Resolve 15 is now a Pro Tools competitor thanks to Fairlight and an After Effects competitor thanks to Fusion. Continue reading

NAB: Adobe’s spring updates for Creative Cloud

By Brady Betzel

Adobe has had a tradition of releasing Creative Cloud updates prior to NAB, and this year is no different. The company has been focused on improving existing workflows and adding new features, some based on Adobe’s Sensei technology, as well as improved VR enhancements.

In this release, Continue reading

Review: Lenovo’s ThinkStation P910

By Brady Betzel

With so many options out there for building and/or buying a workstation, how do you confidently choose where to spend thousands of dollars? From the big-named computer companies to the DIY build-your-own systems, there are dozens of subset options to take your multimedia work to the next level. While not yet as common in the M&E workplace as an HP, Continue reading

Review: Krotos Reformer Pro for customizing sounds

By Robin Shore

Krotos has got to be one of the most.innovative developers of sound design tools in the industry right now. That is a strong statement, but I stand by it. This Scottish company has become well known over the past few years for its Dehumaniser line of products, which bring a fresh approach to the creation of creature vocals and monster sounds. Continue reading

Review: RTW’s Masterclass Mastering Tools

By David Hurd

RTW, based in Cologne, Germany, has been making broadcast-quality metering tools for audio professionals since 1965. Today, we will be looking at its Masterclass Mastering Tools and Loudness Tools plug-ins, which are awesome to have in your arsenal if you are mastering music or audio for broadcast. Continue reading

Review: HP’s lower-cost DreamColor Z24x display

By Dariush Derakhshani

So, we all know how important a color-accurate monitor is in making professional-level graphics, right? Right?!? Even at the most basic level, when you’re stalking online for the perfect watch band for your holiday present of a smart watch, you want the orange band you see in the online ad to be what you get when it arrives a few days later. Continue reading

Review: Digital Anarchy’s Transcriptive plugin for Adobe Premiere

By Brady Betzel

One of the most time consuming parts of editing can be dealing with the pre-post, including organizing scripts and transcriptions of interviews. In the past, I have used and loved Avid’s ScriptSync and Phrase Find. These days, with people becoming more comfortable with other NLEs such as Adobe Premiere Pro, Continue reading

Review: Wacom Mobile Studio Pro 16

By Sophia Kyriacou

As a designer who appreciates how products are packaged, my first impression of the Mobile Studio Pro when it arrived was very positive. I loved the minimalism of the design and how everything was carefully considered and placed within the box. It felt special and aimed at a creative who had earned it. Continue reading

Review: HP’s ZBook Studio G4 mobile workstation

By Brady Betzel

It seems like each year around this time, I offer my thoughts on an HP mobile workstation and how it serves multimedia professionals. This time I am putting the HP ZBook Studio G4 through its paces. The ZBook Studio line of HP’s mobile workstations seems to fit right in the middle between ease of mobility, Continue reading

Configuring an iMac Pro for video editing

By Larry Jordan

Ever since Apple released the iMac Pro, my inbox has been clogged with people asking advice on how to configure their system. This article is designed to help you make more informed decisions when you don’t have an unlimited budget. Also, while the iMac Pro is designed for many different markets, Continue reading

Review: Blackmagic’s DaVinci Resolve 14 for editing

By Brady Betzel

Resolve 14 has really stepped up Blackmagic’s NLE game with many great new updates over the past few months. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab.

Over the last two years, Resolve has grown from a high-end color correction and finishing app to include a fully-capable nonlinear editor, Continue reading

Review: G-Tech’s G-Speed Shuttle XL with EV Series Adapters, Thunderbolt 3

By Brady Betzel

As video recording file sizes continue to creep up, so do our hard drive storage size, RAID and bandwidth needs. These days we are seeing a huge amount of recorded media needing to be offloaded, edited and color graded in the field. G-Technology has stepped up to bat with its 24TB G-Speed Shuttle XL with EV Series adapters, Continue reading

Editing 360 video with Lenovo’s Explorer WMR headset

By Mike McCarthy

Microsoft has released its Windows Mixed Reality (WMR) platform as part of the Fall Creator’s Update to Windows 10. This platform allows users to experience a variety of immersive experiences, and thankfully there are now many WMR headsets available from many familiar names in the hardware business. Continue reading

Review: Dell’s 8K LCD monitor

By Mike McCarthy

At CES 2017, Dell introduced its UP3218K LCD 32-inch monitor, which was the first commercially available 8K display. It runs 7680×4320 pixels at 60fps, driven by two DisplayPort 1.4 cables. That is over 33 million pixels per frame, and nearly 2 billion per second, which requires a lot of GPU power to generate. Continue reading

