Maxon and Redshift Rendering Technologies have released Redshift 3.0.12, which has native support for Cinema 4D noises and deeper integration with Cinema 4D, including the option to define materials using Cinema 4D’s native node-based material system.
Cinema 4D noise effects have been in demand within other 3D software packages because of their flexibility, Continue reading
After acquiring the studio assets from now-closed Angell Sound, commercial audio house Creative Outpost is now expanding its VFX and audio offerings by entering the world of long-form audio. Already in picture post on its first Netflix series, the company is now open for long-form ADR, mix and review bookings.
“Space is at a premium in central Soho, Continue reading
Oscar-winning creative studio Framestore will be opening a full-service visual effects studio in Mumbai in 2020 to target India’s booming creative industry. The studio will be located in the Nesco IT Park in Goregaon, in the center of Mumbai’s technology district. The news hammers home Framestore’s continued interest in India, after having made a major investment in Jesh Krishna Murthy’s VFX studio, Continue reading
Soho-based visual effects studio Freefolk, which has seen growth in its commercials and longform work, has grown its staff to meet this demand. As part of the uptick in work, Freefolk promoted Cheryl Payne from senior producer to head of commercial production. Additionally, Laura Rickets has joined as senior producer, and 2D artist Bradley Cocksedge has been added to the commercials VFX team. Continue reading
By Brady Betzel
This year, Nvidia announced a new line of drivers for its latest desktop and mobile RTX GPUs. Nvidia has seen the need for more speed and power from today’s multimedia creators who aren’t necessarily going to buy a high-end workstation.
The latest line of Nvidia RTX GPUs, built on the latest Turing architecture, Continue reading
A Beautiful Day in the Neighborhood stars Tom Hanks as children’s television icon Fred Rogers in a story about kindness triumphing over cynicism. Inspired by the article “Can You Say…Hero?” by journalist Tom Junod, the film is directed by Marielle Heller. The cinematographer Jody Lee Lipes worked on the color finishing with Deluxe New York’s Sam Daley. Continue reading
Santa Monica-based editorial and post studio Cartel has named Alaina Zanotti as executive producer to help with business development and to oversee creative operations along with partner and executive producer Lauren Bleiweiss. Additionally, Cartel has bolstered its roster with the signing of comedic editor Kevin Zimmerman.
With more than 15 years of experience, Continue reading
FXhome’s HitFilm 14 is the newest version of the editing, VFX and compositing platform for content creators, filmmakers, editors and visual effects artists. Among the upgrades is support for After Effects plugins from Red Giant and Andrew Kramer’s Video Copilot directly within HitFilm.
From Red Giant, HitFilm 14 supports:
– Continue reading
Harbor has added award-winning editor Chris Hellman as executive creative director of editorial. Hellman brings 35 years of experience collaborating and editing with producers, art directors, writers and directors working on commercials. He will be based at Harbor in New York but available at its locations in LA and London as well.
During his long and distinguished career, Continue reading
Using Arvato’s production asset management platform, VPMS EditMate along with the media-focused object storage solution from Object Matrix, MatrixStore, the companies report that organizations can significantly reduce the time needed to manage media workflows, Continue reading
Albert Mason has joined VFX house Alkemy X as head of production. He comes to Alkemy X with over two decades of experience in visual effects and post production. He has worked on projects directed by such industry icons as Peter Jackson on the Lord of the Rings trilogy, Tim Burton on Alice in Wonderland and Robert Zemeckis on The Polar Express. Continue reading
Many of us have fond memories of our Razr flip phone. At the time, it was the latest and greatest. Then new technology came along, and the smartphone era was born. Now Motorola is asking, “Why can’t you have both?”
Available as of November 13, the new Razr fits in a palm or pocket when shut and flips open to reveal an immersive, Continue reading
New York’s International Digital Centre (IDC) has opened a new 6,800-square-foot digital post facility in Hollywood, with Rosanna Marino serving as COO. She will manage the day-to-day operations of the West Coast post house. IDC LA will focus on serving the entertainment, content creation, distribution and streaming industries.
Marino will manage sales, Continue reading
Carbon in New York has grown with two senior hires — executive producer Nick Haynes and head of CG Frank Grecco — and the relocation of existing ECD Liam Chapple, who joins from the Chicago office.
Chapple joined Carbon in 2016, moving from Mainframe in London to open Carbon’s Chicago facility. Continue reading
Final Cut in LA has promoted Zoe Schack to editor after working at the studio as an assistant editor for three years. While at Final Cut, Schack has been mentored by Final Cut editors Crispin Struthers, Joe Guest, Jeff Buchanan and Rick Russell.
Schack has edited branded content and commercials for Audi, Continue reading
Abu Dhabi’s twofour54 has become Dolby Vision certified in an effort to meet the demand for color grading and mastering Dolby Vision HDR content. twofour54 is the first certified Dolby Vision facility in the UAE, providing work in both Arabic and English.
“The way we consume content has been transformed by connectivity and digitalization, Continue reading
Nomad in London has added James Norris as editor and partner. A self-taught, natural editor, James started out running for the likes of Working Title, Partizan and Tomboy Films. He then moved to Whitehouse Post as an assistant where he refined his craft and rose through the ranks to become an editor.
