Company 3 has acquired Sixteen19, a creative editorial, production and post company based in New York City. The deal includes Sixteen19’s visual effects wing, PowerHouse VFX, and a mobile dailies operation with international reach.
The acquisition helps Company 3 further serve NYC’s booming post market for feature film and episodic TV. Continue reading
Assimilate’s Scratch 9.1 now supports AJA Kona 5 audio and video I/O cards, enabling users to output 8K 60p video via 12G-SDI. Scratch 9.1 is also now supporting AJA’s Io 4K Plus I/O box with Thunderbolt 3 connectivity. The product also works with AJA’s T-Tap Io 4K, Kona 1 and Kona 4. Continue reading
Creative agency Roger and full-service production company Big Machine have merged — a move that will expand the creative capabilities for their respective agency, brand and entertainment clients. The studios will retain the Roger name and operate at Roger’s newly renovated facility in Los Angeles.
The combined management team includes CD Terence Lee, Continue reading
MovieLabs (Motion Pictures Laboratories), a nonprofit technology research lab that works jointly with member studios Sony, Warner Bros., Disney, Universal and Paramount, has published a new white paper presenting an industry vision for the future of media creation technology by 2030.
The paper, co-authored by MovieLabs and technologists from Hollywood studios, Continue reading
Technicolor has added Patrick Smith to head its visualization department, partnering with filmmakers to help them realize their vision in a digital environment before they hit the set. By helping clients define lensing, set dimensions, asset placement and even precise on-set camera moves, Smith and his team will play a vital role in helping clients plan their shoots in the virtual environment in ways that feel completely natural and intuitive to them. Continue reading
At this year’s IBC, FilmLight will host a free two-day seminar series, Color On Stage, on September 14 and 15. The event features live presentations and discussions with colorists and other creative professionals. The event will cover topics ranging from the colorist today to understanding color management and next-generation grading tools.
“Color on Stage offers a good platform to hear about real-world interaction between colorists, Continue reading
New York-based Harbor has expanded into Los Angeles and London and has added staff and locations in New York. Industry veteran Russ Robertson joins Harbor’s new Los Angeles operation as EVP of sales, features and episodic after a 20-year career with Deluxe and Panavision. Commercial director James Corless and operations director Thom Berryman will spearhead Harbor’s new UK presence following careers with Pinewood Studios, Continue reading
The Hollywood Professional Association (HPA) will honor renowned visual effects supervisor and creative Robert Legato with its Lifetime Achievement Award at the HPA Awards at the Skirball Cultural Center in Los Angeles on November 21. Now in its 14th year, the HPA Awards recognize creative artistry, innovation and engineering excellence in the media content industry. Continue reading
Digital Arts, an independently owned New York-based post house, has added several former Nutmeg Creative talent and production staff members to its roster — senior producer Lauren Boyle, sound designer/mixers Brian Beatrice and Frank Verderosa, colorist Gary Scarpulla, finishing editor/technical engineer Mark Spano and director of production Brian Donnelly.
“Growth of talent, Continue reading
LA-based editorial studio Cabin Editing Company has grown its editing staff with the addition of Greg Scruton and Debbie Berman. They have also promoted Scott Butzer to editor. The trio will work on commercials, music videos, branded content and other short-form projects.
Scruton, who joins Cabin from Arcade Edit, has worked on dozens of high-profile commercials and music videos throughout his career, Continue reading
Signiant will be at IBC this year showing off new capabilities to its SDCX (Software-Defined Content Exchange) SaaS platform designed to simplify secure content exchange between companies. These capabilities will appear first in the company’s newest product, Signiant Jet, which makes it easy to automate and accelerate the transfer of large files between geographically dispersed locations. Continue reading
Blackmagic Design has announced DaVinci Resolve 16.1, an updated version of its edit, color, visual effects and audio post software that features updates to the new cut page, further speeding up the editing process.
