Tag Archives: War for the Planet of the Apes

The 16th annual VES Award winners

The Visual Effects Society (VES) celebrated artists and their work at the 16th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues.

Seven-time host, comedian Patton Oswalt, presided over more than 1,000 guests at the Beverly Hilton. War for the Planet of the Apes was named photoreal feature film winner, earning four awards. Coco was named top animated film, also earning four awards. Games of Thrones was named best photoreal episode and garnered five awards — the most wins of the night. Samsung; Do What You Can’t; Ostrich won top honors in the commercial field, scoring three awards. These top four contenders collectively garnered 16 of the 24 awards for outstanding visual effects.

President of Marvel Studios Kevin Feige presented the VES Lifetime Achievement Award to producer/writer/director Jon Favreau. Academy Award-winning producer Jon Landau presented the Georges Méliès Award to Academy Award-winning visual effects master Joe Letteri, VES. Awards presenters included fan-favorite Mark Hamill, Coco director Lee Unkrich, War for the Planet of the Apes director Matt Reeves, Academy Award-nominee Diane Warren, Jaime Camil, Dan Stevens, Elizabeth Henstridge, Sydelle Noel, Katy Mixon and Gabriel “Fluffy” Iglesias.

Here is a list of the winners:

Outstanding Visual Effects in a Photoreal Feature

War for the Planet of the Apes

Joe Letteri

Ryan Stafford

Daniel Barrett

Dan Lemmon

Joel Whist

 

Outstanding Supporting Visual Effects in a Photoreal Feature

Dunkirk

Andrew Jackson

Mike Chambers

Andrew Lockley

Alison Wortman

Scott Fisher

 

Outstanding Visual Effects in an Animated Feature

Coco

Lee Unkrich

Darla K. Anderson

David Ryu

Michael K. O’Brien

 

Outstanding Visual Effects in a Photoreal Episode

Game of Thrones: Beyond the Wall

Joe Bauer

Steve Kullback

Chris Baird

David Ramos

Sam Conway

 

Outstanding Supporting Visual Effects in a Photoreal Episode

Black Sails: XXIX

Erik Henry

Terron Pratt

Yafei Wu

David Wahlberg

Paul Dimmer

 

Outstanding Visual Effects in a Real-Time Project

Assassin’s Creed Origins

Raphael Lacoste

Patrick Limoges

Jean-Sebastien Guay

Ulrich Haar

 

Outstanding Visual Effects in a Commercial

Samsung Do What You Can’t: Ostrich

Diarmid Harrison-Murray

Tomek Zietkiewicz

Amir Bazazi

Martino Madeddu

 

 

Outstanding Visual Effects in a Special Venue Project

Avatar: Flight of Passage

Richard Baneham

Amy Jupiter

David Lester

Thrain Shadbolt

 

Outstanding Animated Character in a Photoreal Feature

War for the Planet of the Apes: Caesar

Dennis Yoo

Ludovic Chailloleau

Douglas McHale

Tim Forbes

 

Outstanding Animated Character in an Animated Feature

Coco: Hèctor

Emron Grover

Jonathan Hoffman

Michael Honsel

Guilherme Sauerbronn Jacinto

 

Outstanding Animated Character in an Episode or Real-Time Project

Game of Thrones The Spoils of War: Drogon Loot Train Attack

Murray Stevenson

Jason Snyman

Jenn Taylor

Florian Friedmann

 

Outstanding Animated Character in a Commercial

Samsung Do What You Can’t: Ostrich

David Bryan

Maximilian Mallmann

Tim Van Hussen

Brendan Fagan

 

Outstanding Created Environment in a Photoreal Feature

Blade Runner 2049; Los Angeles

Chris McLaughlin

Rhys Salcombe

Seungjin Woo

Francesco Dell’Anna

 

Outstanding Created Environment in an Animated Feature

Coco: City of the Dead

Michael Frederickson

Jamie Hecker

Jonathan Pytko

Dave Strick

 

