AMD 2.1
Featured post

Sebastian Robertson, Mark Johnson on making Playing For Change’s The Weight

By Randi Altman

If you have any sort of social media presence, it’s likely that you have seen Playing For Change’s The Weight video featuring The Band’s Robbie Robertson, Ringo Starr, Lukas Nelson and musicians from all over the world. It’s amazing, and if you haven’t seen it, please click here now. Continue reading

AMD 2.1

COVID-19: How our industry is stepping up

We’ve been using this space to talk about how companies are discounting products and helping the community with remote workflows, but before that update, we wanted to mention something that isn’t work-related.

Many of you know postPerspective contributor and online video editor Brady Betzel from his great reviews and tips pieces. Continue reading


Emma DP Christopher Blauvelt talks looks and workflow

Focus Features Emma, the latest reincarnation of the Jane Austen novel, was directed by Autumn de Wilde and shot by cinematographer Christopher Blauvelt. For de Wilde, a photographer and music video director, Emma is her feature film directorial debut. In addition to her still work on CD covers for The White Stripes, Continue reading


Words of wisdom from editor Jesse Averna, ACE

We are all living in a world we’ve never had to navigate before. People’s jobs are in flux, others are working from home, and anxiety is a regular part of our lives. Through all the chaos, Jesse Averna has been a calming voice on social media, so postPerspective reached out to ask him to address our readership directly. Continue reading


Updated: Product makers offer support to cope with COVID-19 disruption

This is a weird time for our industry and the world. The best we can do is try to keep working and stay safe. For our part, postPerspective will continue to report industry news and tell stories about workflows, artists and tools, in addition to running pieces about how pros are working remotely… and keeping sane. Continue reading


Finishing artist Tim Nagle discuses work on indie film Miss Juneteenth

Lucky Post Flame artist Tim Nagle has a long list of projects under his belt, including collaborations with David Lowery — providing Flame work on the short film Pioneer as well as finishing and VFX work to Lowery’s motion picture A Ghost Story. He is equally at home working on spots, such as campaigns for AT&T, Continue reading


Netflix’s Mindhunter: Skywalker’s audio adds to David Fincher’s vision

By Patrick Birk

I was late in discovering David Fincher’s gripping series on serial killers, Mindhunter. But last summer, I noticed the Netflix original lurking in my suggested titles and decided to give it a whirl. I burned through both seasons within a week. The show is both thrilling and chilling, Continue reading


Workstations Roundtable

By Randi Altman

In our Workstations Special Edition, we spoke to pros working in offline editing, visual effects and finishing about what they need technically in order to keep creating. Here in our Workstations Roundtable, we reached out to both users and those who make computers and related tools, all of whom talk about what they need from their workstations in order to get the job done. Continue reading

Workstations: Offline Editing Workflows

By Karen Moltenbrey

When selecting a workstation, post facilities differ in their opinions about what’s most important, depending on the function the workstations will serve. It goes without saying that everyone wants value. And for some, power is tantamount. For others, speed is a top priority. And for others still, reliability reigns supreme. Continue reading

My Top Five Ergonomic Workstation Accessories

By Brady Betzel

Instead of writing up my normal “Top Five Workstation Accessories” column this year, I wanted to take a slightly different route and focus on products that might lessen pain and maybe even improve your creative workflow — whether you are working at a studio or, more likely these days, working from home. Continue reading

Workstations and Visual Effects

By Karen Moltenbrey

A couple of decades or so ago, studios needed the exceptional power of a machine offered by the likes of SGI for complex visual effects. Non-specialized PCs simply were not cut out for this type of work. But then a sea change occurred, and suddenly those big blue and purple boxes were being replaced with options in the form of workstations from companies such as Sun, Continue reading

Workstations and Color Grading

By Karen Moltenbrey

A workstation is a major investment for any studio. Today, selecting the right type of machine for the job can be a difficult process. There are many brands and flavors on the market, and some facilities even opt to build their own. Colorists have several tools available to them when it comes to color grading, Continue reading

What Makes a Workstation?

