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Todd Phillips talks directing Warner Bros.’ Joker

By Iain Blair

Filmmaker Todd Phillips began his career in comedy, most notably with the blockbuster franchise The Hangover, which racked up $1.4 billion at the box office globally. He then leveraged that clout and left his comedy comfort zone to make the genre-defying War Dogs.

Joker puts comedy even further in his rearview mirror. Continue reading

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Behind the Title: Compadre’s Jessica Garcia-Scharer

NAME: Jessica Garcia-Scharer

COMPANY: Culver City’s Compadre

CAN YOU DESCRIBE YOUR COMPANY?
We are a creative marketing agency. We make strategically-informed branding and creative — and then help to get it out to the world in memorable ways. And we use strategy, Continue reading


Report: Apple intros 16-inch MacBook Pro, previews new Mac Pro, display

By Pat Birk

At a New York City press event, Apple announced that it will being shipping a new 16-inch MacBook Pro this week. This new offering will feature an updated 16-inch Retina display with a pixel density of 226ppi; 9th-generation Intel processors featuring up to 8 cores and up to 64GB of DDR4 memory; Continue reading


DP Chat: Good Boys cinematographer Jonathan Furmanski

By Randi Altman

Cinematographer Jonathan Furmanski is no stranger to comedy. His resume is long and includes such projects as the TV series Search Party and Inside Amy Schumer, as well as Judd Apatow’s documentary, The Zen Diaries of Garry Shandling.

So when it came time to collaborate with director Gene Stupnitsky on the Seth Rogen and Evan Goldberg-produced Good Boys feature, Continue reading


postPerspective’s ‘SMPTE 2019 Live’ interview coverage

postPerspective was the official production team for SMPTE during its most recent conference in downtown Los Angeles this year. Taking place once again at the Bonaventure Hotel, the conference featured events and sessions all week. (You can watch those interviews here.)

These sessions ranged from “Machine Learning & Continue reading


A post engineer’s thoughts on Adobe MAX, new offerings

By Mike McCarthy

Last week, I had the opportunity to attend Adobe’s MAX conference at the LA Convention Center. Adobe showed me, and 15,000 of my closest friends, the newest updates to pretty much all of its Creative Cloud applications, as well as a number of interesting upcoming developments. From a post production perspective, Continue reading


Review: iZotope’s Ozone 9 isn’t just for mastering

By Pat Birk

Izotope is back with its latest release, Ozone 9. And with it, iZotope hopes to provide a comprehensive package of tools to streamline the audio engineer’s workflow. The company has been on my radar for a number of years now, having used the RX suite extensively for clean up and restoration of production audio. Continue reading


SMPTE 2019 Live: Gala Award Winners

postPerspective was invited by SMPTE to host the exclusive coverage of their 2019 Awards Gala. (Watch here!)

The annual event was hosted by Kasha Patel (a digital storyteller at NASA Earth Observatory by day and a science comedian by night!), and presenters included Steve Wozniak. Among this year’s honorees — Netflix’s Anne Aaron, Continue reading

Behind the Title: Sarofsky EP Steven Anderson

This EP’s responsibilities range gamut “from managing our production staff to treating clients to an amazing dinner.”

Company: Chicago’s Sarofsky

Can you describe your company?
We like to describe ourselves as a design-driven production company. I like to think of us as that but so much more. Continue reading

Harbor crafts color and sound for The Lighthouse

By Jennifer Walden

Director Robert Eggers’ The Lighthouse tells the tale of two lighthouse keepers, Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson), who lose their minds while isolated on a small rocky island, battered by storms, plagued by seagulls and haunted by supernatural forces/delusion-inducing conditions. It’s an A24 film that hit theaters in late October. Continue reading

Filmmaker Hasraf “HaZ” Dulull talks masterclass on sci-fi filmmaking

By Randi Altman

Hasraf “HaZ” Dulull is a producer/director and a hands-on VFX and post pro. His most recent credits include the features films 2036 Origin Unknown and The Beyond, the Disney TV series Fast Layne and the Disney Channel original movies Under the Sea — A Descendants Story, Continue reading

Terminator: Dark Fate director Tim Miller

By Iain Blair

He said he’d be back, and he meant it. Thirty-five years after he first arrived to menace the world in the 1984 classic The Terminator, Arnold Schwarzenegger has returned as the implacable killing machine in Terminator: Dark Fate, the latest installment of the long-running franchise. Continue reading

Color Chat: Light Iron’s Corinne Bogdanowicz

Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation.

Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading

Review: Lenovo Yoga A940 all-in-one workstation

By Brady Betzel

While more and more creators are looking for alternatives to the iMac, iMac Pro and Mac Pro, there are few options with high-quality, built-in monitors: Microsoft Surface Studio, HP Envy, and Dell 7000 are a few. There are even fewer choices if you want touch and pen capabilities. It’s with that need in mind that I decided to review the Lenovo Yoga A940, Continue reading

Behind the Title: C&I Studios founder Joshua Miller

While he might run the company, founder/CEO Joshua Miller is happiest creating. He also says there is no job too small: “Nothing is beneath you.”

NAME: Joshua Otis Miller

COMPANY: C&I Studios

CAN YOU DESCRIBE YOUR COMPANY?
C&I Studios is a production company and advertising agency. Continue reading

Rising Sun Pictures’ Anna Hodge talks VFX education and training

Based in Adelaide, South Australia, Rising Sun Pictures (RSP) has created stunning visual effects for films including Spider-Man: Far From Home, Captain Marvel, Thor: Ragnarok and Game of Thrones.

It also operates a visual effects training program in conjunction with the University of South Australia in which students learn such skills as compositing, Continue reading

The gritty and realistic sounds of Joker

By Jennifer Walden

The grit of Gotham City in Warner Bros.’ Joker is painted on in layers, but not in broad strokes of sound. Distinct details are meticulously placed around the Dolby Atmos surround field, creating a soundtrack that is full but not crowded and muddy — it’s alive and clear. Continue reading

DP Chat: Marshall Adams talks El Camino: A Breaking Bad Movie

Marshall Adams, ASC, who has been working as a DP for television for years, began his road to cinematographer by way of being a gaffer. Adams started as a production assistant on small commercials and documentaries, but quickly learned lighting was his passion. He worked his way up to gaffer, learning from such DPs as Levie Isaacks, Continue reading

Color grading Empire State Building’s immersive exhibits

As immersive and experiential projects are being mounted in more and more settings — and as display technology allows for larger and more high-resolution screens to be integrated into these installations —colorists are being called on to grade video and film content that’s meant to be viewed in vastly different settings than in the past. Continue reading

Bernie Su: Creator of Twitch’s live and interactive show, Artificial

By Randi Altman

Thanks to today’s available technology, more and more artists are embracing experimental storytelling. One of those filmmakers is Bernie Su, creator, executive producer and director on the Twitch series, Artificial.

Artificial, which won Twitch its first Primetime Emmy for “Outstanding Innovation in Interactive Media, features a doctor and his “daughter — a human-looking artificial intelligence creation named Sophie. Continue reading

Colorist Chat: Scott Ostrowsky on Amazon’s Sneaky Pete

By Randi Altman

Scott Ostrowsky, senior colorist at Deluxe’s Level 3 in Los Angeles has worked on all three seasons of Amazon’s Sneaky Pete, produced by Bryan Cranston and David Shore and starring Giovanni Ribisi. Season 3 is the show’s last.

For those of you unfamiliar with the series, Continue reading

Review: PixelTools V.1 PowerGrade presets for Resolve

By Brady Betzel

Color correction and color grading can be tricky (especially for those of us who don’t work as a dedicated colorist). And to be good at one doesn’t necessarily mean you will be good at the other. After watching hundreds of hours of tutorials, the only answer to getting better at color correction and color grading is to practice. Continue reading

Director Ang Lee: Gemini Man and a digital clone

By Iain Blair

Filmmaker Ang Lee has always pushed the boundaries in cinema, both technically and creatively. His film Life of Pi, which he directed and produced, won four Academy Awards — for Best Direction, Best Cinematography, Best Visual Effects and Best Original Score.

Lee’s Brokeback Mountain won three Academy Awards, Continue reading

The editors of Ad Astra: John Axelrad and Lee Haugen

By Amy Leland

The new Brad Pitt film Ad Astra follows astronaut Roy McBride (Pitt) as he journeys deep into space in search of his father, astronaut Clifford McBride (Tommy Lee Jones). The elder McBride disappeared years before, and his experiments in space might now be endangering all life on Earth. Continue reading

Quick Chat: Frame.io’s new global SVP of innovation, Michael Cioni

By Randi Altman

Production and post specialist Michael Cioni, whom many of you might know from his years at Light Iron and Panavision, has joined Frame.io as global SVP of innovation. He will lead a new LA-based division of Frame.io that is focused on continued investment into cloud-enabled workflows for films and episodics — specifically, Continue reading

