NBCUni 7.26

Athena Studios, VES/Bay Area restore the ‘lost’ Black Angel

EMERYVILLE, CA – Athena Studios (http://www.athenastudios.com), which specializes in production and animation services for film and multimedia clients, and the Visual Effects Society (VES)/Bay Area, have partnered to restore a legendary, Star Wars-era short film called “Black Angel.”

3 Black Angel

Thought to be missing for more than 30 years, “Black Angel,” which was last seen in theaters across Europe and Australia in l980 as a lead-in to “The Empire Strikes Back,” was shown recently at the 36th Annual Mill Valley Film Festival.

To view clips of the restored film, please see:
http://www.athenastudios.com/project_blackangel.html

After reading a 2012 Wired Magazine article about how “Black Angel,” believed to be missing, had been located by an archivist at Universal Studios, Athena Studios producer Brice Parker joined with VES/Bay Area chair David Tanaka and contacted the film’s director, Roger Christian, with an offer to supervise the film’s restoration at Athena Studios.

Shot in Scotland in 1979, the 25-minute “Black Angel” was the directorial debut of “Star Wars” art director/Academy Award-winner Roger Christian. Made with financial aid from George Lucas, “Black Angel” centers on a knight returning from the Crusades, who is transported to a mystical realm where he must rescue a princess from a black knight.

“Black Angel” was originally shown in theaters in Europe and Australia in 1980 as a short film, which was presented just before showings of “The Empire Strikes Back.”

“Black Angel” was never released on VHS or DVD, and Christian himself was unable to track down the original negative. The director believed it was lost—until he got a call from an archivist at Universal Studios in December 2011, who had located that negative.

After Parker arranged for the negative of “Black Angel” to be transported to Efilm Digital Laboratories in Hollywood for careful cleaning and 4K scanning, Athena Studios received a hard drive containing frames scanned from the timed inter-positive to be digitally restored. Athena’s restoration team, which included restoration artists Jorge Martinez and Mitchell Tanaka, spent a combined 12 weeks painstakingly removing splice marks and unwanted artifacts, which had been introduced by the film mastering process more than 30 years earlier. Clean up was via Pixel Farm’s PFClean software. The restored frames were then rendered and exported for a new digital intermediate color correction via Autodesk Lustre at (www.colorflow.com) in Berkeley, CA.

“Black Angel” director Christian says, “It’s been my great pleasure to work with Brice Parker, David Tanaka, and the talented restoration team at Athena Studios on the revival of ‘Black Angel.’ I’ve waited three decades to be able to show this film to audiences once again, and without Athena’s diligence, it might have been another three decades before that happened. They’ve made it possible to bring ‘Black Angel’ into the modern era with their delicate handling of the material and with their deep understanding of how the film was shot in wide screen Cinemascope, presently truly breathtaking images for its time. The film has remained in peoples’ memories since it was shown in conjunction with theatrical presentations of ‘The Empire Strikes Back’ all over the world, so it was important to me that it retained its integrity. Brice, David, and the restoration team at Athena Studios really understood that. Today, ‘Black Angel’ looks better than ever. And it’s all thanks to this wonderful team who incorporated such enthusiasm and care for the project.”

 


Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.