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Director Ang Lee: Gemini Man and a digital clone

By Iain Blair

Filmmaker Ang Lee has always pushed the boundaries in cinema, both technically and creatively. His film Life of Pi, which he directed and produced, won four Academy Awards — for Best Direction, Best Cinematography, Best Visual Effects and Best Original Score.

Lee’s Brokeback Mountain won three Academy Awards, Continue reading

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Bernie Su: Creator of Twitch’s live and interactive show, Artificial

By Randi Altman

Thanks to today’s available technology, more and more artists are embracing experimental storytelling. One of those filmmakers is Bernie Su, creator, executive producer and director on the Twitch series, Artificial.

Artificial, which won Twitch its first Primetime Emmy for “Outstanding Innovation in Interactive Media, features a doctor and his “daughter — a human-looking artificial intelligence creation named Sophie. Continue reading


Colorist Chat: Scott Ostrowsky on Amazon’s Sneaky Pete

By Randi Altman

Scott Ostrowsky, senior colorist at Deluxe’s Level 3 in Los Angeles has worked on all three seasons of Amazon’s Sneaky Pete, produced by Bryan Cranston and David Shore and starring Giovanni Ribisi. Season 3 is the show’s last.

For those of you unfamiliar with the series, Continue reading


Review: PixelTools V.1 PowerGrade presets for Resolve

By Brady Betzel

Color correction and color grading can be tricky (especially for those of us who don’t work as a dedicated colorist). And to be good at one doesn’t necessarily mean you will be good at the other. After watching hundreds of hours of tutorials, the only answer to getting better at color correction and color grading is to practice. Continue reading


The editors of Ad Astra: John Axelrad and Lee Haugen

By Amy Leland

The new Brad Pitt film Ad Astra follows astronaut Roy McBride (Pitt) as he journeys deep into space in search of his father, astronaut Clifford McBride (Tommy Lee Jones). The elder McBride disappeared years before, and his experiments in space might now be endangering all life on Earth. Continue reading


Quick Chat: Frame.io’s new global SVP of innovation, Michael Cioni

By Randi Altman

Production and post specialist Michael Cioni, whom many of you might know from his years at Light Iron and Panavision, has joined Frame.io as global SVP of innovation. He will lead a new LA-based division of Frame.io that is focused on continued investment into cloud-enabled workflows for films and episodics — specifically, Continue reading


Review: Boxx’s Apexx A3 AMD Ryzen workstation

By Mike McCarthy

Boxx’s Apexx A3 is based on AMD’s newest Ryzen CPUs and the X570 chipset. Boxx has taken these elements and added liquid CPU cooling, professional GPUs and a compact, solid case to create an optimal third-generation Ryzen system configured for pros. It can support dual GPUs and two 3.5-inch hard drives, Continue reading


Colorist Chat: Lucky Post’s Neil Anderson

After joining Lucky Post in Dallas in 2013 right out of film school, Neil Anderson was officially promoted to colorist in 2017. He has worked on a variety of projects during his time at the studio, including projects for Canada Dry, Costa, TGI Fridays, The Salvation Army and YETI. He also contributed to Augustine Frizzell’s feature comedy, Continue reading

Review: Samsung’s 970 EVO Plus 500GB NVMe M.2 SSD

By Brady Betzel

It seems that the SSD drives are dropping in price by the hour. (This might be a slight over-exaggeration, but you understand what I mean.) Over the last year or so there has been a huge difference in pricing, including high-speed NVMe SSD drives. One of those is the highly touted Samsung EVO Plus NVMe line. Continue reading

Color grading IT Chapter Two’s terrifying return

In IT Chapter Two, the kids of the Losers’ Club are all grown up and find themselves lured back to their hometown of Derry. Still haunted both by the trauma that monstrous clown Pennywise let loose on the community and by each one’s own unique insecurities, the group (James McAvoy, Jessica Chastain, Continue reading

DP Chat: Late Night cinematographer Matthew Clark

Directed by Nisha Ganatra, Amazon Studios’ comedy Late Night stars Emma Thompson as Katherine, a famous talk show host who hires Molly, her first-ever female writer (played by Mindy Kaling, who also wrote the screenplay).

Ganatra — whose rich directing background includes Transparent, Brooklyn Nine-Nine, Fresh Off the Boat and Chutney Popcorn — worked closely with her, Continue reading

Behind the Title: Title Designer Nina Saxon

For 40 years, Nina Saxon has been a pioneer in the area of designing movie titles. She is still one of the few women working in this part of the industry.

