AMD 2.1

Catching up with Jojo Rabbit director Taika Waititi

By Iain Blair

Now available on-demand and on DVD, Jojo Rabbit has had an impressive path to the big screen and beyond. Since it premiered at Toronto last year, Jojo Rabbit went from festival favorite to Oscar darling. Helmed by New Zealander Taika Waititi, and infused with his trademark blend of comedy and pathos, Continue reading

AMD 2.1

Marriage Story director Noah Baumbach

By Iain Blair

Writer/director Noah Baumbach first made a name for himself with The Squid and the Whale, his 2005 semi-autobiographical, bittersweet story about his childhood and his parents’ divorce. It launched his career, scoring him an Oscar nomination for Best Original Screenplay.

His latest film, Continue reading


Talking with 1917’s Oscar-nominated sound editing team

By Patrick Birk

Sam Mendes’ 1917 tells the harrowing story of Lance Corporals Will Schofield and Tom Blake, following the two young British soldiers on their perilous trek across no man’s land to deliver lifesaving orders to the Second Battalion of the Devonshire Regiment.

The story is based on accounts of World War I by the director’s grandfather, Continue reading


Wylie Stateman on Once Upon a Time… in Hollywood‘s Oscar nod for sound

By Beth Marchant

To director Quentin Tarantino, sound and music are primal forces in the creation of his idiosyncratic films. Often using his personal music collection to jumpstart his initial writing process and later to set a film’s tone in the opening credits, Tarantino always gives his images a deep, multi-sensory well to swim in. Continue reading


Rob Legato talks The Lion King‘s Oscar-nominated visual effects

By Karen Moltenbrey

There was a lot of buzz before — and after — this summer’s release of Disney’s remake of the animated classic The Lion King. And what’s not to love? From the animals to the African savannas, Disney brought the fabled world of Simba to life in what is essentially a “live-action” Continue reading

Maryanne Brandon’s path, and editing Star Wars: The Rise of Skywalker

By Amy Leland

In the interest of full disclosure, I have been a fan of both the Star Wars world and the work of J.J. Abrams for a very long time. I saw Star Wars: Episode IV – A New Hope  in the theaters with my big brother when I was five years old, Continue reading

Uncut Gems directors Josh and Benny Safdie

By Iain Blair

Filmmakers Josh and Benny Safdie have been on the verge of the big time since they started making their own distinctive brand of cinema: one full of anxiety, brashness, untamed egos and sweaty palms. They’ve finally done it with A24’s Uncut Gems.

Following their cinema verité Heaven Knows What — with its look at the New York City heroin subculture — and the crime thriller Good Time, Continue reading

ILM’s Pablo Helman on The Irishman‘s visual effects

By Karen Moltenbrey

When a film stars Robert De Niro, Joe Pesci and Al Pacino, well, expectations are high. These are no ordinary actors, and Martin Scorsese is no ordinary director. These are movie legends. And their latest project, Netflix’s The Irishman, is no ordinary film. It features cutting-edge de-aging technology from visual effects studio Industrial Light & Continue reading

A Beautiful Day in the Neighborhood director Marielle Heller

By Iain Blair

If you are of a certain age, the red cardigan, the cozy living room and the comfy sneakers can only mean one thing — Mister Rogers! Sony Pictures’ new film, A Beautiful Day in the Neighborhood, is a story of kindness triumphing over cynicism. It stars Tom Hanks and is based on the real-life friendship between Fred Rogers and journalist Tom Junod. Continue reading

Ford v Ferrari’s co-editors discuss the cut

By Oliver Peters

After a failed attempt to acquire European carmaker Ferrari, an outraged Henry Ford II sets out to trounce Enzo Ferrari on his own playing field — automobile endurance racing. That is the plot of 20th Century Fox’s Ford v Ferrari, directed by James Mangold. In the end, Continue reading

Storage for Color and Post

By Karen Moltenbrey

At nearly every phase of the content creation process, storage is at the center. Here we look at two post facilities whose projects continually push boundaries in terms of data, but through it all, their storage solution remains fast and reliable. One, Light Iron, juggles an average of 20 to 40 data-intensive projects at a time and must have a robust storage solution to handle its ever-growing work. Continue reading

Harbor crafts color and sound for The Lighthouse

By Jennifer Walden

Director Robert Eggers’ The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film that hit theaters in late October. Continue reading

Terminator: Dark Fate director Tim Miller

By Iain Blair

He said he’d be back, and he meant it. Thirty-five years after he first arrived to menace the world in the 1984 classic The Terminator, Arnold Schwarzenegger has returned as the implacable killing machine in Terminator: Dark Fate, the latest installment of the long-running franchise. Continue reading