By Mike McCarthy

Computer manufacturers charge a premium for their highest-end “workstation” systems, but many people don’t fully understand what really distinguishes a workstation-class system from any other computer. Admittedly, there is no cut and dry line, but workstations usually have a few characteristics that make them more suitable for professional applications than regular home or office PCs. Continue reading

Quick Chat: Scholar’s Will Johnson and William Campbell

By Randi Altman

In celebrating its 10th anniversary, animation and design company Gentleman Scholar has relaunched as Scholar and has put a new emphasis on its live-action work. Started by directors/partners William Campbell and Will Johnson in Los Angeles, the company has grown over the years and now boasts a New York City location as well. Continue reading

Colorist Chat: Framestore LA senior colorist Beau Leon

Veteran colorist Beau Leon recently worked with director Spike Jonze on a Beastie Boys documentary and a spot for cannabis retailer MedMen.

What’s your title and company?
I’m senior colorist at LA’s Framestore

What kind of services does Framestore offer?
Framestore is a multi-Oscar-winning creative studio founded over 30 years ago, Continue reading

Behind the Title: Akkurat Studios director Andreas Roth

Originally from Hamburg, Andreas Roth is a graduate of the Filmakademie Baden-Württemberg. He began his directing career at 21 and gained momentum with a film for Dirt Devil that went viral, accumulating over 30 million views on Vimeo and garnering an AICP Show honor that placed the piece in the permanent collection at the Museum of Modern Art in NYC. Continue reading

Showrunner Derek Simonds talks USA Network’s The Sinner

By Iain Blair

Three years ago, USA Network’s Golden Globe- and Emmy-nominated series The Sinner snuck up behind viewers, grabbed them by the throat and left them gasping for air while they watched a seemingly innocent man stabbed to death at the beach. The second season pulled no punches either, focusing on the murder of a couple by a young boy. Continue reading

Colorist Chat: Keith Shaw on Showtime’s Homeland and the process

By Randi Altman

The long wait for the final season of Showtime’s Homeland seemed to last an eternity, but thankfully the series is now airing, and we here at postPerspective are pretty jazzed about it. Our favorite spies, Carrie and Saul, are back at it, with this season being set in Afghanistan. Continue reading

With NAB 2020 canceled, what’s next?

By Randi Altman

After weeks of will they or won’t they, and many companies announcing they won’t be exhibiting, NAB announced Wednesday it has canceled its Las Vegas show.

NAB president and CEO Gordon Smith released a statement yesterday that included this bit about what might be next: “We are still weighing the best potential path forward, Continue reading

Catching up with Jojo Rabbit director Taika Waititi

By Iain Blair

Now available on-demand and on DVD, Jojo Rabbit has had an impressive path to the big screen and beyond. Since it premiered at Toronto last year, Jojo Rabbit went from festival favorite to Oscar darling. Helmed by New Zealander Taika Waititi, and infused with his trademark blend of comedy and pathos, Continue reading

Review: Litra Pro’s Premium 3 Point Lighting Bundle

By Brady Betzel

With LED lights showing up everywhere these days, it’s not always easy to find the balance between affordability, power output and size. I have previously reviewed itty bitty-LED lights like the Litra Torch, which for its size is amazing. Litra has now expanded its LED offerings, adding the Litra Pro and the Litra Studio. Continue reading

Behind the Title: Loyalkaspar EP Scott Lakso

“People probably don’t expect that sometimes being an EP involves jumping into After Effects to render something, or contributing written ideas to strategic and conceptual projects.”

Name: Scott Lakso

Company: New York City’s Loyalkaspar

What does Loyalkaspar do?
We’re a creative branding agency specializing in brand strategy, Continue reading

Director Vincent Lin discusses colorful Seagram’s Escapes spot

By Randi Altman

Valiant Pictures, a New York-based production house, recently produced a commercial spot featuring The Bachelor/Bachelorette host Chris Harrison promoting Seagram’s Escapes and its line of alcohol-based fruit drinks. A new addition to the product line is Tropical Rosé, which was co-developed by Harrison and contains natural passion fruit, Continue reading

Quick Chat: Editing Leap Day short for Stella Artois

By Randi Altman

To celebrate February 29, otherwise known as Leap Day, beer-maker Stella Artois released a short film featuring real people who discover their time together is valuable in ways they didn’t expect. The short was conceived by VaynerMedia, directed by Division7s Kris Belman and cut by Union partner/editor Sloane Klevin. Continue reading

