By Iain Blair
Lenny Abrahamson, the Irish director who helmed the cult indies Frank, Garage, What Richard Did and Adam & Paul, burst onto the international scene in 2015 with the harrowing drama Room. The claustrophobic tale — of a woman and her young son kept prisoner in a 10×10-foot garden shed — picked up four Oscar nominations in the categories of Best Picture, Continue reading
By David Cox
In the 20 years I’ve been traveling to IBC, I’ve tried to seek out new technology, work practices and trends that could benefit my clients and help them be more competitive. One thing that is perennially exciting about this industry is the rapid pace of change. Certainly, from a post production point of view, Continue reading
By Brady Betzel
You know it’s almost fall when when pumpkin spice lattes are back and Adobe announces its annual updates. At this year’s IBC, Adobe had a variety of updates to its Creative Cloud line of apps. From more info on their new editing platform Project Rush to the addition of Characterizer to Character Animator — there are a lot of updates so I’m going to focus on a select few that I think really stand out. Continue reading
By Mike Nuget
I have been lucky enough to attend NAB a few times over the years, both as an onlooker and as a presenter. In 2004, I went to NAB for the first time as an assistant online editor, mainly just tagging along with my boss. It was awesome! It was very overwhelming and, Continue reading
By Randi Altman
Evolve or die. That old adage, while very dramatic, fits well with the state of our current production workflows. While most productions are now shot digitally, the warmth of film is still in the back of pros’ minds. Camera makers and directors of photography often look for ways to retain that warmth in digital. Continue reading
By Karen Moltenbrey
The DIT, or digital imaging technician, can best be described as that important link between on-set photography and post production. Part of the camera crew, the DIT works with the cinematographer and post production on the workflow, camera settings, signal integrity and image acquisition. Much more than a data wrangler, Continue reading
By Karen Moltenbrey
Directors of photography on television series have their work cut out for them. Most collaborate early on with the director on a signature “look.” Then they have to make sure that aesthetic is maintained with each episode and through each season, should they continue on the series past the pilot. Continue reading
By Randi Altman
Camera operators might not always get the glory, but they certainly do get the job done. Working hand in hand with DPs and directors, these artists make sure the camera is in the right place for the right shot, and so much more. As one of the ops we spoke to says, Continue reading
NAME: Julien Biard
COMPANY: Carbon in Chicago
CAN YOU DESCRIBE YOUR COMPANY?
Carbon is a full-service creative studio specializing in design, color, visual effects and motion graphics, with offices in Chicago, Los Angeles and New York.
WHAT’S YOUR JOB TITLE? Continue reading
Cynthia Pusheck, ASC, co-chairs the ASC Vision Committee, along with John Simmons, ASC. Working together they focus on encouraging and supporting the advancement of underrepresented cinematographers, their crews and other filmmakers. They hope their efforts inspire others in the industry to help positive change through hiring talent that better reflects society.