Review: Boxx’s Apexx A3 AMD Ryzen workstation

By Mike McCarthy

Boxx’s Apexx A3 is based on AMD’s newest Ryzen CPUs and the X570 chipset. Boxx has taken these elements and added liquid CPU cooling, professional GPUs and a compact, solid case to create an optimal third-generation Ryzen system configured for pros. It can support dual GPUs and two 3.5-inch hard drives, Continue reading

Colorist Chat: Lucky Post’s Neil Anderson

After joining Lucky Post in Dallas in 2013 right out of film school, Neil Anderson was officially promoted to colorist in 2017. He has worked on a variety of projects during his time at the studio, including projects for Canada Dry, Costa, TGI Fridays, The Salvation Army and YETI. He also contributed to Augustine Frizzell’s feature comedy, Continue reading

Review: Samsung’s 970 EVO Plus 500GB NVMe M.2 SSD

By Brady Betzel

It seems that the SSD drives are dropping in price by the hour. (This might be a slight over-exaggeration, but you understand what I mean.) Over the last year or so there has been a huge difference in pricing, including high-speed NVMe SSD drives. One of those is the highly touted Samsung EVO Plus NVMe line. Continue reading

Color grading IT Chapter Two’s terrifying return

In IT Chapter Two, the kids of the Losers’ Club are all grown up and find themselves lured back to their hometown of Derry. Still haunted both by the trauma that monstrous clown Pennywise let loose on the community and by each one’s own unique insecurities, the group (James McAvoy, Jessica Chastain, Continue reading

DP Chat: Late Night cinematographer Matthew Clark

Directed by Nisha Ganatra, Amazon Studios’ comedy Late Night stars Emma Thompson as Katherine, a famous talk show host who hires Molly, her first-ever female writer (played by Mindy Kaling, who also wrote the screenplay).

Ganatra — whose rich directing background includes Transparent, Brooklyn Nine-Nine, Fresh Off the Boat and Chutney Popcorn — worked closely with her, Continue reading

Behind the Title: Title Designer Nina Saxon

For 40 years, Nina Saxon has been a pioneer in the area of designing movie titles. She is still one of the few women working in this part of the industry.

NAME: Nina Saxon

COMPANY: Nina Saxon Design

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Wildlife DP Steve Lumpkin on the road and looking for speed

For more than a decade, Steve Lumpkin has been traveling to the Republic of Botswana to capture and celebrate the country’s diverse and protected wildlife population. As a cinematographer and still photographer, Under Prairies Skies Photography‘s Lumpkin will spend a total of 65 days this year filming in the bush for his current project, Continue reading

Michael Engler on directing Downton Abbey movie

By Iain Blair

If, like millions of other fans around the world, you still miss watching the Downton Abbey series, don’t despair. The acclaimed show is back as a new feature film, still showcasing plenty of drama, nostalgia, glamour and good British values with every frame.

So sit back in a comfy armchair, Continue reading

Review: Accusonus Era 4 Pro audio repair plugins

By Brady Betzel

With each passing year it seems that the job title of “editor” changes. It’s not just someone responsible for shaping the story of the show but also for certain aspects of finishing, including color correction and audio mixing.

In the past, when I was offline editing more often, Continue reading

Behind the Title: Landia EP/MD Juan Taylor

“My role’s very behind-the-scenes… almost invisible. If everything goes well, which is my job, it’s like I was never there.”

Name: Juan Taylor

Company: Landia

Can you describe your company?
Landia is a production house, but we prefer to think of ourselves as a boutique network. Continue reading

IBC 2019 in Amsterdam: Big heads in the cloud

By David Cox

IBC 2019 kicked off with an intriguing announcement from Avid. The company entered into a strategic alliance with Microsoft and Disney’s Studio Lab to enable remote editorial workflows in the cloud.

The interesting part for me is how this affects the perception of post producing in the cloud, Continue reading

Behind the Title: Chapeau CD Lauren Mayer-Beug

This creative director loves the ideation process at the start of a project when anything is possible, and saving some of those ideas for future use.

COMPANY: LA’s Chapeau Studios

CAN YOU DESCRIBE YOUR COMPANY?
Chapeau provides visual effects, editorial, design, photography and story development fluidly with experience in design, Continue reading

An editor’s recap of EditFestLA

By Barry Goch

In late August, I attended my first American Cinema Editors’ EditFest on the Disney lot, and I didn’t know what to expect. However, I was very happy indeed to have spent the day learning from top-notch editors discussing our craft.

