OWC 12.4

Review: Nugen Audio’s VisLM2 loudness meter plugin

By Ron DiCesare

In 2010, President Obama signed the CALM Act (Commercial Advertisement Loudness Mitigation) regulating the audio levels of TV commercials. At that time, I had many “laypeople” complain to me how commercials were often so much louder than the TV programs. Over the past 10 years, I have seen the rise of audio meter plugins to meet the requirements of the CALM Act, Continue reading

OWC 12.4

Review: iZotope’s Ozone 9 isn’t just for mastering

By Pat Birk

Izotope is back with its latest release, Ozone 9. And with it, iZotope hopes to provide a comprehensive package of tools to streamline the audio engineer’s workflow. The company has been on my radar for a number of years now, having used the RX suite extensively for clean up and restoration of production audio. Continue reading


Review: Lenovo Yoga A940 all-in-one workstation

By Brady Betzel

While more and more creators are looking for alternatives to the iMac, iMac Pro and Mac Pro, there are few options with high-quality, built-in monitors: Microsoft Surface Studio, HP Envy, and Dell 7000 are a few. There are even fewer choices if you want touch and pen capabilities. It’s with that need in mind that I decided to review the Lenovo Yoga A940, Continue reading


Review: PixelTools V.1 PowerGrade presets for Resolve

By Brady Betzel

Color correction and color grading can be tricky (especially for those of us who don’t work as a dedicated colorist). And to be good at one doesn’t necessarily mean you will be good at the other. After watching hundreds of hours of tutorials, the only answer to getting better at color correction and color grading is to practice. Continue reading


Review: Boxx’s Apexx A3 AMD Ryzen workstation

By Mike McCarthy

Boxx’s Apexx A3 is based on AMD’s newest Ryzen CPUs and the X570 chipset. Boxx has taken these elements and added liquid CPU cooling, professional GPUs and a compact, solid case to create an optimal third-generation Ryzen system configured for pros. It can support dual GPUs and two 3.5-inch hard drives, Continue reading


Review: Samsung’s 970 EVO Plus 500GB NVMe M.2 SSD

By Brady Betzel

It seems that the SSD drives are dropping in price by the hour. (This might be a slight over-exaggeration, but you understand what I mean.) Over the last year or so there has been a huge difference in pricing, including high-speed NVMe SSD drives. One of those is the highly touted Samsung EVO Plus NVMe line. Continue reading


Review: Accusonus Era 4 Pro audio repair plugins

By Brady Betzel

With each passing year it seems that the job title of “editor” changes. It’s not just someone responsible for shaping the story of the show but also for certain aspects of finishing, including color correction and audio mixing.

In the past, when I was offline editing more often, Continue reading


Review: Dell’s Precision T5820 workstation

By Brady Betzel

Multimedia creators are looking for faster, more robust computer systems and seeing an increase in computing power among all brands and products. Whether it’s an iMac Pro with a built-in 5K screen or a Windows-based, Nvidia-powered PC workstation, there are many options to consider. Many of today’s content creation apps are operating-system-agnostic, Continue reading

Building a massive editing storage setup on a budget

By Mike McCarthy

This year, I oversaw the editing process for a large international film production. This involved setting up a collaborative editing facility in the US, at Vasquez Saloon, with a large amount of high-speed storage for the source footage. While there was “only” 6.5TB of offline DNxHR files, they shot around 150TB of Red footage that we needed to have available for onsite VFX, Continue reading

Review: iZotope’s Neutron 3 Advanced with Mix Assistant

By Tim Wembly

iZotope has been doing more to elevate and simplify the workflows of this generation’s audio pros than any of its competitors. It’s a bold statement, but I stand behind it. From their range of audio restoration tools within RX to their measurement and visualization tools in Ozone to their creative approach to VST effects and instruments like Iris, Continue reading

Review: LaCie mobile, high Speed 1TB SSD

By Brady Betzel

With the flood of internal and external hard drives hitting the market at relatively low prices, it is sometimes hard to wade through the swamp and find the drive that is right for your workflow. In terms of external drives, do you need a RAID? USB-C? Is Thunderbolt 3 the same as USB-C? Continue reading

Review: Dell UltraSharp 27 4K InfinityEdge monitor

By Sophia Kyriacou

The Dell UltraSharp U2718Q monitor did not disappoint. Getting started requires minimal effort. You are up and running in no time — from taking it out of the box to switching it on. The stand, the standard Dell mount, is simple to assemble and intuitive, so you barely need to look at any instructions. Continue reading