First Impressions: Apple’s new iMac Pro

This London-based video editor gives it a ride

By Thomas Carter

Over the last few days I’ve had the chance to play with the new iMac Pro from Apple. I’m a professional editor at Trim Editing in London, where I cut high-end commercials, music videos and films. Continue reading

Review: Red Giant Trapcode Suite 14

By Brady Betzel

Every year we get multiple updates to Red Giant’s Adobe After Effects plug-in behemoth, Trapcode Suite. The 14th update to the Trapcode suite is small but powerful and brings significant updates to Version 3 of Trapcode as well as Form (Trapcode Form 3 is a particle system generator much like Particular, Continue reading

Review: GoPro Fusion 360 camera

By Mike McCarthy

I finally got the opportunity to try out the GoPro Fusion camera I have had my eye on since the company first revealed it in April. The $700 camera uses two offset fish-eye lenses to shoot 360 video and stills, while recording ambisonic audio from four microphones in the waterproof unit. Continue reading

Review: Blackmagic Resolve 14

By David Cox

Blackmagic has released Version 14 of its popular DaVinci Resolve “color grading” suite, following a period of open public beta development. I put color grading in quotes, because one of the most interesting aspects about the V14 release is how far-reaching Resolve’s ambitions have become, beyond simply color grading.

Prior to being purchased by Blackmagic, Continue reading

Review: Boxx’s Apexx 4 7404 workstation

By Brady Betzel

The professional workstation market has been blown open recently with companies like HP, Apple, Dell, Lenovo and others building systems containing i3/i5/i7/i9 and Xeon processors, and  AMD’s recent re-inauguration into the professional workstation market with their Ryzen line of processors.

There are more options than ever, and that’s a great thing for working pros, Continue reading

Review: OWC’s USB-C dock

By Brady Betzel

Whether you have a MacBook Pro with only one USB 3.1 Gen 1 port (a.k.a. USB-C) or a desktop PC and aren’t fond of reaching around the back of your tower to plug in peripherals, you’ll need a dock. At first you might think a dock isn’t necessary, but it is. Continue reading

Review: Røde Mic’s Stereo VideoMic Pro Rycote

By Brady Betzel

There are a ton of microphone types out there, and when it comes to adding an external mic to a camera you need to know what kind of mic works best in different situations. For interviews, you most likely want a microphone that picks up the audio that is placed directly in front of the microphone. Continue reading

Review: Blackmagic’s Fusion 9

By David Cox

At Siggraph in August, Blackmagic Design released a new version of its compositing software Fusion. For those not familiar with Fusion, it is a highly flexible node-based compositor that can composite in 2D and 3D spaces. Its closest competitor is Nuke from The Foundry.

The raft of new updates in Version 9 could be categorized into one of two areas: features created in response to user requests, Continue reading

Review: Lenovo’s ThinkPad P71 mobile workstation

By Mike McCarthy

Lenovo was nice enough to send me their newest VR-enabled mobile workstation to test out on a VR workflow project I am doing. The new ThinkPad P71 is a beast with a 17-inch UHD IPS screen. The model they sent to me was equipped with the fastest available processor, Continue reading

Review: Polaroid Cube+

By Brady Betzel

There are a lot of options out there for outdoor, extreme sports cameras — GoPro is the first that comes to mind with their Hero line, but even companies like Garmin have their own versions that are gaining traction in the niche action camera market. Polaroid has been trying their hand in lots of product markets lately, Continue reading

Fangs Film Gear’s Wolf Packs and Panther lens bags

By Brady Betzel

Summertime is the perfect time to make sure you have the right gear bags to throw your cameras, memory cards and lenses in. Fangs Film Gear is a brand from the company Release the Hounds Studios. They also have other products, like Ground Control color correction LUTs, Continue reading

Quick Look: Jaunt One’s 360 camera

By Claudio Santos

To those who have been following the virtual reality market from the beginning, one very interesting phenomenon is how the hardware development seems to have outpaced both the content creation and the software development. The industry has been in a constant state of excitement over the release of new and improved hardware that pushes the capabilities of the medium, Continue reading

Review: Sony’s a6300 E-mount camera

By Brady Betzel

It’s fair to say that the still and motion camera market isn’t boring. Canon and Nikon have been the huge players in the market, more so a few years ago when Canon introduced the landscape-changing 7D and full-frame 5D cameras. The 5D was the magic camera for the filmmaking community. Continue reading

Mocha VR: An After Effects user’s review

By Zach Shukan

If you’re using Adobe After Effects to do compositing and you’re not using Mocha, then you’re holding yourself back. If you’re using Mettle Skybox, you need to check out Mocha VR, the VR-enhanced edition of Mocha Pro.

