By Brady Betzel
Adobe has announced team project sharing!! You read that right — the next Adobe Creative Cloud update, to be released later this year, will have the one thing I’ve always said kept Adobe from punching into Avid’s NLE stake with episodic TV and film editors.
While “one thing” is a bit of hyperbole, Team Projects will be much more than just simple sharing within Adobe Premiere Pro. Team Projects, in its initial stage, will also work with Adobe After Effects, but not with Adobe Audition… at least not in the initial release. Technically speaking, sharing projects within Creative Cloud seems like it will follow a check-in/check-out workflow, allowing you to approve another person’s updates to override yours or vice-versa.
During a virtual press demo, I was shown how the Team Projects will work. I asked if it would work “offline,” meaning without Internet connection. Adobe’s representative said that Team Projects will work with intermittent Internet disconnections, but not fully offline. I asked this because many companies do not allow their NLEs or their storage to be attached to any Internet-facing network connections. So if this is important to you, you may need to do a little more research once we actually can get our hands on this release.
My next question was if Team Projects was a paid service. The Adobe rep said they are not talking the business side of this update yet. I took this as an immediate yes, which is fine, but officially they have no comment on pricing or payment structure, or if it will even cost extra at all.
Immediately after I asked my last question, I realized that this will definitely tie in with the Creative Cloud service, which likely means a monthly fee. Then I wondered where exactly will my projects live? In the cloud? I know the media can live locally on something like an Avid ISIS or Nexis, but will the projects be shared over the Internet? Will we be able to share individual sequences and/or bins or just entire projects? There are so many questions and so many possibilities in my mind, it really could change the multiple editor NLE paradigm if Adobe can manage it properly. No pressure Adobe.
Some other Premiere Pro updates include: improved caption and subtitling tools; updated Lumetri Color tools, including much needed improvement to the HSL secondaries color picker; automatic recognition of VR/360 video and what type of mapping it needs; improved virtual reality workflow; destination publishing will now include Behance (No Instagram export option?); improved Live Text Templates, including a simplified workflow that allows you to share Live Text Templates with other users (will even sync Fonts if they aren’t present from Typekit) and without need for an After Effects License; native DNxHD and DNxHR QuickTime export support, audio effects from Adobe Audition, Global FX mute to toggle on and off all video effects in a sequence; and, best of all, a visual keyboard to map shortcuts! Finally, another prayer for Premiere Pro has been answered. Unfortunately, After Effects users will have to wait for a visual keyboard for shortcut assignment (bummer).
After Effects has some amazing updates in addition to Project Sharing, including a new 3D render engine! Wow! I know this has been an issue for anybody trying to do 3D inside of After Effects via Cineware. Most people will purchase VideoCopilot’s Element 3D to get around this, but for those that want to work directly with Maxon’s Cinema 4D, this may be the update that alleviates some of your 3D disdain via Cineware. They even made mention that you do not need a GPU for this to work well. Oh, how I would love for this to come to fruition. Finally, there’s a new video preview architecture for faster playback that will hopefully allow for a much more fluid and dynamic playback experience.
Adobe Character Animator has some updates too. If you haven’t played with Character Animator you need to download it now and just watch the simple tutorials that come with the app — you will be amazed, or at least your kids will be. If you haven’t seen how the Simpson’s used Character Animator, you should check it out with a YouTube search. It is pretty sweet. In terms of incoming updates, there will be faster and easier puppet creation, improved round trip workflow between Photoshop and Illustrator, and the ability to use grouped keyboard triggers.
In the end, the future is still looking up for the Adobe Creative Cloud video products, like Premiere Pro and After Effects. If there is one thing to jump out of your skin over in the forthcoming update it is Team Projects. If Team Projects works and works well, the NLE tide may be shifting. That is a big if though because there have been some issues with previous updates — like media management within Premiere Pro — that have yet to be completely ironed out.
Like I said, if Adobe does this right it will be game-changing for them in the shared editing environment. In my opinion, Adobe is beginning to get its head above water in the video department. I would love to see these latest updates come in guns blazing and working. From the demo I saw it looks promising, but really there is only one way to find out: hands-on experience.
Brady Betzel is an online editor at Margarita Mix in Hollywood, working on Life Below Zero and Cutthroat Kitchen. You can email Brady at firstname.lastname@example.org, and follow him on Twitter @allbetzroff. Earlier this year, Brady was nominated for an Emmy for his work on Disney’s Unforgettable Christmas Celebration.