With Resolve 16, introduced at NAB 2019, now in final release, the Resolve 16.1 public beta is now available for download from the Blackmagic Design website. Continue reading
London-based color and finishing house Cheat has expanded, adding three new grading and finishing suites, a production studio and a client lounge/bar space. Cheat now has four large broadcast color suites and services two other color suites at Jam VFX and No.8 in Fitzrovia and Soho, respectively. Cheat has a creative partnership with these studios. Continue reading
Adobe has added a new panel in Premiere Rush called Speed, which allows users to manipulate the speed of their footage while maintaining control over the audio pitch, range, ramp speed and duration of the edited clip. Adobe’s Premiere Rush teams say speed control has been the most requested feature by users.
Basic speed adjustments: A clip’s speed is displayed as a percentage value, Continue reading
Bluefish444, makers of uncompressed UltraHD SDI, ASI, video over IP and HDMI I/O cards, and mini converters, has released IngeSTore version 1.1.2. This free update of IngeSTore adds support for new codecs, edit-while-record workflows and a REST API.
Bluefish444 developed IngeSTore software as a complementary multi-channel ingest tool enabling Bluefish444 hardware to capture multiple independent format SDI sources simultaneously. Continue reading
VFX creative director Jerry Spivack and colorists Michael Pethel and Matthew Schwab have joined LA’s Shipping + Handling, Spot Welders‘ VFX, color grading, animation, and finishing arm/sister company.
Alongside executive producer Scott Friske and current creative director Casey Price, Spivack will help lead the company’s creative team. As the creative director/co-founder at Ring of Fire, Continue reading
UK-based VFX and animation studio Jellyfish Pictures has hired Matthew Bristowe as director of operations. With a career spanning over 20 years, Bristowe joins Jellyfish Pictures after a stint as head of production at Technicolor.
During his 20 years in the industry, Bristowe has overseen hundreds of productions, including; Aladdin (Disney), Continue reading
At SIGGRAPH, Autodesk announced a new visual programming environment in Maya called Bifrost, which makes it possible for 3D artists and technical directors to create serious effects quickly and easily.
“Bifrost for Maya represents a major development milestone for Autodesk, giving artists powerful tools for building feature-quality VFX quickly,” says Chris Vienneau, Continue reading
The Khronos Group has ratified and released the OpenXR 1.0 specification, along with publicly available implementations. OpenXR is a unifying, royalty-free open standard that provides high-performance, cross-platform access to virtual reality (VR) and augmented reality (AR) — collectively known as XR — platforms and devices. The new specification can be found on the Khronos website and via GitHub. Continue reading
OptiTrack has a new skeletal solver that brings artifact-free, realtime character animation to its optical motion capture systems.
Key features of OptiTrack skeletal solver include:
– Accurate human movement tracking in realtime
– Major advances in solve quality and artifact-free streaming of character data
– Compatible with any OptiTrack system, Continue reading
Dalet, a provider of solutions and services for content pros and broadcasters, has signed a definitive agreement to acquire the Ooyala Flex Media Platform business. The asset deal includes the Ooyala Flex Media Platform, as well as Ooyala personnel across sales, marketing, engineering, professional services and support.
The Ooyala Flex Media Platform, Continue reading
Cambridge, UK-based Vine FX was the sole visual effects vendor on Gurinder Chadha’s Beecham House, a new Sunday night drama airing on ITV in the UK. Set in the India of 1795, Beecham House is the story of John Beecham (Tom Bateman), an Englishman who resigned from military service to set up as an honorable trader of the East India Company. Continue reading
Masv, which sends large video files via the cloud, is offering a new extension for Adobe Premiere. The extension simplifies the delivery of data-heavy video projects by embedding Masv’s accelerated cloud transfer technology directly within the NLE.
