Canon has introduced a line of new cinema cameras — the EOS C700, EOS C700 PL and EOS C700 GS PL. Featuring a completely new, customizable, modular design, Canon says the EOS C700 is suited for all types of pro workflows, from feature films to documentaries to episodic dramas. They also have two new reference displays, but more on that later.
The Canon EOS C700 and EOS C700 PL cameras feature a Super 35mm 4.5K sensor with wide dynamic range and can be used for productions requiring 4K UHD TV or 4K DCI cinema deliverables. The EOS C700 GS PL features a Super 35mm 4K sensor with a global shutter to enable the distortion-free capture of subjects moving at high speeds. In addition to supporting the earlier XF-AVC recording format, the cameras also support Apple ProRes.
The EOS C700 allows users to convert between EF mount and PL mounts, and between a standard CMOS image sensor and a global shutter CMOS image sensor at Canon service facilities. The EF lens mount provides compatibility with Canon’s lineup of over 70 interchangeable EF lenses as well as enabling use of Canon’s Dual Pixel CMOS AF technology. The EOS C700 PL and EOS C700 GS PL allow use of industry-standard PL lenses and compatibility with Cooke /i metadata communication technology.
For those wanting to shoot and deliver High Dynamic Range (HDR) content, the EOS C700 and EOS C700 PL provide 15 stops of latitude, Canon’s proprietary Log Gammas (Canon Log3, Canon Log2 and Canon Log) and color science. Additionally, these cameras seamlessly integrate with Canon’s pro 4K displays (DP-V2420, DP-V2410 or DP-V1770) for on-set color management and review that conforms to SMPTE ST 2084 standards of HDR display.
Canon has called on Codex to provide a fully-integrated (no cables) recording and workflow option. The combination of the EOS C700 camera with the optional Codex CDX-36150 recorder allows for high-speed 4.5K RAW recording at up to 100fps, 4K RAW at up to 120fps, 4K ProRes at up to 60fps, 2K ProRes at up to 240fps and XF-AVC at up to 60fps.
The EOS C700, EOS C700 PL and EOS C700 GS PL are the company’s first Cinema EOS cameras to support anamorphic shooting by using a “de-squeeze” function for monitoring, making possible it possible to create images with the 2.39:1 aspect ratio typical of cinema productions. Furthermore, enabling full HD HFR recording at a maximum of 240fps (crop), the camera enables smooth playback, even when slowed down.
Along with the announcement of these cameras, there are new optional accessories: OLED 1920×1080 Electronic View Finder EVF-V70, Remote Operation Unit OU-700, Shoulder Support Unit SU-15, Shoulder Style Grip Unit SG-1 and B4 mount adapters MO-4E/MO-4P.
The EOS C700 and EOS C700 PL are currently expected to go on sale in December 2016, while the EOS C700 GS PL is expected to go on sale in January 2017. The EOS C700 and EOS C700 PL will have a list price of $35K and the EOS C700 GS PL will have a list price of $38K.
New On-Set Monitors
Also from Canon are two new pro 4K/UHD displays targeting content creators — the DP-V2420, a 24-inch high-luminance model targeting HDR footage, and the DP-V1710 4K, a 17-inch, 3840×2160 display suited for use on set, in broadcasting vans and in studios. Both displays feature a Canon-developed image-processing engine, proprietary backlight system and an IPS LCD panel that when combined deliver excellent color reproduction and high-resolution, high-contrast imaging performance.
The Canon DP-V2420 supports HDR standards and display methods increasingly used for next-gen video production, and provides high luminance and black luminance performance essential for screening HDR content. The DP-V2420 display qualifies as a Dolby Vision mastering monitor and complies with the ITU-R BT.2100-0 HDR standard, which specifies a peak luminance 1000 cd/m2 and a minimum luminance 0.005 cd/m2. Allowing for the review and confirmation of high-quality 4K images, the display’s expanded dynamic range increases color expression and the contrast between the light and dark areas of an image to achieve luminance expression close to that of the naked eye while also supporting the expression of natural colors and a sense of three-dimensionality.
The DP-V1710 4K/UHD is a 17-inch 3840×2160 resolution display, which can be used with the 19-inch rack mounts that are commonplace in broadcast studio sub control rooms and broadcasting vans. In addition to providing high-image-quality UHD resolution, the display features a compact body size that makes it useful for on set, carrying during on-location shooting or for use in broadcasting vans with limited space.
The DP-V2420 and DP-V1710 displays are scheduled to be available in November 2016 and February 2017 for list prices of $32,900 and $13,500, respectively.