A musician from an early age, this mixer/sound designer knew her path needed to involve music and sound.
Name: Elizabeth McClanahan
Can you describe your company?
We are an audio post production company.
What’s your job title?
Mixer and sound designer.
What does that entail?
I mix and master audio for advertising, television and film. Working with creatives, I combine production audio, sound effects, sound design, score or music tracks and voiceover into a mix that sounds smooth and helps highlight the narrative of each particular project.
What would surprise people the most about what falls under that title?
I think most people are surprised by the detailed nature of sound design and by the fact that we often supplement straightforward diegetic sounds with additional layers of more conceptual design elements.
What’s your favorite part of the job?
I enjoy the collaborative work environment, which enables me to take on different creative challenges.
What’s your least favorite?
The ever-changing landscape of delivery requirements.
What is your favorite time of the day?
If you didn’t have this job, what would you be doing instead?
I think I would be interested in pursuing a career as an archivist or law librarian.
Why did you choose this profession?
Each project allows me to combine multiple tools and skill sets: music mixing, dialogue cleanup, sound design, etc. I also enjoy the problem solving inherent in audio post.
How early on did you know this would be your path?
I began playing violin at age four, picking up other instruments along the way. As a teenager, I often recorded friends’ punk bands, and I also started working in live sound. Later, I began my professional career as a recording engineer and focused primarily on jazz. It wasn’t until VO and ADR sessions began coming into the music studio in which I was working that I became aware of the potential paths in audio post. I immediately enjoyed the range and challenges of projects that post had to offer.
Can you name some recent projects you have worked on?
Lately, I’ve worked on projects for Google, Budweiser, Got Milk?, Clash of Clans, and NASDAQ.
I recently completed work on a feature film, called Nancy. This was my first feature in the role of supervising sound editor and re-recording mixer, and I appreciated the new experience on both a technical and creative level. Nancy was particularly unique in that all department heads (in both production and post) were women. It was an incredible opportunity to work with so many talented people.
Name three pieces of technology you can’t live without.
The Teenage Engineering OP-1, my phone and the UAD plugins that allow me to play bass at home without bothering my neighbors.
What social media channels do you follow?
Although I am not a heavy social media user, I follow a few pragmatic-yet-fun YouTube channels: Scott’s Bass Lessons, Hicut Cake and the gear review channel Knobs. I love that Knobs demonstrates equipment in detail without any talking.
What do you do to de-stress from it all?
In addition to practicing yoga, I love to read and visit museums, as well as play bass and work with modular synths.