Cinnafilm 6.6.19

Color grading The Favourite

Yorgos Lanthimos’ historical comedy, The Favourite, has become an awards show darling. In addition to winning 10 British Independent Film Awards, it also dominated the BAFTA nominations with 12 nods, including Best Film, Best Director, Best Editing, and Best Cinematography for Robbie Ryan, BSC, ISC, who scored an ASC Award nom as well. Continue reading

Cinnafilm 6.6.19

Catching up with Aquaman director James Wan

By Iain Blair

Director James Wan has become one of the biggest names in Hollywood thanks to the $1.5 billion-grossing Fast & Furious 7, as well as the Saw, Conjuring and Insidious films — three of the most successful horror franchises of the last decade. Continue reading


Making audio pop for Disney’s Mary Poppins Returns

By Jennifer Walden

As the song says, “It’s a jolly holiday with Mary.” And just in time for the holidays, there’s a new Mary Poppins musical to make the season bright. In theaters now, Disney’s Mary Poppins Returns is directed by Rob Marshall, who with Chicago, Nine and Into the Woods on his resume, Continue reading


Josie Rourke on her feature directorial debut, Mary Queen of Scots

By Iain Blair

Given all the recent talk about the lack of opportunity for women in Hollywood, it’s apt that for her feature film directorial debut, Josie Rourke took on the story of Mary Queen of Scots, the period drama about two of the most famous women in history. Continue reading


The Academy names Sci-Tech Oscar winners

The Academy of Motion Picture Arts and Sciences will be celebrating nine scientific and technical achievements represented by 27 individual award recipients at its annual Scientific and Technical Awards presentation on February 9 at the Beverly Wilshire in Beverly Hills.

In addition, cinematographer Curtis Clark, ASC, will receive the John A. Continue reading

Director Barry Jenkins on latest, If Beale Street Could Talk

By Iain Blair

If they handed out Oscars for shots of curling cigarette smoke, Barry Jenkins’ follow-up to his Oscar-winning Moonlight would win hands down. If Beale Street Could Talk looks certain to be an awards show darling, already picking up three Golden Globe nods — Best Drama Motion Picture, Continue reading

First Man: Historical fiction meets authentic sound

By Jennifer Walden

Historical fiction is not a rigidly factual account, but rather an interpretation. Fact and fiction mix to tell a story in a way that helps people connect with the past. In director Damien Chazelle’s film First Man, audiences experience his vision of how the early days of space exploration may have been for astronaut Neil Armstrong. Continue reading

Director Peter Farrelly gets serious with Green Book

By Iain Blair

Director, producer and writer Peter Farrelly is best known for the classic comedies he made with his brother Bob: Dumb and Dumber; There’s Something About Mary; Shallow Hal; Me, Myself & Irene; The Three Stooges; and Fever Pitch. But for all their over-the-top, raunchy and boundary-pushing comedy, Continue reading

DP Chat: Green Book’s Sean Porter

Sean Porter has worked as a cinematographer on features, documentaries, short films and commercials. He was nominated for a Film Independent Spirit Award for Best Cinematography for his work on It Felt Like Love, and his credits include 20th Century Women, Green Room, Rough Night and Kumiko, Continue reading

Capturing realistic dialogue for The Front Runner

By Mel Lambert

Early on in his process, The Front Runner director Jason Reitman asked frequent collaborator and production sound mixer Steve Morrow, CAS, to join the production. “It was maybe inevitable that Jason would ask me to join the crew,” says Morrow, who has worked with the director on Labor Day, Continue reading