AMD 2.1

Behind the Title: Unit9 director Matthew Puccini

This young director has already helmed two short films, Dirty and Lavender, that got into Sundance. And he still finds time to edit when his schedule allows. 

Name: Director Matthew Puccini

Can you describe Unit9?
Unit9, which has headquarters in London and Los Angeles, Continue reading

AMD 2.1

Emma DP Christopher Blauvelt talks looks and workflow

Focus Features Emma, the latest reincarnation of the Jane Austen novel, was directed by Autumn de Wilde and shot by cinematographer Christopher Blauvelt. For de Wilde, a photographer and music video director, Emma is her feature film directorial debut. In addition to her still work on CD covers for The White Stripes, Continue reading


Behind the Title: Akkurat Studios director Andreas Roth

Originally from Hamburg, Andreas Roth is a graduate of the Filmakademie Baden-Württemberg. He began his directing career at 21 and gained momentum with a film for Dirt Devil that went viral, accumulating over 30 million views on Vimeo and garnering an AICP Show honor that placed the piece in the permanent collection at the Museum of Modern Art in NYC. Continue reading


Behind the Title: Loyalkaspar EP Scott Lakso

“People probably don’t expect that sometimes being an EP involves jumping into After Effects to render something, or contributing written ideas to strategic and conceptual projects.”

Name: Scott Lakso

Company: New York City’s Loyalkaspar

What does Loyalkaspar do?
We’re a creative branding agency specializing in brand strategy, Continue reading


DP Chat: Carnival Row cinematographer Chris Seager

By Randi Altman

For British DP Chris Seager, BSC, his path to movies and television began at film school. After graduation, he found his way to BBC Television’s film department, working on docs and TV movies, including John Schlesinger’s Cold Comfort Farm, starring Kate Beckinsale, Ian McKellen and Rufus Sewell. Continue reading



Behind the Title: Dell Blue lead editor Jason Uson

This veteran editor started his career at LA’s Rock Paper Scissors, where he spent four years learning the craft from editors such as Bee Ottinger and Angus Wall. After freelancing at Lost Planet, Spot Welders and Nomad, he held staff positions at Cosmo Street, Harpo Films and Beast Editorial before opening Foundation Editorial his own post boutique in Austin. Continue reading


DP Chat: Watchmen cinematographer Greg Middleton

By Randi Altman

HBO’s Watchmen takes us to new dimensions in this recent interpretation of the popular graphic novel. In this iteration, we spend a lot of our time in Tulsa, Oklahoma, getting to know Regina King’s policewoman Angela Abar, her unconventional family and a shadowy organization steeped in racism called the Seventh Kavalry. Continue reading

Behind the Title: Harbor sound editor/mixer Tony Volante

“As re-recording mixer, I take all the final edited elements and blend them together to create the final soundscape.”

Name: Tony Volante

Company: Harbor

Can you describe what Harbor does?
Harbor was founded in 2012 to serve the feature film, Continue reading

Behind the Title: Sound Lounge ADR mixer Pat Christensen

This ADR mixer was a musician as a kid and took engineering classes in college, making him perfect for this job.

Name: Pat Christensen

Company: Sound Lounge (@soundloungeny)

What’s your job title?
ADR mixer

What does Sound Lounge do? Continue reading

Behind the Title: Design director Liron Eldar-Ashkenazi

NAME: Liron Eldar-Ashkenazi  (@iamlirona)

WHAT’S YOUR JOB TITLE?
Design Director

WHAT DOES THAT ENTAIL?
I help companies execute on their creative hopes and dreams, both hands-on and as a consultant and director.

WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading

DP Chat: The Grudge’s Zachary Galler

By Randi Altman

Being on set is like coming home for New York-based cinematographer Zachary Galler, who as a child would tag along with his father while he directed television and film projects. The younger Galler started in the industry as a lighting technician and quickly worked his way up to shooting various features and series. Continue reading

Behind the title: Cutters editor Steve Bell

“I’ve always done a fair amount of animation design, music rearranging and other things that aren’t strictly editing, but most editors are expected to play a role in aspects of the post process that aren’t strictly editing.”