Over the past 15 years, Continue reading
Industry veterans Drew Neujahr, Sean McAllen, and Shane McAllen have partnered to form Destro, a live-action and post production boutique based in Los Angeles. Destro has already developed and produced an original documentary series, Seed, which profiles artists and innovators across a range of disciplines. In addition, the team has recently worked on projects for Google, Continue reading
Dell Technologies is offering a new 4K monitor developed with creatives in mind. The Dell UltraSharp 27 4K PremierColor (UP2720Q) is a 27-inch 4K monitor with built-in colorimeter and Thunderbolt 3 for content creators who require color-critical performance and a fast connection to any dock or PC.
Creatives get optimal color performance by calibrating the UltraSharp 27 4K PremierColor monitor with the built-in colorimeter, Continue reading
Dalet’s AmberFin software-based transcoding asset management system now includes Dolby Vision HDR technology targeting media professionals, studios and streaming service providers. The newly updated Dalet AmberFin engine enables mastering and distribution workflows for production, post and streaming
In addition to Dolby Vision and a bunch of other new software-only features, Dalet AmberFin can also be enhanced with hardware acceleration tools such as the M820L HEVC encoder plugin card from SoC (System On a Chip) specialist Socionext.
Jason Mayo has joined digital production company Bonfire in New York as managing director and partner. Industry veteran Mayo will be working with Bonfire’s new leadership lineup, which includes founder/Flame artist Brendan O’Neil, CD Aron Baxter, executive producer Dave Dimeola and partner Peter Corbett. Bonfire’s offerings include VFX, design, CG, animation, color, finishing and live action. Continue reading
Technicolor has opened a new facility in Cardiff, Wales, within Wolf Studios. This expansion of the company’s post production footprint in the UK is a result of the growing demand for more high-quality content across streaming platforms and the need to post these projects, as well as the growth of production in Wales. Continue reading
Manhattan Edit Workshop’s “Sight, Sound & Story: The Art of Cinematography” returns to New York City on November 14, taking place at the NYIT Auditorium Theater on Broadway.
This year’s line-up features cinematographers Dean Cundey, ASC, (Jurassic Park, Halloween, Who Framed Roger Rabbit, Back to the Future, Apollo 13), Continue reading
New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX.
Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading
Atomos has acquired wireless sync technology company Timecode Systems. Together, the companies are building tightly integrated multicamera workflow solutions that unify all recording devices on set, allowing these devices to work together more cohesively. This will allow production teams to experience the full impact of truly collaborative video and audio content creation across all types of workflows. Continue reading
The Visual Effects Society (VES) named acclaimed visual effects supervisor Sheena Duggal as the forthcoming recipient of the VES Award for Creative Excellence in recognition of her valuable contributions to filmed entertainment. The award will be presented at the 18th Annual VES Awards on January 29, 2020, at the Beverly Hilton Hotel. Continue reading
We recently reached out to Element executive producer Matthew O’Rourke, who led the charge to get this partnership off the ground. Continue reading
For HBO’s original series The Righteous Gemstones, VFX house Gradient Effects de-aged John Goodman using its proprietary Shapeshifter tool, an AI-assisted tool that can turn back the time on any video footage. With Shapeshifter, Gradient sidestepped the Uncanny Valley to shave decades off Goodman for an entire episode, delivering nearly 30 minutes of film-quality VFX in six weeks. Continue reading
Founder and executive producer Jacki Sextro has launched LA-based production company Kin. For over a decade, Sextro has been part of award-winning teams at production companies including Hungry Man, Biscuit and The Directors Bureau. In making the leap from executive producer to business owner, Sextro, says, “I had a list of goals — a commitment to diversity, Continue reading
Alibi Music Library has released Sorcery, the newest collection in its recently launched ATX catalog for high-end theatrical trailers and TV series. From epic magical quests and enchanted journeys to fantastic family adventures and whimsical mysteries, Sorcery is a collection of orchestral trailer cues that embody the unique sensibilities of such films designed to create an instant emotional link among viewers. Continue reading
At AES 2019, Nugen Audio unveiled the latest update for its Sigmod software plugin. The update allows Sigmod to host multiple instances of the Insert module and incorporates hosting support for third-party VST2 and AU plugins. This enables users to access a wider pool of plugins – particularly in DAWs that support limited plugin formats – and increases access for creative routing options such as mid/side processing for any stereo or multi-mono plugin. Continue reading
Creative studio Nice Shoes has added colorist Yulia Bulashenko to its Toronto location. She brings over seven years of experience as a freelance colorist, working worldwide across on projects with such top global clients as Nike, Volkswagen, MTV, Toyota, Diesel, Uniqlo, Uber, Adidas and Zara, among numerous others.
Bulashenko’s resume includes work across commercials, Continue reading
Filmmaker Daniel Iglesias Jr., whose reel spans narrative storytelling to avant-garde fashion films with creativity and an eccentric visual style, has signed with full-service creative studio Good Company.