Review: FXhome’s HitFilm Pro 12 for editing, compositing, VFX

By Brady Betzel

If you have ever worked in Adobe Premiere Pro, Apple FCP X or Avid Media Composer and wished you could just flip a tab and be inside After Effects, with access to 3D objects directly in your timeline, you are going to want to take a look at FXhome’s HitFilm Pro 12. Continue reading

Review: Western Digital’s Blue SN500 NVMe SSD

By Brady Betzel

Since we began the transfer of power from the old standard SATA 3.5-inch hard drives to SSD drives, multimedia-based computer users have seen a dramatic uptick in read and write speeds. The only issue has been price. You can still find a 3.5-inch brick drive, ranging in size from 2TB to 4TB, Continue reading

Review: Red Giant’s VFX Suite plugins

By Brady Betzel

If you have ever watched After Effects tutorials, you are bound to have seen the people who make up Red Giant. There is Aharon Rabinowitz, who you might mistake for a professional voiceover talent; Seth Worley, who can combine a pithy sense of humor and over-the-top creativity seamlessly; Continue reading

Apple intros long-awaited new Mac Pro and Pro Display XDR

By Barry Goch

The Apple Worldwide Developers Conference (WWDC19) kicked off on Monday with a keynote from Apple CEO Tim Cook, where he announced the eagerly awaited new Mac Pro and Pro Display XDR.

In recent years, many working in M&E felt as if Apple had moved away from supporting creative pros in this industry. Continue reading

Review: Polaroid 320 RGB LED light for controlled environments

By Brady Betzel

If you read a lot of reviews and articles like I do, sometimes you can get overwhelmed by how many products are out there. Lighting is one of those categories where the availability of products seems never ending. From ARRI Fresnels that can go for over $5,000 to the Kino Flo Diva-Lite at over $1,300, Continue reading

Review: CyberPower PC workstation with AMD Ryzen

By Brady Betzel

With the influx of end users searching for alternatives to Mac Pros, as well as new ways to purchase workstation-level computing solutions, there is no shortage of opinions on what brands to buy and who might build it. Everyone has a cousin or neighbor that builds systems, right?

I’ve often heard people say, Continue reading

Review: Razer Blade 15-inch mobile workstation

By Mike McCarthy

I am always looking for the most powerful tools in the smallest packages, so I decided to check out the Razer Blade 15-inch laptop with an Nvidia GeForce RTX 2080 Max-Q graphics card. The Max-Q variants are optimized for better thermals and power usage — at the potential expense of performance — in order to allow more powerful GPUs to be used in smaller laptops. Continue reading

Review: Avid Media Composer Symphony 2018 v.12

By Brady Betzel

In February of 2018, we saw a seismic shift in the leadership at Avid. Chief executive officer Louis Hernandez Jr. was removed and subsequently replaced by Jeff Rosica. Once Rosica was installed, I think everyone who was worried Avid was about to be liquidated to the highest bidder breathed a sigh of temporary relief. Continue reading

Review: Maxon Cinema 4D Release 20

By Brady Betzel

Last August, Maxon made available its Cinema 4D Release 20. From the new node-based Material Editor to the all new console used to debug and develop scripts, Maxon has really upped the ante.

At the recent NAB show, Maxon announced that they acquired Redshift Rendering Technologies, Continue reading

Review: Sonarworks Reference 4 Studio Edition for audio calibration

By David Hurd

What is a flat monitoring system, and how does it benefit those mixing audio? Well, this is something I’ll be addressing in this review of Sonarworks Reference 4 Studio Edition, but first some background…

Having a flat audio system simply means that whatever signal goes into the speakers comes out sonically pure, Continue reading

Review: Mzed.com’s Directing Color With Ollie Kenchington

By Brady Betzel

I am constantly looking to educate myself, no matter what the source — or subject. Whether I am learning how to make a transition in Adobe After Effects from an eSports editor on YouTube to Warren Eagles teaching color correction in Blackmagic’s DaVinci Resolve on FXPHD.com, I’m always beefing up my skills. Continue reading

Review: Yanobox Nodes 3 — plugins for Premiere, AE, FCPX, Motion

By Brady Betzel

Did you ever see a plugin preview and immediately think, “I need to have that?” Well, Nodes 3 by Yanobox is that plugin for me. Imagine if Video CoPilot’s Element 3D and Red Giant’s Trapcode and Form had a baby — you would probably end up with something like Nodes 3. Continue reading

Review: Red Giant’s Trapcode Suite 15

By Brady Betzel

We are now comfortably into 2019 and enjoying the Chinese Year of the Pig — or at least I am! So readers, you might remember that with each new year comes a Red Giant Trapcode Suite update. And Red Giant didn’t disappoint with Trapcode Suite 15.