Name: Steve Bell

What’s your job title?
Editor

Company: Cutters Editorial

Can you describe your company? Continue reading

Behind the Title: Matter Films president Matt Moore

Part of his job is finding talent and production partners. “We want the most innovative and freshest directors, cinematographers and editors from all over the world.”

NAME: Matt Moore

COMPANY: Phoenix and Los Angeles’ Matter Films
and OH Partners

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Behind the Title: MPC’s CD Morten Vinther

This creative director/director still jumps on the Flame and also edits from time to time. “I love mixing it up and doing different things,” he says.

NAME: Morten Vinther

COMPANY: Moving Picture Company, Los Angeles

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Behind the Title: Logan & Sons director Tom Schlagkamp

This director also loves editing, sound design and working with VFX long before and after the shoot.

Name: Tom Schlagkamp

Company: Logan & Sons, the live-action division of bicoastal content creation studio Logan, which is based in NYC and LA. Continue reading

Behind the Title: Compadre’s Jessica Garcia-Scharer

NAME: Jessica Garcia-Scharer

COMPANY: Culver City’s Compadre

CAN YOU DESCRIBE YOUR COMPANY?
We are a creative marketing agency. We make strategically informed branding and creative — and then help to get it out to the world in memorable ways. And we use strategy, Continue reading

DP Chat: Good Boys cinematographer Jonathan Furmanski

By Randi Altman

Cinematographer Jonathan Furmanski is no stranger to comedy. His resume is long and includes such projects as the TV series Search Party and Inside Amy Schumer, as well as Judd Apatow’s documentary, The Zen Diaries of Garry Shandling.

So when it came time to collaborate with director Gene Stupnitsky on the Seth Rogen and Evan Goldberg-produced Good Boys feature, Continue reading

Behind the Title: Sarofsky EP Steven Anderson

This EP’s responsibilities range gamut “from managing our production staff to treating clients to an amazing dinner.”

Company: Chicago’s Sarofsky

Can you describe your company?
We like to describe ourselves as a design-driven production company. I like to think of us as that but so much more. Continue reading

Behind the Title: C&I Studios founder Joshua Miller

While he might run the company, founder/CEO Joshua Miller is happiest creating. He also says there is no job too small: “Nothing is beneath you.”

NAME: Joshua Otis Miller

COMPANY: C&I Studios

CAN YOU DESCRIBE YOUR COMPANY?
C&I Studios is a production company and advertising agency. Continue reading

DP Chat: Marshall Adams talks El Camino: A Breaking Bad Movie

By Randi Altman

Marshall Adams, ASC, has been working on episodic projects for years, but his road to cinematographer wasn’t a straight one. Adams started as a production assistant on small commercials and docs, but quickly discovered that lighting was his passion.

Adams’ first break was on second unit for Felicity with Michael Bonvillian, Continue reading

Colorist Chat: Lucky Post’s Neil Anderson

After joining Lucky Post in Dallas in 2013 right out of film school, Neil Anderson was officially promoted to colorist in 2017. He has worked on a variety of projects during his time at the studio, including projects for Canada Dry, Costa, TGI Fridays, The Salvation Army and YETI. He also contributed to Augustine Frizzell’s feature comedy, Continue reading

DP Chat: Late Night cinematographer Matthew Clark

Directed by Nisha Ganatra, Amazon Studios’ comedy Late Night stars Emma Thompson as Katherine, a famous talk show host who hires Molly, her first-ever female writer (played by Mindy Kaling, who also wrote the screenplay).

Ganatra — whose rich directing background includes Transparent, Brooklyn Nine-Nine, Fresh Off the Boat and Chutney Popcorn — worked closely with her, Continue reading

Behind the Title: Title Designer Nina Saxon

For 40 years, Nina Saxon has been a pioneer in the area of designing movie titles. She is still one of the few women working in this part of the industry.

NAME: Nina Saxon

COMPANY: Nina Saxon Design

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Wildlife DP Steve Lumpkin on the road and looking for speed

For more than a decade, Steve Lumpkin has been traveling to the Republic of Botswana to capture and celebrate the country’s diverse and protected wildlife population. As a cinematographer and still photographer, Under Prairies Skies Photography‘s Lumpkin will spend a total of 65 days this year filming in the bush for his current project, Continue reading

Behind the Title: Landia EP/MD Juan Taylor

“My role’s very behind-the-scenes… almost invisible. If everything goes well, which is my job, it’s like I was never there.”