Iglesias’ career started while attending Chapman University’s renowned film school, where he earned a BFA in screen acting. At the same time, Continue reading
Colorists are often called on to help enhance a particular mood or item for a film, show or spot. For Netflix’s In the Tall Grass — based on a story from horror writers Stephen King and Joe Hill — director Vincenzo Natali and DP Craig Wrobleski called on Deluxe Toronto’s Joanne Rourke to finesse the film’s final look using color to give the grass, Continue reading
Harbor has added to its London- and LA-based studios. Marcus Alexander joins as VP of picture post, West Coast and Darren Rae as senior colorist. He will be supervising all dailies in the UK.
Marcus Alexander started his film career in London almost 20 years ago as an assistant editor before joining Framestore as a VFX editor. Continue reading
Goldcrest Post senior colorist Nat Jencks will take part in a discussion about the technology and creativity behind the Netflix series Russian Doll at NAB Show New York. Joining Jencks will be post supervisor Lisa Melodia in a session moderated by our own postPerspective editor-in-chief Randi Altman.
The session will take place on Thursday, Continue reading
Charlieuniformtango principal/CEO Lola Lott has named three of the full-service studio’s most veteran artists as new partners — editors Deedle LaCour and James Rayburn, and Flame artist Joey Waldrip. This is the first time in the company’s almost 25-year history that the partnership has expanded. All three will continue with their current jobs but have received the expanded titles of senior editor/partner and senior Flame artist/partner, Continue reading
Apple has updated Final Cut Pro X with a new Metal engine designed to provide performance gains across a wide range of Mac systems. It takes advantage of the new Mac Pro and the high-resolution, high-dynamic-range viewing experience of Apple Pro Display XDR. The company also optimized Motion and Compressor with Metal as well. Continue reading
GoPro has added two new cameras to its lineup — Hero8 Black and GoPro Max — as well as modular accessories called Mods.
The Hero8 Black ($399) features HyperSmooth 2.0 video stabilization and offers improved pitch-axis stabilization. It also now supports all frame rates and resolutions. TimeWarp 2.0 auto adjusts to the operator’s speed and can be slowed to realtime with a tap. Continue reading
Foundry has released Nuke 12.0, which introduces the next cycle of releases for the Nuke family. The Nuke 12.0 release brings improved interactivity and performance across the Nuke family, from additional GPU-enabled nodes for cleanup to a rebuilt playback engine in Nuke Studio and Hiero. Nuke 12.0 also sees the integration of GPU-accelerated tools integrated from Cara VR for camera solving, Continue reading
The HPA Awards Committee has announced the nominees for the creative categories for the 2019 HPA Awards. The HPA Awards honor outstanding achievement and artistic excellence by the individuals and teams who help bring stories to life. Launched in 2006, the HPA Awards recognize outstanding achievement in color grading, editing, sound and visual effects for work in episodic, Continue reading
Horton first joined Uppercut in 2017 after a stint as an assistant editor at Whitehouse Post. Stepping up as editor he’s cut notable projects, Continue reading
Cinelab London, which provides a wide range of film and digital restoration services, has added two new creatives to its staff — sound mastering supervisor Jason Stevens and senior colorist Mike David.
Stevens brings with him over 20 years of experience in sound and film archive restoration. Prior to his new role, Continue reading
Ziva Dynamics has introduced Ziva VFX 1.7, designed to make CG character creation easier thanks to the introduction of Art Directable Rest Shapes (ADRS). This tool allows artists to make characters conform to any shape without losing its dynamic properties, opening up a faster path to cartoons and digi-doubles.
Users can now adjust a character’s silhouette with simple sculpting tools. Continue reading
The feature film Downton Abbey is a continuation of the popular TV series, which followed the lives of the aristocratic Crawley family and their domestic help. Created by Julian Fellowes, the film is based in 1927, one year after the show’s final episode, bringing with it the exciting announcement of a royal visit to Downton from King George V and Queen Mary. Continue reading
Creative production house Flavor has added CG supervisor Joshua Studebaker to its Los Angeles studio. For more than eight years, Studebaker has been a freelance CG artist in LA, specializing in design, animation, dynamics, lighting/shading and compositing via Maya, Cinema 4D, Vray/Octane, Nuke and After Effects.
A frequent collaborator with Flavor and its brand and agency partners, Continue reading
Hollywood post house Pace Pictures and bicoastal visual effects, animation and motion graphics specialist ShockBox VFX have formed a strategic alliance for film and television projects. The two specialist companies provide studios and producers with integrated services encompassing all aspects of post in order to finish any project efficiently, cost-effectively and with greater creative control. Continue reading
FotoKem is now offering its video post services in Santa Monica. This provides an accessible location for those working on the west side of LA, as well as access to the talent from its Burbank and Hollywood studios.
Designed to support an entire pipeline of services, the FotoKem Santa Monica facility is housed just off the 10 freeway, Continue reading
Seasoned colorist Jimmy Hsu has joined Encore Vancouver, bringing with him experience in content creation and color science. He comes to Encore Vancouver from Side Street Post Production, where he began as an online editor in 2012 before focusing on color grading.
Hsu’s work spans live action and animated projects across genres, Continue reading