Every year Red Giant adds more amazing features to its already amazing particle generator and emitter toolset, Continue reading

Review: Tangent Wave 2: Color Correction Surface

By Brady Betzel

Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes?

Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Continue reading

Review: HP’s double-hinged ZBook Studio x360 mobile workstation

By Mike McCarthy

I recently had the opportunity to test HP’s ZBook Studio x360 mobile workstation over the course of a few weeks. HP’s ZBook mobile workstation division has really been thinking outside the box lately, with the release of the ZBook X2 tablet, the HP Z-VR backpack-mounted system and now the ZBook Studio x360. Continue reading

Review: Boris FX’s Continuum and Mocha Pro 2019

By Brady Betzel

I realize I might sound like a broken record, but if you are looking for the best plugin to help with object removals or masking, you should seriously consider the Mocha Pro plugin. And if you work inside of Avid Media Composer, you should also seriously consider Boris Continuum and/or Sapphire, Continue reading

Review: eGPUs and the Sonnet Breakaway Box

By Mike McCarthy

As a laptop user and fan of graphics performance, I have always had to weigh the balance between performance and portability when selecting a system. And this usually bounces back and forth, as neither option is totally satisfactory. Systems are always too heavy or not powerful enough.

My first laptop when I graduated high school was the 16-inch Sony Vaio GRX570, Continue reading

Review: iOgrapher Multi Case for mobile filmmaking

By Brady Betzel

Thanks to the amazing iPhone X, Google Pixel and Samsung Galaxy, almost everyone has a high-end video camera on their person at all times and this is helping to spur on mobile filmmaking and vlogging.

From YouTube to Instagram to movies like Unsane (Steven Soderbergh) or Tangerine (Sean Baker) — and regardless of whether you think a $35,000 camera setup tells a story better than a $1,000 cell phone (looking at you Apple Phone XS Max) — mobile filmmaking is here to stay and will only get better. Continue reading

Review: Audionamix IDC for cleaning dialogue

By Claudio Santos

Sound editing has many different faces. It is part of big-budget blockbuster movies and also an integral part of small hobby podcasting projects. Every project has its own sound needs. Some edit thousands upon thousands of sound effects. Others have to edit hundreds of hours of interviews. What most projects have in common, Continue reading

Review: AMD’s Radeon Pro WX8200

By Mike McCarthy

AMD has released the WX8200 high-end professional GPU as part of their Radeon Pro line. It’s based on the Vega architecture, with 3,584 compute cores accessing 8GB of HBM2 memory at up to 512GB/sec. Its hardware specs are roughly equivalent to their $400 Vega 56 gaming card but with professional drivers tuned for optimized performance in a variety of high-end 3D applications. Continue reading

Review: Picture Instruments’ plugin and app, Color Cone 2

By Brady Betzel

There are a lot of different ways to color correct an image. Typically, colorists will start by adjusting contrast and saturation followed by adjusting the lift, gamma and gain (a.k.a. shadows, midtones and highlights). For video, waveforms and vectorscopes are great ways of measuring color values and are about the only way to get the most accurate scientific facts on the colors you are manipulating. Continue reading

Review: GoPro Hero 7 Black action camera

By Brady Betzel

Every year GoPro offers a new iteration of its camera. One of the biggest past upgrades was from the Hero 4 to the Hero 5, with an updated body style, waterproofing without needing external housing and minimal stabilization. That was one of the biggest… until now.

The Hero 7 Black is by far the best upgrade GoPro users have seen, Continue reading

Review: Cinedeck’s CineXtools and CineX-Plugins

By Brady Betzel

Since we are now in the final throes of tape-based deliverables (hopefully), file-based deliverables are now king. However, one of the perks of running tape-based network deliverables was the ability to QC your work for a final time before going to the network for an official QC. With file-based deliverables it gets a little trickier. Continue reading

Review: DJI’s Mavic Air lightweight drone

By Brady Betzel

Since the first DJI Phantom was released in January of 2013, drones found a place in our industry. Turn on almost any television show airing on National Geographic and you will see some sort of drone videography at work. DJI and GoPro have revolutionized how everyone films over the last decade. Continue reading

Review: G-Tech’s G-Speed Shuttle using a Windows PC

By Barry Goch

When I was asked to review the G-Technology G-Speed Shuttle SSD drive, I was very excited. I’ve always had great experiences with G-Tech and was eager to try out this product with my MSI 17.3-inch GT73VR Titan PC laptop… and this is where the story gets interesting.