Name: Juan Taylor

Company: Landia

Can you describe your company?
Landia is a production house, but we prefer to think of ourselves as a boutique network. Continue reading

Behind the Title: Chapeau CD Lauren Mayer-Beug

This creative director loves the ideation process at the start of a project when anything is possible, and saving some of those ideas for future use.

COMPANY: LA’s Chapeau Studios

CAN YOU DESCRIBE YOUR COMPANY?
Chapeau provides visual effects, editorial, design, photography and story development fluidly with experience in design, Continue reading

Behind the Title: Bindery editor Matt Dunne

Name: Matt Dunne

Company: Bindery

Can you describe your company?
Bindery is an indie film and content studio based in NYC. We model ourself after independent film studios, where we tackle every phase of a project from concept all the way through finishing. Continue reading

Behind the Title: One Thousand Birds sound designer Torin Geller

Initially interested in working in a music studio, once this sound pro got a taste of audio post, there was no turning back.

NAME: Torin Geller

COMPANY: NYC’s One Thousand Birds (OTB)

CAN YOU DESCRIBE YOUR COMPANY?
OTB is a bi-coastal audio post house specializing in sound design and mixing for commercials, Continue reading

DP Chat: Peaky Blinders‘ Si Bell ramps up the realism for Season 5

By Randi Altman

UK-based cinematographer Si Bell is known for his work on the critically acclaimed feature films Electricity (2015), In Darkness (2019) and Tiger Raid (2016), as well as high-profile TV shows such as Fortitude, Hard Sun, Britannia and Ripper Street. Continue reading

Behind the Title: Element EP Kristen Kearns

NAME: Kristen Kearns

COMPANY: Boston’s Element Productions

CAN YOU DESCRIBE YOUR COMPANY?
Element has been in business for 20 years. We handle production and post production for video content on all platforms.

WHAT’S YOUR JOB TITLE?
Executive Producer / COO

WHAT DOES THAT ENTAIL? Continue reading

Behind the Title: Mission’s head of digital imaging, Pablo Garcia Soriano

NAME: Pablo Garcia Soriano (@pablo.garcia.soriano)

COMPANY: UK-based Mission (@missiondigital)

CAN YOU DESCRIBE YOUR COMPANY?
Mission is a provider of DIT and digital lab services based in London, with additional offices in Cardiff, Rome, Prague and Madrid. Continue reading

DP Chat: Dopesick Nation cinematographer Greg Taylor

By Randi Altman

Dopesick Nation is a documentary series on Vice Media’s Viceland that follows two recovering heroin addicts, Frankie and Allie, in South Florida as they try to help others while taking a look at corruption and exploitation in the rehab industry. The series was inspired by the feature film American Relapse. Continue reading

Behind the Title: MPC Senior Compositor Ruairi Twohig

After studying hand-drawn animation, this artist found his way to visual effects.

NAME: NYC-based Ruairi Twohig

COMPANY: Moving Picture Company (MPC)

CAN YOU DESCRIBE YOUR COMPANY?
MPC is a global creative and visual effects studio with locations in London, Continue reading

Behind the Title: Compadre’s Mika Saulitis

This creative started writing brand campaigns for his favorite oatmeal at eight years old.

NAME: Mika Saulitis

COMPANY: Culver City, California’s Compadre

CAN YOU DESCRIBE YOUR COMPANY?
We’re a creative marketing agency. I could get into the nuts and bolts of our process and services, Continue reading

Behind the Title: Amazon senior post exec Frank Salinas

NAME: Frank Salinas

COMPANY: Amazon Studios

CAN YOU DESCRIBE YOUR COMPANY?
We’re Amazon.com….Look us up. Small e-commerce bookstore turned global marketplace, cloud storage services and content maker and broadcaster.

WHAT’S YOUR JOB TITLE?
Senior Post Production Executive

WHAT DOES THAT ENTAIL? Continue reading

Colorist Chat: Refinery’s Kyle Stroebel

This Cape Town, South Africa-based artist says that “working creatively with a director and DP to create art is a privilege.”