NAME: Nina Saxon

COMPANY: Nina Saxon Design

CAN YOU DESCRIBE YOUR COMPANY? Continue reading

Wildlife DP Steve Lumpkin on the road and looking for speed

For more than a decade, Steve Lumpkin has been traveling to the Republic of Botswana to capture and celebrate the country’s diverse and protected wildlife population. As a cinematographer and still photographer, Under Prairies Skies Photography‘s Lumpkin will spend a total of 65 days this year filming in the bush for his current project, Continue reading

Michael Engler on directing Downton Abbey movie

By Iain Blair

If, like millions of other fans around the world, you still miss watching the Downton Abbey series, don’t despair. The acclaimed show is back as a new feature film, still showcasing plenty of drama, nostalgia, glamour and good British values with every frame.

So sit back in a comfy armchair, Continue reading

Review: Accusonus Era 4 Pro audio repair plugins

By Brady Betzel

With each passing year it seems that the job title of “editor” changes. It’s not just someone responsible for shaping the story of the show but also for certain aspects of finishing, including color correction and audio mixing.

In the past, when I was offline editing more often, Continue reading

Behind the Title: Landia EP/MD Juan Taylor

“My role’s very behind-the-scenes… almost invisible. If everything goes well, which is my job, it’s like I was never there.”

Name: Juan Taylor

Company: Landia

Can you describe your company?
Landia is a production house, but we prefer to think of ourselves as a boutique network. Continue reading

IBC 2019 in Amsterdam: Big heads in the cloud

By David Cox

IBC 2019 kicked off with an intriguing announcement from Avid. The company entered into a strategic alliance with Microsoft and Disney’s Studio Lab to enable remote editorial workflows in the cloud.

The interesting part for me is how this affects the perception of post producing in the cloud, Continue reading

Behind the Title: Chapeau CD Lauren Mayer-Beug

This creative director loves the ideation process at the start of a project when anything is possible, and saving some of those ideas for future use.

COMPANY: LA’s Chapeau Studios

CAN YOU DESCRIBE YOUR COMPANY?
Chapeau provides visual effects, editorial, design, photography and story development fluidly with experience in design, Continue reading

An editor’s recap of EditFestLA

By Barry Goch

In late August, I attended my first American Cinema Editors’ EditFest on the Disney lot, and I didn’t know what to expect. However, I was very happy indeed to have spent the day learning from top-notch editors discussing our craft.

The day started with a presentation by Joshua Miller from C&I Studios on DaVinci Resolve. Continue reading

Visual Effects in Commercials: Chantix, Verizon

By Karen Moltenbrey

Once too expensive to consider for use in television commercials, visual effects soon found their way into this realm, enlivening and enhancing the spots. Today, countless commercials are using increasingly complex VFX to entertain, to explain and to elevate a message. Here, we examine two very different approaches to using effects in this way. Continue reading

VFX in Features: Hobbs & Shaw, Sextuplets

By Karen Moltenbrey

What a difference a year makes. Then again, what a difference 30 years make. That’s about the time when the feature film The Abyss included photoreal CGI integrated with live action, setting a trend that continues to this day. Since that milestone many years ago, VFX wizards have tackled a plethora of complicated problems, Continue reading

Mavericks VFX provides effects for Hulu’s The Handmaid’s Tale

By Randi Altman

Season 3 episodes of Hulu’s The Handmaid’s Tale are available for streaming, and if you had any illusions that things would lighten up a bit for June (Elizabeth Moss) and the ladies of Gilead, I’m sorry to say you will be disappointed. What’s not disappointing is that, in addition to the amazing acting and storylines, Continue reading

VFX in Series: The Man in the High Castle, Westworld

By Karen Moltenbrey

The look of television changed forever starting in the 1990s as computer graphics technology began to mature to the point where it could be incorporated within television productions. Indeed, the applications initially were minor, but soon audiences were witnessing very complicated work on the small screen. Today, we see a wide range of visual effects being used in television series, Continue reading

Visual Effects Roundtable

By Randi Altman

With Siggraph 2019 in our not-too-distant rearview mirror, we thought it was a good time to reach out to visual effects experts to talk about trends. Everyone has had a bit of time to digest what they saw. Users are thinking what new tools and technologies might help their current and future workflows.  Continue reading

Behind the Title: Bindery editor Matt Dunne

Name: Matt Dunne

Company: Bindery

Can you describe your company?
Bindery is an indie film and content studio based in NYC. We model ourself after independent film studios, where we tackle every phase of a project from concept all the way through finishing. Continue reading

Colorist Chat: Technicolor’s Doug Delaney

Industry veteran Doug Delaney started his career in VFX before the days of digital, learning his craft from the top film timers and color scientists as well as effects supervisors.