I’ve been a Mac fan for years. Continue reading

Review: Puget Systems Genesis I custom workstation

By Brady Betzel

With so many companies building custom Windows-based PCs these days, what really makes for a great build? What would make me want to pay someone to build me a PC versus building it myself? In this review, I will be going through a custom-built PC sent to me to review by Puget Systems. Continue reading

Review: Sonnet Fusion PCIe 1TB and G-Drive Mobile Pro 500GB

By Brady Betzel

There are a lot of external Thunderbolt 3 SSD drives out in the wild these days, and they aren’t cheap. However, with a high price comes blazingly fast speeds. I was asked to review two very similar Thunderbolt 3 external SSD drives, so why not pit them against each other? Continue reading

Review: Blackmagic’s eGPU and Intel i9 MacBook Pro 2018

By Brady Betzel

Blackmagic’s eGPU is worth the $699 price tag. You can buy it from Apple’s website, where it is being sold exclusively for the time being. Wait? What? You wanted some actual evidence as to why you should buy the BMD eGPU?

Ok, Continue reading

Review: HP z38c ultra-wide curved display

By Dariush Derakhshani

Dude, seriously, who needs a 38-inch display? The obvious answer is me. HP’s z38c is a 38-inch ultra-wide curved professional monitor sporting good color accuracy and an effortless display. But ultra-wide? Isn’t that better for gaming? At first, I wasn’t sure what to think of this new form factor on my desk. Continue reading

Review: Foundry’s Athera cloud platform

By David Cox

I’ve been thinking for a while that there are two types of post houses — those that know what cloud technology can do for them, and those whose days are numbered. That isn’t to say that the use of cloud technology is essential to the survival of a post house, Continue reading

Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion

By Brady Betzel

There is a lot of what’s become known as mobile filmmaking being done with cell phones, such as the iPhone, Samsung Galaxy and even the Google Pixel. For this review, I will cover two apps and one hybrid hard drive/mobile media ingest station built specifically for this type of mobile production. Continue reading

Review: OConnor camera assistant bag

By Brady Betzel

After years and years of gear acquisition, I often forget to secure proper bags and protection for my equipment. From Pelican cases to the cheapest camera bags, a truly high-quality bag will extend the life of your equipment.

In this review I am going to go over a super-heavy-duty assistant camera bag by OConnor, Continue reading

Review: Blackmagic’s Resolve 15

By David Cox

DaVinci Resolve 15 from Blackmagic Design has now been released. The big news is that Blackmagic’s compositing software Fusion has been incorporated into Resolve, joining the editing and audio mixing capabilities added to color grading in recent years. However, to focus just on this would hide a wide array of updates to Resolve, Continue reading

Review: Using an eGPU with an Apple MacBook Pro (Thunderbolt 2)

By Twain Richardson

When I’m on set, I use my MacBook Pro to backup data and do quick edits, but it’s a laptop and lacks the power needed to handle RAW files in that environment. With Mac OS High Sierra, Apple introduced connecting eGPUs to Macs via Thunderbolt 3, but my big question was: “Will this work with a Thunderbolt 2 Mac?” Doing a bit of Google research, Continue reading

Review: Maxon Cinema 4D R19 — an editor’s perspective

By Brady Betzel

It’s time for my yearly review of Maxon’s Cinema 4D. Currently in Release 19, Cinema 4D comes with a good amount of under-the-hood updates. I am an editor, first and foremost, so while I dabble in Cinema 4D, I am not an expert. There are a few things in the latest release, Continue reading

Review: The Litra Torch for pro adventure lighting

By Brady Betzel

If you are on Instagram you’ve definitely seen your fair share of “adventure” photography and video. Typically, it’s those GoPro-themed action-adventure shots of someone cliff diving off a million-mile-high waterfall. I definitely get jealous. Nonetheless, one thing I love about GoPro cameras is their size. They are small enough to fit in your pocket, Continue reading

Review: HP DreamColor Z31x studio display for cinema 4K

By Mike McCarthy

Not long ago, HP sent me their newest high-end monitor to review, and I was eager to dig in. The DreamColor Z31x studio display is a 31-inch true 4K color-critical reference monitor. It has many new features that set it apart from its predecessors, which I have examined and will present here in as much depth as I can. Continue reading

Review: The PNY PrevailPro mobile workstation

By Mike McCarthy

PNY, a company best known in the media and entertainment industry as the manufacturer of Nvidia’s Quadro line of professional graphics cards, is now offering a powerful mobile workstation. While PNY makes a variety of other products, mostly centered around memory and graphics cards, the PrevailPro is their first move into offering complete systems. Continue reading