NAME: Heath Ryan
CAN YOU DESCRIBE YOUR COMPANY?
We are a dailies-to-delivery post house, including audio mixing.
WHAT’S YOUR JOB TITLE?
Owner and editor.
WHAT DOES THAT ENTAIL?
As owner, I need to make sure everyone is happy.
WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE?
Psychology. I deal with a lot of producers, directors and artists that all have their own wants and needs. Sometimes what that entails is not strictly post production but managing personalities.
WHAT’S YOUR FAVORITE PART OF THE JOB?
Editing. My company grew out of my love for editing. It’s the final draft of any film. In the over 30 years I have been editing, the power of what an editor can do has only grown.
WHAT’S YOUR LEAST FAVORITE?
Chasing unpaid invoices. It’s part of the job, but it’s not fun.
WHAT IS YOUR MOST PRODUCTIVE TIME OF THE DAY?
Late, late in the evening when there are no other people around and you can get some real work done.
IF YOU DIDN’T HAVE THIS JOB, WHAT WOULD YOU BE DOING INSTEAD?
Not by design but through sheer single mindedness, I have no other skill set but film production. My sense of direction is so bad that armed with a GPS super computer in my phone even Uber driver is not an option.
HOW EARLY ON DID YOU KNOW THIS WOULD BE YOUR PATH?
I started making films in the single digit years. I won a few awards for my first short film in my teens and never looked back. I’m lucky to have found this passion early.
CAN YOU NAME SOME RECENT PROJECTS YOU HAVE WORKED ON?
This year I edited the reboot to Daddy Daycare called Grand-Daddy Daycare (2019) for Universal. I got to work with director Ron Oliver and actor Danny Trejo, and it meant a lot to me. It deals with what we do with our elders as time creeps up on us all. Sadly, we lost Ron’s mom while we were editing the film so it took on extra special meaning to us both.
WHAT IS THE PROJECT THAT YOU ARE MOST PROUD OF?
Lawless Range and The Producer. I produced and edited both projects with my dear friend and collaborator Sean McGinly. A modern-day Western and a behind-the-scenes of a Hollywood pilot. They were very satisfying projects because there was no one to blame but ourselves.
NAME THREE PIECES OF TECHNOLOGY YOU CAN’T LIVE WITHOUT.
My Meridian Sound system, the Internet and TV.
DO YOU LISTEN TO MUSIC WHILE YOU WORK?
Yes, I love it. I have always set the tone in the edit bay with music. Especially during dailies – I like to put music on, sometimes films scores, to set the mood of what we are making.