Today he is a leading colorist and finisher at Technicolor, working on major movies including the recent Captain Marvel. Continue reading

True Detective’s quiet, tense Emmy-nominated sound

By Jennifer Walden

When there’s nothing around, there’s no place to hide. That’s why quiet soundtracks can be the most challenging to create. Every flaw in the dialogue — every hiss, every off-mic head turn, every cloth rustle against the body mic — stands out. Every incidental ambient sound — bugs, birds, cars, Continue reading

Tips from a Flame Artist: things to do before embarking on a VFX project

By Andy Brown

I’m creative director and Flame artist at Jogger Studios in Los Angeles. We are a VFX and finishing studio and sister company to  Cut+Run, which has offices in LA, New York, London, San Francisco and Austin. As an experienced visual effects artist, I’ve seen a lot in my time in the industry, Continue reading

Behind the Title: One Thousand Birds sound designer Torin Geller

Initially interested in working in a music studio, once this sound pro got a taste of audio post, there was no turning back.

NAME: Torin Geller

COMPANY: NYC’s One Thousand Birds (OTB)

CAN YOU DESCRIBE YOUR COMPANY?
OTB is a bi-coastal audio post house specializing in sound design and mixing for commercials, Continue reading

DP Chat: Peaky Blinders‘ Si Bell ramps up the realism for Season 5

By Randi Altman

UK-based cinematographer Si Bell is known for his work on the critically acclaimed feature films Electricity (2015), In Darkness (2019) and Tiger Raid (2016), as well as high-profile TV shows such as Fortitude, Hard Sun, Britannia and Ripper Street. Continue reading

Review: Dell’s Precision T5820 workstation

By Brady Betzel

Multimedia creators are looking for faster, more robust computer systems and seeing an increase in computing power among all brands and products. Whether it’s an iMac Pro with a built-in 5K screen or a Windows-based, Nvidia-powered PC workstation, there are many options to consider. Many of today’s content creation apps are operating-system-agnostic, Continue reading

Official Secrets director Gavin Hood talks workflow on this real-life thriller

By Iain Blair

South African writer/director Gavin Hood burst onto the international scene when he wrote and directed 2005’s Academy Award-winning Tsotsi. The film, which was also nominated for a Golden Globe and a BAFTA, won the People’s Choice Award at the Toronto International Film Festival.

Hood followed up that success with the harrowing political drama Rendition (Reese Witherspoon, Continue reading

Fred Raskin talks editing and Once Upon a Time… in Hollywood

By Amy Leland

Once Upon a Time… in Hollywood is marketed in a style similar to its predecessors — “the ninth film from Quentin Tarantino.” It is also the third film with Fred Raskin, ACE, as Tarantino’s editor. Having previously edited Django Unchained and The Hateful Eight, Continue reading

The sounds of HBO’s Divorce: Keeping it real

HBO’s Divorce, which stars Sarah Jessica Parker and Thomas Haden Church, focuses on a long-married couple who just can’t do it anymore. It follows them from divorce through their efforts to move on with their lives, and what that looks like. The show deftly tackles a very difficult subject with a heavy dose of humor mixed in with the pain and angst. Continue reading

Building a massive editing storage setup on a budget

By Mike McCarthy

This year, I oversaw the editing process for a large international film production. This involved setting up a collaborative editing facility in the US, at Vasquez Saloon, with a large amount of high-speed storage for the source footage. While there was “only” 6.5TB of offline DNxHR files, they shot around 150TB of Red footage that we needed to have available for onsite VFX, Continue reading

Behind the Title: Element EP Kristen Kearns

NAME: Kristen Kearns

COMPANY: Boston’s Element Productions

CAN YOU DESCRIBE YOUR COMPANY?
Element has been in business for 20 years. We handle production and post production for video content on all platforms.

WHAT’S YOUR JOB TITLE?
Executive Producer / COO

WHAT DOES THAT ENTAIL? Continue reading

Dialects, guns and Atmos mixing: Tom Clancy’s Jack Ryan

By Jennifer Walden

Being an analyst is supposed to be a relatively safe job. A paper cut is probably the worst job-related injury you’d get… maybe, carpal tunnel. But in Amazon Studios/Paramount’s series Tom Clancy’s Jack Ryan, CIA analyst Jack Ryan (John Krasinski) is hauled away from his desk at CIA headquarters in Langley, Continue reading

ADR, loop groups, ad-libs: Veep‘s Emmy-nominated audio team

By Jennifer Walden

HBO wrapped up its seventh and final season of Veep back in May, so sadly, we had to say goodbye to Julia Louis-Dreyfus’ morally flexible and potty-mouthed Selina Meyer. And while Selina’s political career was a bit rocky at times, the series was rock-solid — as evidenced by its 17 Emmy wins and 68 nominations over show’s seven-year run. Continue reading