Music and sound studios Squeak E. Clean and Nylon Studios have merged to form Squeak E. Clean Studios. This union brings together a diverse roster of artists offering musical talent and exceptional audio production to agencies and brands. The company combines leadership from both former houses, with Nylon’s Hamish Macdonald serving as managing director and Nylon’s Simon Lister and Squeak E. Continue reading
Chimney’s New York studio has hired Chris Peterson as its new EP of longform entertainment, building on the company’s longform credits, which include The Dead Don’t Die, Atomic Blonde, Chappaquiddick, The Wife and Her.
Chimney is a full-service company working in feature films, television, commercials, Continue reading
Molinare has boosted its visual effects team with the addition of head of VFX production Kerrie Bryant and VFX supervisor Andy Tusabe.
Bryant comes to Molinare after working at DNeg TV and Technicolor, where she oversaw all projects within the studio, as well as supervising line producers and coordinators on their projects. Continue reading
The Hollywood Professional Association (HPA) Awards Committee have announced the winners of the 2019 HPA Engineering Excellence Award. They were selected by a judging panel after a session held at IMAX on June 22. Honors will be bestowed on November 21 at the 14th annual HPA Awards gala at the Skirball Cultural Center in Los Angeles. Continue reading
Director Lije Sarki’s Concrete Kids tells the story of two nine year old boys from Venice, California, who set off on a mission to cross Los Angeles on skateboards at night to reach the Staples Center by morning for a contest. Now streaming on Amazon Prime, the low-budget feature from The Orchard was shot by cinematographer Daron Keet with VariCam LTs in available light mainly at night. Continue reading
KRK Systems has introduced the KRK Audio Tools App for iOS and Android. This free suite of professional studio tools includes five professional analysis-based components that work with any monitor setup, and one tool (EQ Recommendation) that helps acclimate the new KRK Rokit G4 monitors to their individual acoustic environment.
In addition to the EQ Recommendation tool, Continue reading
Senior colorist Patrick Woodard has joined the creative team at Point.360 in Burbank. He was most recently at Hollywood’s DigitalFilm Tree, where he colored dozens of television shows, including ABC’s American Housewife, CBS’ NCIS: Los Angeles, NBC’s Great News and TBS’ Angie Tribeca. Continue reading
The latest collaboration between Framestore and director Kim Gehrig is for Brittany Howard’s debut solo music video for Stay High, which features a color grade and subtle VFX by the studio. A tribute to the Alabama Shakes’ lead singer’s late father, the stylized music video stars actor Terry Crews (Brooklyn Nine-Nine, Continue reading
Jody Madden, who joined Foundry in 2013 and has held positions as chief operating officer and, most recently, chief customer officer and chief product officer, has been promoted to chief executive officer. She takes over the role from Craig Rodgerson.
Madden, who has a rich background in VFX, has been with Foundry for six years. Continue reading
Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue.
Reese comes to a52 Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading
Work Editorial has added Biff Butler to its roster as editor and creative partner. Currently based in Los Angeles, Butler will be available to work in all of the company’s locations, which also include New York and London.
Originally from the UK, Butler moved to Los Angeles in 1999 to pursue a career as a musician, Continue reading
Alchemy Post Sound created Foley for Fosse/Verdon, FX’s miniseries about choreographer Bob Fosse (Sam Rockwell) and his collaborator and wife, the singer/dancer Gwen Verdon (Michelle Williams). Working under the direction of supervising sound editors Daniel Timmons and Tony Volante, Foley artist Leslie Bloome and his team performed and recorded hundreds of custom sound effects to support the show’s dance sequences and add realistic ambience to its historic settings. Continue reading
Steinberg’s SpectraLayers Pro 6 audio editing software is now available. First distributed by Sony Creative Software and then by Magix Software, the developers behind SpectraLayers have joined forces with Steinberg to release its sixth iteration.
Unlike most audio editing tools, SpectraLayers offers a visual approach to audio editing, allowing users to visualize audio in the spectral domain (in 2D and 3D) and to manipulate its spectral data in many different ways. Continue reading
Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at its Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series.
“While Light Iron was historically known for its capabilities with feature films, Continue reading
Bi-coastal video production studio CVLT has added Katya Pavlova as head of post production. She will be based in the studio’s New York location.