The editors of Ad Astra: John Axelrad and Lee Haugen

By Amy Leland

The new Brad Pitt film Ad Astra follows astronaut Roy McBride (Pitt) as he journeys deep into space in search of his father, astronaut Clifford McBride (Tommy Lee Jones). The elder McBride disappeared years before, and his experiments in space might now be endangering all life on Earth. Continue reading

Michael Engler on directing Downton Abbey movie

By Iain Blair

If, like millions of other fans around the world, you still miss watching the Downton Abbey series, don’t despair. The acclaimed show is back as a new feature film, still showcasing plenty of drama, nostalgia, glamour and good British values with every frame.

So sit back in a comfy armchair, Continue reading

Martin Scorsese to receive VES Lifetime Achievement Award  

The Visual Effects Society (VES) has named Martin Scorsese as the forthcoming recipient of the VES Lifetime Achievement Award in recognition of his valuable contributions to filmed entertainment. The award will be presented next year at the 18th Annual VES Awards at the Beverly Hilton Hotel.

The VES Lifetime Achievement Award, Continue reading

Official Secrets director Gavin Hood talks workflow on this real-life thriller

By Iain Blair

South African writer/director Gavin Hood burst onto the international scene when he wrote and directed 2005’s Academy Award-winning Tsotsi. The film, which was also nominated for a Golden Globe and a BAFTA, won the People’s Choice Award at the Toronto International Film Festival.

Hood followed up that success with the harrowing political drama Rendition (Reese Witherspoon, Continue reading

Skywalker Sound’s audio post mix for Toy Story 4

By Jennifer Walden

Pixar’s first feature-length film, 1995’s Toy Story, was a game-changer for animated movies. There was no going back after that blasted onto screens and into the hearts of millions. Fast-forward 24 years to the franchise’s fourth installment — Toy Story 4 — and it’s plain to see that Pixar’s approach to animated fare hasn’t changed. Continue reading

Mixing sounds of fantasy and reality for Rocketman

By Jennifer Walden

Paramount Pictures’ Rocketman is a musical fantasy about the early years of Elton John. The story is told through flashbacks, giving director Dexter Fletcher the freedom to bend reality. He blended memories and music to tell an emotional truth as opposed to delivering hard facts.

The story begins with Elton John (Taron Egerton) attending a group therapy session with other recovering addicts. Continue reading

Yesterday director Danny Boyle

By Iain Blair

Yesterday, everyone knew The Beatles. Today, only a struggling singer-songwriter in a tiny English seaside town remembers their songs. That’s the brilliant-yet-simple setup for Yesterday, the new rock ’n’ roll comedy from Academy Award-winning director Danny Boyle (Slumdog Millionaire, Trainspotting) and Oscar-nominated screenwriter Richard Curtis (Four Weddings and a Funeral, Continue reading

Rocketman director Dexter Fletcher on Elton John musical

By Iain Blair

The past year has been huge for British director Dexter Fletcher. He was instrumental in getting Bohemian Rhapsody across the finish line when he was brought in to direct the latter part of the production after Bryan Singer was fired. The result? A $903 million global smash that Hollywood never saw coming. Continue reading

Spider-Man Into the Spider-Verse: sound editors talk ‘magical realism’

By Randi Altman

Sony Pictures’ Spider-Man: Into the Spider-Verse isn’t your ordinary Spider-Man movie, from its story to its look to its sound. The filmmakers took a familiar story and turned it on its head a bit, letting audiences know that Spider-Man isn’t just one guy wearing that mask… Continue reading

Free Solo: The filmmakers behind the Oscar-winning documentary

By Iain Blair

Do you suffer from vertigo? Are you deathly afraid of heights? Does the thought of hanging by your fingertips over the void make you feel like throwing up? Then the new, nail-biting climbing film Free Solo, which won the Oscar for Best Documentary feature, might not be for you. Continue reading

Black Panther editors Debbie Berman and Michael Shawver

By Amy Leland

Black Panther was a highly anticipated film that became a massive hit with audiences and critics alike. Just the fact that it’s a Marvel film would have been enough to create both anticipation and success, but this movie went beyond that, breaking barriers as well as box office records. Continue reading

Cold War’s Oscar-nominated director Pawel Pawlikowski

By Iain Blair

Polish filmmaker Pawel Pawlikowski is a BAFTA-winning writer and director whose film Ida won the 2015 Academy Award for Best Foreign Language Film. Pawlikowski, who left Poland at age 14 and currently resides in the UK, is Oscar nominated again — as Best Director for his latest film, Cold War. Continue reading