Behind the Title: Mission’s head of digital imaging, Pablo Garcia Soriano

NAME: Pablo Garcia Soriano (@pablo.garcia.soriano)

COMPANY: UK-based Mission (@missiondigital)

CAN YOU DESCRIBE YOUR COMPANY?
Mission is a provider of DIT and digital lab services based in London, with additional offices in Cardiff, Rome, Prague and Madrid. Continue reading

Game of Thrones’ Emmy-nominated visual effects

By Iain Blair

Once upon a time, only glamorous movies could afford the time and money it took to create truly imaginative and spectacular visual effects. Meanwhile, television shows either tried to avoid them altogether or had to rely on hand-me-downs. But the digital revolution changed all that with its technological advances, and new tools quickly leveling the playing field. Continue reading

DP Chat: Dopesick Nation cinematographer Greg Taylor

By Randi Altman

Dopesick Nation is a documentary series on Vice Media’s Viceland that follows two recovering heroin addicts, Frankie and Allie, in South Florida as they try to help others while taking a look at corruption and exploitation in the rehab industry. The series was inspired by the feature film American Relapse. Continue reading

Goosing the sound for Allstate’s action-packed ‘Mayhem’ spots

By Jennifer Walden

While there are some commercials you’d rather not hear, there are some you actually want to turn up, like those of Leo Burnett Worldwide’s “Mayhem” campaign for Allstate Insurance.

The action-packed and devilishly hilarious ads have been going strong since April 2010. Mayhem (played by actor Dean Winters) is a mischievous guy who goes around breaking things that cut-rate insurance won’t cover. Continue reading

GLOW’s DP and colorist adapt look of new season for Vegas setting

By Adrian Pennington

Netflix’s Gorgeous Ladies of Wrestling (GLOW) are back in the ring for a third round of the dramatic comedy, but this time the girls are in Las Vegas. The glitz and glamour of Sin City seems tailor-made for the 1980s-set GLOW and provided the main creative challenge for Season 3 cinematographer Chris Teague (Russian Doll, Continue reading

Review: iZotope’s Neutron 3 Advanced with Mix Assistant

By Tim Wembly

iZotope has been doing more to elevate and simplify the workflows of this generation’s audio pros than any of its competitors. It’s a bold statement, but I stand behind it. From their range of audio restoration tools within RX to their measurement and visualization tools in Ozone to their creative approach to VST effects and instruments like Iris, Continue reading

Behind the Title: MPC Senior Compositor Ruairi Twohig

After studying hand-drawn animation, this artist found his way to visual effects.

NAME: NYC-based Ruairi Twohig

COMPANY: Moving Picture Company (MPC)

CAN YOU DESCRIBE YOUR COMPANY?
MPC is a global creative and visual effects studio with locations in London, Continue reading

Dick Wolf’s television empire: his production and post brain trust

By Iain Blair

The TV landscape is full of scripted police procedurals and true crime dramas these days, but the indisputable and legendary king of that crowded landscape is Emmy-winning creator/producer Dick Wolf, whose name has become synonymous with high-quality drama.

Since it burst onto the scene back in 1990, his Law & Continue reading

Review: LaCie mobile, high Speed 1TB SSD

By Brady Betzel

With the flood of internal and external hard drives hitting the market at relatively low prices, it is sometimes hard to wade through the swamp and find the drive that is right for your workflow. In terms of external drives, do you need a RAID? USB-C? Is Thunderbolt 3 the same as USB-C? Continue reading

Quick Chat: Bonfire Labs’ Mary Mathaisell

Over the course of nearly 30 years, San Francisco’s Bonfire Labs has embraced change. Over the years, the company evolved from an editorial and post house to a design and creative content studio that leverages the best aspects of the agency and production company models without adhering to either one.

This hybrid model has worked well for product launches for Google, Continue reading

Avid’s new control surfaces for Pro Tools, Media Composer, other apps

By Mel Lambert

During a recent come-and-see MPSE Sound Advice evening at Avid’s West Coast offices in Burbank, MPSE members and industry colleagues were treated to an exclusive look at two new control surfaces for editorial suites and film/TV post stages.

The S1 and S4 controllers join the current S3 and larger S6 control surfaces. Continue reading

An artist’s view of SIGGRAPH 2019

By Andy Brown

While I’ve been lucky enough to visit NAB and IBC several times over the years, this was my first SIGGRAPH. Of course, there are similarities. There are lots of booths, lots of demos, lots of branded T-shirts, lots of pairs of black jeans and a lot of beards. Continue reading