The day started with a presentation by Joshua Miller from C&I Studios on DaVinci Resolve. Continue reading

Visual Effects in Commercials: Chantix, Verizon

By Karen Moltenbrey

Once too expensive to consider for use in television commercials, visual effects soon found their way into this realm, enlivening and enhancing the spots. Today, countless commercials are using increasingly complex VFX to entertain, to explain and to elevate a message. Here, we examine two very different approaches to using effects in this way. Continue reading

VFX in Features: Hobbs & Shaw, Sextuplets

By Karen Moltenbrey

What a difference a year makes. Then again, what a difference 30 years make. That’s about the time when the feature film The Abyss included photoreal CGI integrated with live action, setting a trend that continues to this day. Since that milestone many years ago, VFX wizards have tackled a plethora of complicated problems, Continue reading

Mavericks VFX provides effects for Hulu’s The Handmaid’s Tale

By Randi Altman

Season 3 episodes of Hulu’s The Handmaid’s Tale are available for streaming, and if you had any illusions that things would lighten up a bit for June (Elizabeth Moss) and the ladies of Gilead, I’m sorry to say you will be disappointed. What’s not disappointing is that, in addition to the amazing acting and storylines, Continue reading

VFX in Series: The Man in the High Castle, Westworld

By Karen Moltenbrey

The look of television changed forever starting in the 1990s as computer graphics technology began to mature to the point where it could be incorporated within television productions. Indeed, the applications initially were minor, but soon audiences were witnessing very complicated work on the small screen. Today, we see a wide range of visual effects being used in television series, Continue reading

Visual Effects Roundtable

By Randi Altman

With Siggraph 2019 in our not-too-distant rearview mirror, we thought it was a good time to reach out to visual effects experts to talk about trends. Everyone has had a bit of time to digest what they saw. Users are thinking what new tools and technologies might help their current and future workflows.  Continue reading

Behind the Title: Bindery editor Matt Dunne

Name: Matt Dunne

Company: Bindery

Can you describe your company?
Bindery is an indie film and content studio based in NYC. We model ourself after independent film studios, where we tackle every phase of a project from concept all the way through finishing. Continue reading

Colorist Chat: Technicolor’s Doug Delaney

Industry veteran Doug Delaney started his career in VFX before the days of digital, learning his craft from the top film timers and color scientists as well as effects supervisors.

Today he is a leading colorist and finisher at Technicolor, working on major movies including the recent Captain Marvel. Continue reading

True Detective’s quiet, tense Emmy-nominated sound

By Jennifer Walden

When there’s nothing around, there’s no place to hide. That’s why quiet soundtracks can be the most challenging to create. Every flaw in the dialogue — every hiss, every off-mic head turn, every cloth rustle against the body mic — stands out. Every incidental ambient sound — bugs, birds, cars, Continue reading

Tips from a Flame Artist: things to do before embarking on a VFX project

By Andy Brown

I’m creative director and Flame artist at Jogger Studios in Los Angeles. We are a VFX and finishing studio and sister company to  Cut+Run, which has offices in LA, New York, London, San Francisco and Austin. As an experienced visual effects artist, I’ve seen a lot in my time in the industry, Continue reading

Behind the Title: One Thousand Birds sound designer Torin Geller

Initially interested in working in a music studio, once this sound pro got a taste of audio post, there was no turning back.

NAME: Torin Geller

COMPANY: NYC’s One Thousand Birds (OTB)

CAN YOU DESCRIBE YOUR COMPANY?
OTB is a bi-coastal audio post house specializing in sound design and mixing for commercials, Continue reading

DP Chat: Peaky Blinders‘ Si Bell ramps up the realism for Season 5

By Randi Altman

UK-based cinematographer Si Bell is known for his work on the critically acclaimed feature films Electricity (2015), In Darkness (2019) and Tiger Raid (2016), as well as high-profile TV shows such as Fortitude, Hard Sun, Britannia and Ripper Street. Continue reading

Review: Dell’s Precision T5820 workstation

By Brady Betzel

Multimedia creators are looking for faster, more robust computer systems and seeing an increase in computing power among all brands and products. Whether it’s an iMac Pro with a built-in 5K screen or a Windows-based, Nvidia-powered PC workstation, there are many options to consider. Many of today’s content creation apps are operating-system-agnostic, Continue reading