Beautiful Boy director Felix Van Groeningen

By Iain Blair

Belgian filmmaker Felix Van Groeningen — director of Amazon’s Beautiful Boy — may not be a household name in America, yet, but among cineastes he’s already a force to be reckoned with. His last film, Belgica, premiered at the 2016 Sundance Film Festival, where he won the Directing Award (Dramatic World Cinema). Continue reading

Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse

By Randi Altman

Sony Pictures’ Spider-Man: Into the Spider-Verse is not your typical Spider-Man film… in so many ways. The most obvious is the movie’s look, which was designed to make the viewer feel they are walking inside a comic book. This tale, which blends CGI with 2D hand-drawn animation and comic book textures, Continue reading

BlacKkKlansman director Spike Lee

By Iain Blair

Spike Lee has been on a roll recently. Last time we sat down for a talk, he’d just finished Chi-Raq, an impassioned rap reworking of Aristophanes’ “Lysistrata,” which was set against a backdrop of Chicago gang violence. Since then, he’s directed various TV, documentary and video projects. Continue reading

Patrick J. Don Vito on editing Green Book

By Randi Altman

Universal Pictures’ Green Book tells the tale of an African-American piano virtuoso and his white driver. Based on a true story, this unlikely pair must navigate the Deep South in 1962 for a concert tour during a time most places to eat and sleep were segregated.

This unlikely pairing of the well-educated and sophisticated Dr. Continue reading

Editor Wyatt Smith talks Mary Poppins Returns, Marvel Universe

By Amy Leland Wyatt Smith’s career as an editor is the kind that makes for a great story. His unintended path began with an unusual opportunity to work with Mariah Carey and a chance meeting with director Rob Marshall. He has since collaborated on big musicals and action films with Marshall, which opened the door to superhero movies. His latest project — in which he was reunited with Marshall — saw him editing a big musical with a title character who is, in her own Disney way, also a superhero.

Color grading The Favourite

Yorgos Lanthimos’ historical comedy, The Favourite, has become an awards show darling. In addition to winning 10 British Independent Film Awards, it also dominated the BAFTA nominations with 12 nods, including Best Film, Best Director, Best Editing, and Best Cinematography for Robbie Ryan, BSC, ISC, who scored an ASC Award nom as well. Continue reading

Catching up with Aquaman director James Wan

By Iain Blair

Director James Wan has become one of the biggest names in Hollywood thanks to the $1.5 billion-grossing Fast & Furious 7, as well as the Saw, Conjuring and Insidious films — three of the most successful horror franchises of the last decade. Continue reading

Making audio pop for Disney’s Mary Poppins Returns

By Jennifer Walden

As the song says, “It’s a jolly holiday with Mary.” And just in time for the holidays, there’s a new Mary Poppins musical to make the season bright. In theaters now, Disney’s Mary Poppins Returns is directed by Rob Marshall, who with Chicago, Nine and Into the Woods on his resume, Continue reading

Josie Rourke on her feature directorial debut, Mary Queen of Scots

By Iain Blair

Given all the recent talk about the lack of opportunity for women in Hollywood, it’s apt that for her feature film directorial debut, Josie Rourke took on the story of Mary Queen of Scots, the period drama about two of the most famous women in history. Continue reading

The Academy names Sci-Tech Oscar winners

The Academy of Motion Picture Arts and Sciences will be celebrating nine scientific and technical achievements represented by 27 individual award recipients at its annual Scientific and Technical Awards presentation on February 9 at the Beverly Wilshire in Beverly Hills.

In addition, cinematographer Curtis Clark, ASC, will receive the John A. Continue reading

Director Barry Jenkins on latest, If Beale Street Could Talk

By Iain Blair

If they handed out Oscars for shots of curling cigarette smoke, Barry Jenkins’ follow-up to his Oscar-winning Moonlight would win hands down. If Beale Street Could Talk looks certain to be an awards show darling, already picking up three Golden Globe nods — Best Drama Motion Picture, Continue reading

First Man: Historical fiction meets authentic sound

By Jennifer Walden

Historical fiction is not a rigidly factual account, but rather an interpretation. Fact and fiction mix to tell a story in a way that helps people connect with the past. In director Damien Chazelle’s film First Man, audiences experience his vision of how the early days of space exploration may have been for astronaut Neil Armstrong. Continue reading

Director Peter Farrelly gets serious with Green Book

By Iain Blair

Director, producer and writer Peter Farrelly is best known for the classic comedies he made with his brother Bob: Dumb and Dumber; There’s Something About Mary; Shallow Hal; Me, Myself & Irene; The Three Stooges; and Fever Pitch. But for all their over-the-top, raunchy and boundary-pushing comedy, Continue reading