Pavlova joins the team after six years at The Mill, where she produced projects that include David Bowie’s Life on Mars music video remake directed by photographer Mick Rock, Continue reading
Virtual production software company Glassbox Technologies has released its virtual camera plugin DragonFly from private beta for public use. DragonFly offers professional virtual cinematography tools to filmmakers and content creators, allowing users to view character performances and scenes within computer-generated virtual environments in realtime, through the camera’s viewfinder, an external monitor or iPad. Continue reading
Accusonus is bringing its single-knob audio cleaning and noise reduction technology to its new ERA 4 Bundles for video editors, audio engineers and podcasters.
The ERA 4 Bundles (Enhancement and Repair of Audio) are a collection of single-knob audio cleaning plugins designed to reduce the complexity of the sound design and audio workflow without compromising sound quality or fidelity. Continue reading
Assimilate’s Scratch 9.1, a dailies and finishing software, now includes new and extensive performance and productivity features, including integration with Foundry Nuke and Adobe After Effects. It’s available now.
“A primary goal for us is to quickly respond to the needs of DITs and post artists, whether it’s for more advanced features, Continue reading
Burbank’s Picture Shop has acquired UK-based The Farm Group. The Farm Group was founded in 1998 and currently has four locations in London, as well as facilities in Manchester, Bristol and Los Angeles.
The Farm also operates the in-house post production teams for BBC Sport in Salford, England; Continue reading
Conductor Technologies’ cloud rendering platform will now support Amazon Web Services (AWS) and Amazon Elastic Compute Cloud (Amazon EC2), bringing the virtual compute resources of AWS to Conductor customers. This new capability will provide content production studios working in visual effects, animation and immersive media access to new, secure, powerful resources that will allow them — according to the company — to quickly and economically scale render capacity. Continue reading
Technicolor is opening a new studio in Los Angeles dedicated to creating a seamless pipeline for feature projects — from concept art and visualization through virtual production, production and into final VFX.
As new distribution models increase the demand for content, Technicolor Pre-Production will provide the tools, the talent and the space for creatives to collaborate from day one of their project – from helping set the vision at the start of a job to ensuring that the vision carries through to production and VFX. Continue reading
NYC-based creative studio Nice Shoes has hired executive producer Nick Litwinko to lead its new film and episodic VFX division. Litwinko, who has built a career on infusing a serial entrepreneur approach to the development of creative studios, will grow the division, recruiting talent to bring a boutique, collaborative approach to visual effects for long-form entertainment projects. Continue reading
Tech company Uber has announced their latest transportation offering — an aerial ride-sharing service. With plans to begin service within cities as soon as 2023, Uber Elevate launched their marketing campaign today at the Uber Elevate Summit. Uber Elevate picked LA-based creative and production boutique Bipolar Studio to create their integrated campaign, which includes a centerpiece film, Continue reading
Envoi has launched a cloud-based data, migration and post production workflow solution at the AWS M&E Symposium on June 18 in Los Angeles. Enabled by Cantemo and Teradici PCoIP technology, Envoi is offering this as a media “production-to-payment” platform.
Envoi is a cloud-based content management, distribution and monetization platform, giving broadcasters and video content providers a complete secure end-to-end video management and distribution system. Continue reading
The SIGGRAPH 2019 Production Sessions program offers attendees a behind-the-scenes look at the making of some of the year’s most impressive VFX films, shows, games and VR projects. The 11 production sessions will be held throughout the conference week of July 28 through August 1 at the Los Angeles Convention Center.
With 11 total sessions, Continue reading
Luma Touch has updated LumaFusion, its video editing application for iOS. Created by video editing industry veterans Chris Demiris and Terri Morgan, LumaFusion Version 2 introduces new features and a new UI, and effectively doubles the number of audio/video tracks supported to 12 tracks, with six video tracks supporting 4K video in realtime. Continue reading