NAME: Colorist Kyle Stroebel

COMPANY: Refinery in Cape Town, South Africa

CAN YOU DESCRIBE YOUR COMPANY?
We are a full-service post company in the heart of Cape Town. Continue reading

DP Chat: Autumn Durald Arkapaw on The Sun Is Also a Star

By Randi Altman

Autumn Durald Arkapaw always enjoyed photography and making films with friends in high school, so it was inevitable that her path would lead to cinematography.

“After a genre course in college where we watched Raging Bull and Broadway Danny Rose I was hooked. Continue reading

Behind the Title: Cinematic Media head of sound Martin Hernández

This audio post pro’s favorite part of the job is the start of a project — having a conversation with the producer and the director. “It’s exciting, like any new relationship,” he says.

Name: Martin Hernández

Job Title: Supervising Sound Editor

Company: Mexico City’s Cinematic Media

Can you describe Cinematic Media and your role there? Continue reading

Perpetual Grace’s DPs, colorist weigh in on show’s gritty look

You don’t have to get very far into watching the Epix series Perpetual Grace LTD to realize just how ominous this show feels. It begins with the opening shots, and by the time you’ve spent a few minutes with the dark, mysterious characters who populate this world — and gathered hints of the many schemes within schemes that perpetuate the story — the show’s tone is clear. Continue reading

Behind the Title: Spot Welders’ editor Matt Osborne

After the time-consuming and sometimes stressful part of doing selects and putting together an assembly alone, I enjoy sitting in a room with the director and digging into the material.

NAME: Matt Osborne

COMPANY: Spot Welders

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Behind the Title: Neko founder Lirit Rosenzweig Topaz

NAME: Lirit Rosenzweig Topaz

COMPANY: Burbank’s Neko Productions

CAN YOU DESCRIBE YOUR COMPANY?
We are an animation studio working on games, TV, film, digital, AR, VR and promotional projects in a variety of styles, including super-cartoony and hyper-realistic CG and 2D. We believe in producing the best product for the budget, Continue reading

DP Chat: Good Omens cinematographer Gavin Finney

By Randi Altman

London-born cinematographer Gavin Finney, BSC, has a wealth of television series and film experience under his belt, including Wolf Hall, The Fear and the upcoming series based on the film of the same name, Hulu’s Four Weddings and a Funeral. One of his most recent projects was the six-episode Amazon series Good Omens, Continue reading

DP Chat: Catch-22’s Martin Ruhe, ASC

By Randi Altman

For the bibliophiles out there, you know Catch-22 as the 1961 book by Joseph Heller. Cinephiles might remember the 1970 film of the same name starring Alan Arkin. And for those who are familiar with the saying, but not its origins, a Catch-22 is essentially a no-win situation. Continue reading

Amazon’s Sneaky Pete: DP Arthur Albert on the look of Season 3

By Karen Moltenbrey

Crime has a way of finding Pete Murphy, or should we say Marius Josipovic (Giovanni Ribisi). Marius is a con man who assumed his cellmate’s identity when he was paroled from prison. His plan was twofold: first, pretend to be the still-incarcerated Pete, from whom the family has been estranged for the past 20 years, Continue reading

Behind the Title: Live Nation Entertainment Editor Hillary Lewis

This Indiana-based editor uses Avid Media Composer at work, Adobe Premiere for personal projects and After Effects for both.

NAME: Indianapolis-based Hillary Lewis

COMPANY: TourDesign Creative/Live Nation Entertainment

CAN YOU DESCRIBE YOUR COMPANY?
We are the post house for all Live Nation artists creating their broadcast, Continue reading

DP Chat: Brandon Trost on the Ted Bundy film Extremely Wicked

By Randi Altman

To say that cinematographer Brandon Trost was born to work in the entertainment industry might not be hyperbole. This fourth-generation Angeleno has family roots in the industry — from his dad who did visual/physical effects, to his great uncle, actor Victor French (Little House on the Prairie). Continue reading

Behind the Title: Ntropic Flame artist Amanda Amalfi

NAME: Amanda Amalfi

COMPANY: Ntropic (@ntropic)

CAN YOU DESCRIBE YOUR COMPANY?
Ntropic is a content creator producing work for commercials, music videos and feature films as well as crafting experiential and interactive VR and AR media. We have offices in San Francisco, Continue reading