Outstanding Created Environment in an Episode, Commercial, or Real-Time Project

Game of Thrones; Beyond the Wall; Frozen Lake

Daniel Villalba

Antonio Lado

José Luis Barreiro

Isaac de la Pompa

 

Outstanding Virtual Cinematography in a Photoreal Project

Guardians of the Galaxy Vol. 2: Groot Dance/Opening Fight

James Baker

Steven Lo

Alvise Avati

Robert Stipp

 

Outstanding Model in a Photoreal or Animated Project

Blade Runner 2049: LAPD Headquarters

Alex Funke

Steven Saunders

Joaquin Loyzaga

Chris Menges

 

Outstanding Effects Simulations in a Photoreal Feature

War for the Planet of the Apes

David Caeiro Cebrián

Johnathan Nixon

Chet Leavai

Gary Boyle

 

Outstanding Effects Simulations in an Animated Feature

Coco

Kristopher Campbell

Stephen Gustafson

Dave Hale

Keith Klohn

 

Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project 

Game of Thrones; The Dragon and the Wolf; Wall Destruction

Thomas Hullin

Dominik Kirouac

Sylvain Nouveau

Nathan Arbuckle

  

Outstanding Compositing in a Photoreal Feature

War for the Planet of the Apes

Christoph Salzmann

Robin Hollander

Ben Warner

Beck Veitch

 

Outstanding Compositing in a Photoreal Episode

Game of Thrones The Spoils of War: Loot Train Attack

Dom Hellier

Thijs Noij

Edwin Holdsworth

Giacomo Matteucci

 

Outstanding Compositing in a Photoreal Commercial

Samsung Do What You Can’t: Ostrich

Michael Gregory

Andrew Roberts

Gustavo Bellon

Rashabh Ramesh Butani

 

Outstanding Visual Effects in a Student Project

Hybrids

Florian Brauch

Romain Thirion

Matthieu Pujol

Kim Tailhades 

 

 

 

Young pros with autism contribute to Oscar-nominated VFX films

Exceptional Minds Studio, the LA-based visual effects and animation studio made up of young people on the autism spectrum, earned screen credit on three of the five films nominated for Oscars in the visual effects category — Star Wars: The Last Jedi, Guardians of the Galaxy Vol. 2 and War for the Planet of the Apes.

L-R: Lloyd Hackl, Kenneth Au, Mason Taylor and Patrick Brady.

For Star Wars: The Last Jedi, the artists at Exceptional Minds Studio were contracted to do visual effects cleanup work that involved roto and paint for several shots. “We were awarded 20 shots for this film that included very involved rotoscoping and paint work,” explains Exceptional Minds Studio executive producer Susan Zwerman.

The studio was also hired to create the end titles for Star Wars: The Last Jedi, which involved compositing the text into a star-field background.

For Guardians of the Galaxy Vol. 2, Exceptional Minds provided the typesetting for the end credit crawl. For War for the Planet of the Apes, the studio provided visual effects cleanup on 10 shots — this involved tracker marker removal using roto and paint.

Exceptional Minds used Foundry’s Nuke for much of their work, in addition to Silhouette and Mocha for After Effects.

Star Wars: The Last Jedi. Courtesy of ILM

Since opening its doors almost four years ago, this small studio has worked on visual effects for more than 50 major motion pictures and/or television series, including The Good Doctor, Game of Thrones and Doctor Strange.

“The VFX teams we worked with on each of these movies were beyond professional, and we are so thankful that they gave our artists the opportunity to work with them,” says Zwerman, adding that “many of our artists never even dreamed they would be working in this industry.”

An estimated 90 percent of the autism population is under employed or unemployed, and few training programs exist to prepare young adults with autism for meaningful careers, which is what makes this program so important.

“I couldn’t imagine doing this when I was young,” agreed Patrick Brady, an Exceptional Minds VFX artist.