DP Chat: Carnival Row cinematographer Chris Seager

By Randi Altman

For British DP Chris Seager, BSC, his path to movies and television began at film school. After graduation, he found his way to BBC Television’s film department, working on docs and TV movies, including John Schlesinger’s Cold Comfort Farm, starring Kate Beckinsale, Ian McKellen and Rufus Sewell. Continue reading

Review: Loupedeck+ for Adobe’s Creative Cloud — a year later

By Mike McCarthy

It has been a little over a year since Loupedeck first announced support for Adobe’s Premiere Pro and After Effects thanks to its Loupedeck+ hardware interface panel. As you might know, Loupedeck was originally designed for Adobe Lightroom users. When Loupedeck was first introduced, I found myself wishing there was something similar for Premiere, Continue reading

The Call of the Wild director Chris Sanders on combining live-action, VFX

By Iain Blair

The Fox family film The Call of the Wild, based on the Jack London tale, tells the story of  a big-hearted dog named Buck whose is stolen from his California home and transported to the Canadian Yukon during the Gold Rush. Director Chris Sanders called on the latest visual effects and animation technology to bring the animals in the film to life. Continue reading

Video Coverage: HPA Tech Retreat’s making of The Lost Lederhosen

By Randi Altman

At the HPA Tech Retreat in Rancho Mirage, California, the Supersession was a little different this year. Under the leadership of Joachim (JZ) Zell — who you might know from his day job as VP of technology at EFILM — the Supersession focused on the making of the short film, Continue reading

Matt Shaw on cutting Conan Without Borders: Ghana and Greenland

By Randi Altman

While Conan O’Brien was airing his traditional one-hour late night talk show on TBS, he and his crew would often go on the road to places like Cuba, South Korea and Armenia for Conan Without Borders — a series of one-hour specials. He would focus on regular folks, Continue reading

Behind the Title: Dell Blue lead editor Jason Uson

This veteran editor started his career at LA’s Rock Paper Scissors, where he spent four years learning the craft from editors such as Bee Ottinger and Angus Wall. After freelancing at Lost Planet, Spot Welders and Nomad, he held staff positions at Cosmo Street, Harpo Films and Beast Editorial before opening Foundation Editorial his own post boutique in Austin. Continue reading

DP Chat: Watchmen cinematographer Greg Middleton

By Randi Altman

HBO’s Watchmen takes us to new dimensions in this recent interpretation of the popular graphic novel. In this iteration, we spend a lot of our time in Tulsa, Oklahoma, getting to know Regina King’s policewoman Angela Abar, her unconventional family and a shadowy organization steeped in racism called the Seventh Kavalry. Continue reading

Review: GoPro’s Hero 8 and GoPro Max 360 cameras

By Brady Betzel

Every year GoPro outdoes themselves and gives users more reasons why you should either upgrade your old GoPro action camera or invest in the GoPro ecosphere for the first time. Late last year, GoPro introduced the GoPro Hero 8 (for review the Black Edition) and the GoPro Max — a.k.a. Continue reading

Destin Daniel Cretton talks directing Warner’s Just Mercy

By Iain Blair

An emotionally powerful and thought-provoking true story, Just Mercy is the latest film from award-winning filmmaker Destin Daniel Cretton (The Glass Castle, Short Term 12), who directed the film from a screenplay he co-wrote. Based on famed lawyer and activist Bryan Stevenson’s memoir, “Just Mercy: A Story of Justice and Redemption,” Continue reading

Colorist Chat: Nice Shoes’ Maria Carretero on Super Bowl ads, more

This New York-based colorist, who worked on four Super Bowl spots this year, talks workflow, inspiration and more.

Name: Maria Carretero

Company: Nice Shoes

What kind of services does Nice Shoes offer?
Nice Shoes is a creative studio with color, Continue reading

Sundance Videos: Editor to Editor

Our own Brady Betzel headed out to Park City this year to talk to a few editors whose films were being screened at the Sundance Film Festival.

As an editor himself, Betzel wanted to know about the all-important workflow, but also about how they got their start in the business and how important it is to find a balance between work life and personal life. Continue reading

MPI restores The Wizard of Oz in 4K HDR

By Barry Goch

The classic Victor Fleming-directed film The Wizard of Oz, which was released by MGM in 1939 and won two of its six Academy Award nominations, has been beautifully restored by Burbank’s Warner Bros. Motion Picture Imaging (MPI).

