Cinnafilm 6.6.19

Rocketman director Dexter Fletcher on Elton John musical

By Iain Blair

The past year has been huge for British director Dexter Fletcher. He was instrumental in getting Bohemian Rhapsody across the finish line when he was brought in to direct the latter part of the production after Bryan Singer was fired. The result? A $903 million global smash that Hollywood never saw coming. Continue reading

Cinnafilm 6.6.19

Spider-Man Into the Spider-Verse: sound editors talk ‘magical realism’

By Randi Altman

Sony Pictures’ Spider-Man: Into the Spider-Verse isn’t your ordinary Spider-Man movie, from its story to its look to its sound. The filmmakers took a familiar story and turned it on its head a bit, letting audiences know that Spider-Man isn’t just one guy wearing that mask… Continue reading


Free Solo: The filmmakers behind the Oscar-winning documentary

By Iain Blair

Do you suffer from vertigo? Are you deathly afraid of heights? Does the thought of hanging by your fingertips over the void make you feel like throwing up? Then the new, nail-biting climbing film Free Solo, which won the Oscar for Best Documentary feature, might not be for you. Continue reading


Black Panther editors Debbie Berman and Michael Shawver

By Amy Leland

Black Panther was a highly anticipated film that became a massive hit with audiences and critics alike. Just the fact that it’s a Marvel film would have been enough to create both anticipation and success, but this movie went beyond that, breaking barriers as well as box office records. Continue reading


Cold War’s Oscar-nominated director Pawel Pawlikowski

By Iain Blair

Polish filmmaker Pawel Pawlikowski is a BAFTA-winning writer and director whose film Ida won the 2015 Academy Award for Best Foreign Language Film. Pawlikowski, who left Poland at age 14 and currently resides in the UK, is Oscar nominated again — as Best Director for his latest film, Cold War. Continue reading

Beautiful Boy director Felix Van Groeningen

By Iain Blair

Belgian filmmaker Felix Van Groeningen — director of Amazon’s Beautiful Boy — may not be a household name in America, yet, but among cineastes he’s already a force to be reckoned with. His last film, Belgica, premiered at the 2016 Sundance Film Festival, where he won the Directing Award (Dramatic World Cinema). Continue reading

Efilm’s Natasha Leonnet: Grading Spider-Man: Into the Spider-Verse

By Randi Altman

Sony Pictures’ Spider-Man: Into the Spider-Verse is not your typical Spider-Man film… in so many ways. The most obvious is the movie’s look, which was designed to make the viewer feel they are walking inside a comic book. This tale, which blends CGI with 2D hand-drawn animation and comic book textures, Continue reading

BlacKkKlansman director Spike Lee

By Iain Blair

Spike Lee has been on a roll recently. Last time we sat down for a talk, he’d just finished Chi-Raq, an impassioned rap reworking of Aristophanes’ “Lysistrata,” which was set against a backdrop of Chicago gang violence. Since then, he’s directed various TV, documentary and video projects. Continue reading

Patrick J. Don Vito on editing Green Book

By Randi Altman

Universal Pictures’ Green Book tells the tale of an African-American piano virtuoso and his white driver. Based on a true story, this unlikely pair must navigate the Deep South in 1962 for a concert tour during a time most places to eat and sleep were segregated.

This unlikely pairing of the well-educated and sophisticated Dr. Continue reading

Editor Wyatt Smith talks Mary Poppins Returns, Marvel Universe

By Amy Leland Wyatt Smith’s career as an editor is the kind that makes for a great story. His unintended path began with an unusual opportunity to work with Mariah Carey and a chance meeting with director Rob Marshall. He has since collaborated on big musicals and action films with Marshall, which opened the door to superhero movies. His latest project — in which he was reunited with Marshall — saw him editing a big musical with a title character who is, in her own Disney way, also a superhero.