DP Chat: Green Book’s Sean Porter

Sean Porter has worked as a cinematographer on features, documentaries, short films and commercials. He was nominated for a Film Independent Spirit Award for Best Cinematography for his work on It Felt Like Love, and his credits include 20th Century Women, Green Room, Rough Night and Kumiko, Continue reading

Capturing realistic dialogue for The Front Runner

By Mel Lambert

Early on in his process, The Front Runner director Jason Reitman asked frequent collaborator and production sound mixer Steve Morrow, CAS, to join the production. “It was maybe inevitable that Jason would ask me to join the crew,” says Morrow, who has worked with the director on Labor Day, Continue reading

Steve McQueen on directing Widows

By Iain Blair

British director/writer/producer Steve McQueen burst onto the international scene in 2013 when his harrowing 12 Years a Slave dominated awards season, winning as Academy Award, Golden Globe, BAFTA and a host of others. His directing was also recognized with many nominations and awards.

Now McQueen, who also helmed the 2011 feature Shame (Michael Fassbender, Continue reading

The Girl in the Spider’s Web: immersive audio and picture editing

By Mel Lambert

Key members of the post crew responsible for the fast-paced look and feel of director Fede Alvarez’s new film, The Girl in the Spider’s Web, came to the project via a series of right time/right place situations. First, co-supervising sound editor Julian Slater (who played a big role in Baby Driver’s audio post) met picture editor Tatiana Riegel at last year’s ACE Awards. Continue reading

First Man: Oscar-winning director Damien Chazelle

He talks about his most recent film, First Man

By Iain Blair

It’s been two years since I spoke to writer/director Damien Chazelle for postPerspective about his film La La Land. While he only had three feature films on his short resume at the time, Continue reading

A Star is Born: Live vocals, real crowds and venues

By Jennifer Walden

Warner Bros. Pictures’ remake of A Star is Born stars Bradley Cooper as Jackson Maine, a famous musician with a serious drinking hobby who stumbles onto singer/songwriter Ally (Lady Gaga) at a drag bar where she’s giving a performance. Jackson is taken by her raw talent and their chance meeting turns into something more. Continue reading

Tamara Jenkins talks writing, directing the Netflix film Private Life

By Iain Blair

Writer/director Tamara Jenkins has never been shy about mining her personal life for laughs and tears — or taking her time with a project. Her debut feature film, 1998’s semi-autobiographical dark comedy Slums of Beverly Hills, which she wrote and directed, was partly based on her own childhood growing up poor in the mega-wealthy city. Continue reading

Crazy Rich Asians editor Myron Kerstein

By Amy Leland

When the buzz started in anticipation of the premiere of Crazy Rich Asians, there was a lot of speculation about whether audiences would fill the theaters for the first all-Asian cast in an American film since 1993’s Joy Luck Club. Or whether audiences wanted to see a romantic comedy, Continue reading

The Hate U Give director George Tillman, Jr.

By Iain Blair

The Hate U Give, which recently premiered at the Toronto Film Festival, has immediately generated big Oscar buzz. This ripped-from-the-headlines story — which scored 100% on Rotten Tomatoes — is a work of fiction based on the New York Times bestseller of the same name by Angie Thomas. Continue reading

Sony Imageworks provides big effects, animation for Warner’s Smallfoot

By Randi Altman

The legend of Bigfoot: a giant, hairy two-legged creature roaming the forests and giving humans just enough of a glimpse to freak them out. Sightings have been happening for centuries with no sign of slowing down — seriously, Google it.

But what if that story was turned around, Continue reading

Enhancing BlacKkKlansman’s tension with Foley

By Jennifer Walden

Director Spike Lee’s latest film, BlacKkKlansman, has gotten rave reviews from both critics and audiences. The biographical dramedy is based on Ron Stallworth’s true story of infiltrating the Colorado Springs chapter of the Ku Klux Klan back in the 1970s.

Stallworth (John David Washington) was a detective for the Colorado Springs police department who saw a recruitment advertisement for the KKK and decided to call the head of the local Klan chapter. Continue reading

The Little Stranger director Lenny Abrahamson

By Iain Blair

Lenny Abrahamson, the Irish director who helmed the cult indies Frank, Garage, What Richard Did and Adam & Paul, burst onto the international scene in 2015 with the harrowing drama Room. The claustrophobic tale — of a woman and her young son kept prisoner in a 10×10-foot garden shed — picked up four Oscar nominations in the categories of Best Picture, Continue reading