To share its workflow on the film, Continue reading

Behind the Title: Harbor sound editor/mixer Tony Volante

“As re-recording mixer, I take all the final edited elements and blend them together to create the final soundscape.”

Name: Tony Volante

Company: Harbor

Can you describe what Harbor does?
Harbor was founded in 2012 to serve the feature film, Continue reading

An online editor’s first time at Sundance

By Brady Betzel

I’ve always wanted to attend the Sundance Film Festival, and my trip last month did not disappoint. Not only is it an iconic industry (and pop-culture) event, but the energy surrounding it is palpable.

Once I got to Park City and walked Main Street — with the sponsored stores (Canon and Lyft among others) and movie theaters, Continue reading

Marriage Story director Noah Baumbach

By Iain Blair

Writer/director Noah Baumbach first made a name for himself with The Squid and the Whale, his 2005 semi-autobiographical, bittersweet story about his childhood and his parents’ divorce. It launched his career, scoring him an Oscar nomination for Best Original Screenplay.

His latest film, Continue reading

Talking with 1917’s Oscar-nominated sound editing team

By Patrick Birk

Sam Mendes’ 1917 tells the harrowing story of Lance Corporals Will Schofield and Tom Blake, following the two young British soldiers on their perilous trek across no man’s land to deliver lifesaving orders to the Second Battalion of the Devonshire Regiment.

The story is based on accounts of World War I by the director’s grandfather, Continue reading

Review: Neat Video 5 noise reduction plugin

By Brady Betzel

One of the best (and most underrated) tricks in an online editor’s tool kit is to have good image restoration techniques. Removing digital video imperfections — from flicker to digital video noise — is not easy, and not easy to do well. That is, unless you have good noise reduction software like Neat Video. Continue reading

Oscar-nominated Jojo Rabbit editor Tom Eagles: blending comedy and drama

By Daniel Restuccio

As an editor, Tom Eagles has done it all. He started his career in New Zealand cutting promos before graduating to assistant editor then editor on television series such as Secret Agent Men and Spartacus. Eventually he connected with up-and-coming director Taika Waititi and has worked with him on the series What We Do in the Shadows and the critically acclaimed feature Hunt for the Wilderpeople. Continue reading

Wylie Stateman on Once Upon a Time… in Hollywood‘s Oscar nod for sound

By Beth Marchant

To director Quentin Tarantino, sound and music are primal forces in the creation of his idiosyncratic films. Often using his personal music collection to jumpstart his initial writing process and later to set a film’s tone in the opening credits, Tarantino always gives his images a deep, multi-sensory well to swim in. Continue reading

Colorist Chat: Light Iron supervising colorist Ian Vertovec

“As colorists, we are not just responsible for enhancing each individual shot based on the vision of the filmmakers, but also for helping to visually construct an emotional arc over time.”

NAME: Ian Vertovec

TITLE: Supervising Colorist

COMPANY: Light Iron

CAN YOU DESCRIBE YOUR ROLE IN THE COMPANY? Continue reading

Rob Legato talks The Lion King‘s Oscar-nominated visual effects

By Karen Moltenbrey

There was a lot of buzz before — and after — this summer’s release of Disney’s remake of the animated classic The Lion King. And what’s not to love? From the animals to the African savannas, Disney brought the fabled world of Simba to life in what is essentially a “live-action” Continue reading

Adobe Premiere Productions: film projects, collaborative workflows

By Mike McCarthy

Adobe announced a new set of features coming to its NLE Premiere Pro. They now support “Productions” within Premiere, which allows easier management of sets of projects being shared between different users. The announcement, which came during the Sundance Film Festival, is targeted at filmmakers working on large-scale projects with teams of people collaborating on site. Continue reading

Behind the Title: Sound Lounge ADR mixer Pat Christensen

This ADR mixer was a musician as a kid and took engineering classes in college, making him perfect for this job.

Name: Pat Christensen

Company: Sound Lounge (@soundloungeny)

What’s your job title?
ADR mixer

What does Sound Lounge do? Continue reading

Quick Chat: Director Sorrel Brae on Rocket Mortgage campaign

By Randi Altman

Production company Native Content and director Sorrel Brae have collaborated once again with Rocket Mortgage’s in-house creative team on two new spots in the ongoing “More Than a House” campaign. Brae and Native had worked together on the campaigns first four offerings.

The most recent spots are More Than a Tradition and More Than a Bear. Continue reading