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The Mill’s color team adds long-form work to offerings

The Mill, known for its work on spots, games and music videos, is broadening its offerings to include creative digital intermediate work for feature-length indie projects. This new initiative is being led by Mill colorist and director of DI, Damien Van Der Cruyssen at The Mill’s New York studio. Van Der Cruyssen has worked on features Clown (directed by Jon Watts), Blue Caprice (directed by Alexandre Moors) and the Mick Rock documentary Shot! The Psycho-Spiritual Mantra of Rock (directed by Barney Clay).

“Our passion is for the artistic side of the DI process,” says Van Der Cruyssen. “Being able to work on both commercials and movies is wonderful for a colorist. The variety helps you approach all different kinds of work, with each one giving you new creative skills that you can apply to the other.”

And how does the work differ from spots to long-form? “In commercials, I finesse every shot and push the boundaries to create the desired emotion and have an impact,” says Van Der Cruyssen. “For features, it’s more about letting the grade develop over time and building it around the arc of the story.”

L-R: Damien Van Der Cruyssen and Dee Allen.

Dee Allen, who was promoted to global color director back in July, calls this expansion of services a natural progression. “Our team collaborates with world class directors and DPs, and this allows us to extend the collaboration into features. In New York, we are also supported by our relationship with Technicolor PostWorks, providing an end-to-end solution to clients across all aspects of DI workflow and final deliverables. Of course, we’ll continue to grow our commercial and music video work, finding creative opportunities across all media.”

DI color work will be also available at other Mill studios in the moviemaking hubs of London and Los Angeles, as well as the burgeoning industry in Chicago. Additionally, filmmakers can work from any Technicolor location across the globe, either using The Mill’s remote network or by flying the talent into, for example, Montreal, Toronto or Vancouver.

Mill Color’s latest feature work can be seen in Barry (our main image), a biopic of outgoing US President Barack Obama set during his time as a college student in New York City. Released mid-December on Netflix, the film was directed by Vikram Gandhi and colored by Van Der Cruyssen.

Mill colorists already have experience working on features. Recently, head of color in NYC Fergus McCall graded The Greasy Strangler (directed by Jim Hosking) and colorist Mikey Rossiter completed work on Burn Country (directed by Ian Olds). In Chicago, head of color Luke Morrison graded Among Wolves (directed by Shawn Convey). In London, colorist Mick Vincent has done work for leading long-form TV shows including Dr. Who and Merlin. The team also has a successful history working with feature directors and DPs on commercials, including Guy Ritchie, Rupert Sanders, Tom Hopper, Peter Berg and Wally Pfister.

 

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