Mocha Pro, and Mocha VR are all standalone programs where you work entirely within the Mocha environment and then export your tracks, Continue reading

Review: Zylight’s IS3 LED lights

By Brady Betzel

I see a lot of footage from all over the world captured on all sorts of cameras and shot in good and bad lighting conditions. Besides camera types and lenses, proper lighting is consistently an area that needs the most attention.

If you troll around YouTube, you will see all sorts of lighting tutorials (some awful, Continue reading

Review: Red Giant Magic Bullet Suite 13, Part 2

By Brady Betzel

In Part 1 of my review of Red Giant’s Magic Bullet Suite 13, I went through Magic Bullet Looks 4 as well as Colorista IV. Both are color correction and grading plug-ins that are compatible with Adobe’s After Effects and Premiere Pro and Apple’s Final Cut Pro X and Motion. Continue reading

Review: Blackmagic’s Ursa Mini 4.6K camera

By David Hurd

I have already tested two of Blackmagic’s cameras, and I found both of them to be a great value for the money. This left me with great expectations for the Ursa Mini 4.6K camera.

The Ursa Mini 4.6K feels like a very solid, well-built camera. I spent 15 years on broadcast sports trucks, Continue reading

Review: Red Giant Magic Bullet Suite: Looks 4 and Colorist IV

By Brady Betzel

Color grading is an art unto itself. A dedicated colorist can make your footage look so good, your response upon seeing it will likely be, “I had no idea it could look like this.”

Unfortunately, as an editor you don’t have the opportunity to spend 10 hours a day honing the craft of color correction. Continue reading

Review: Blackmagic’s DaVinci Resolve Mini Panel

By Brady Betzel

If you’ve never used a color correction panel like the Tangent Element, Tangent Ripple, Avid Artist Color, or been fortunate enough to touch the super high-end FilmLight Blackboard 2, Blackmagic Advanced Panel or the Nucoda Precision Control Panel, then you don’t know what you are missing.

If you can, Continue reading

Review: GoPro’s Karma Grip and Quik Key

By Brady Betzel

There has been a flood of GoPro-compatible accessories introduced over the last several years, with few having as much impact as handheld stabilizers. Stabilizers have revolutionized videography (more specifically GoPro videography) and they are becoming extremely compact and very reasonably priced.

A while ago, I reviewed a GoPro Hero 3- and 4-compatible handheld stabilizer from Polaroid, Continue reading

Review: LogicKeyboard’s Astra PC keyboard for Resolve 12/12.5

By Brady Betzel

I love a good keyboard. In fact, my favorite keyboards have always been mechanical, or pseudo-mechanical, like those old Windows keyboards you can find at thrift stores for under 10 bucks — in fact, I went back and bought one just the other day at a Goodwill. I love them because of the tactile response and click you get when depressing the keys. Continue reading

Review: Dell Precision 7910 tower workstation

By Mike McCarthy

While I started my career on Dell Precision workstations, I have spent the last 10 years with HP workstations under my desk. They have served me well, which is why I used them for five generations. At the beginning of 2016, I was given the opportunity to do a complete hardware refresh for director Scott Waugh’s post house, Continue reading

Review: Soundly — an essential tool for sound designers

By Ron DiCesare

The people behind the sound effects database Soundly and I think alike. We both imagine a world where all audio files are accessible from any computer at anytime. Soundly is helping accomplish that with their cloud-based audio sound effect searchable database and online sound effects library. Having access to thousands of sound effects online via the cloud from any computer anywhere with Internet access is long overdue. Continue reading

Review: Maxon Cinema 4D Studio Release 18

By Brady Betzel

Each year I get to test out some of the latest and greatest software and hardware releases our industry has to offer. One of my favorites — and most challenging — is Maxon’s Cinema 4D. I say challenging because while I love Cinema 4D, I don’t use it every day. Continue reading

Review: Nvidia’s new Pascal-based Quadro cards

By Mike McCarthy

Nvidia has announced a number of new professional graphic cards, filling out their entire Quadro line-up with models based on their newest Pascal architecture. At the absolute top end, there is the new Quadro GP100, which is a PCIe card implementation of their supercomputer chip. It has similar 32-bit (graphics) processing power to the existing Quadro P6000, Continue reading