Tag Archives: Victorial Alonso

ACES adds new companies to Logo Program 

Six new companies have been added to the ACES Logo Program. Membership in the program signals that the companies are committed to implementing ACES into their hardware and software products in conformance with program specifications for consistency and quality. ACES is the global standard for color management, digital image interchange and archiving.

“ACES has given us a solid framework to efficiently solve issues, along with options, to maintain creative control for our productions. It provides much needed transparency, connecting and standardizing the workflows from on-set, dailies, VFX, DI and archival,” says Victoria Alonso, EVP, Physical Production, Marvel Studios. “Standards are important — they help studios protect and monetize our films for years, and they also help create a healthy ecosystem of suppliers and professionals who can reliably work on sophisticated productions because they know the infrastructure beneath them is solid. Standards like ACES give us a common language for applications and pipelines to connect without compromising translations and misunderstandings, and to protect the creative workflow established by filmmakers. We see ACES as an important component in allowing the industry to innovate and work at the highest levels of our craft.”

The new ACES Logo Program partner companies are:
– Color Trix, makers of Color Finale, a color correction add-on to Final Cut Pro X.
– DJI, makers of drones, camera accessories and systems, including the Zenmuse X7, a Super35mm cinema-grade camera.
– In2Core, makers of the QTake video assist system.
– Laser Graphics, makers of film scanning systems: DirectorScanner, Director10K scanner and ScanStation.
– Vision Research, makers of the Phantom line of high-speed cameras.
– WowWow Entertainment, makers of the IS Mini LUT Box.

These six companies join the existing manufacturers of cinema cameras, color correctors, monitors, on-set tools, animation and compositing software who are already part of ACES Product Partners.

Marvel’s Victoria Alonso to receive VES Visionary Award

The VES (Visual Effects Society) has named Victoria Alonso, producer and Marvel Studios EVP of production, as the next recipient of its Visionary Award in recognition of her contributions to visual arts and filmed entertainment. The award will be presented to Alonso at the 15th Annual VES Awards on February 7 at the Beverly Hilton.

The VES Visionary Award, voted on by the VES board of directors, “recognizes an individual who has uniquely and consistently employed the art and science of visual effects to foster imagination and ignite future discoveries by way of artistry, invention and groundbreaking work.” VES will honor Alonso for her dedication to the industry and advancement of storytelling through visual effects.

Alonso is currently executive producing James Gunn’s Guardians of the Galaxy Vol. 2 and Taika Waititi’s Thor: Ragnarok. In her executive role, she oversees post and visual effects for Marvel’s slate. She executive produced Scott Derrickson’s Doctor Strange, Joe and Anthony Russo’s Captain America: Civil War, Peyton Reed’s Ant-Man, Joss Whedon’s Avengers: Age of Ultron, James Gunn’s Guardians of the Galaxy, Joe and Anthony Russo’s Captain America: The Winter Soldier, Alan Taylor’s Thor: The Dark World and Shane Black’s Iron Man 3, as well as Marvel’s The Avengers for Joss Whedon. She co-produced Iron Man and Iron Man 2 with director Jon Favreau, Kenneth Branagh’s Thor and Joe Johnston’s Captain America: The First Avenger.

Alonso’s career began as a commercial VFX producer. From there, she VFX-produced numerous feature films, working with such directors as Ridley Scott (Kingdom of Heaven), Tim Burton (Big Fish) and Andrew Adamson (Shrek), to name a few.

Over the years, Alonso’s dedication to the industry has been admired and her achievements recognized. Alonso was the keynote speaker at the 2014 Visual Effects Society Summit, where she exemplified her role as an advocate for women in the visual effects industry. In 2015, she was an honoree of the New York Women in Film & Television’s Muse Award for Outstanding Vision and Achievement.  This past January she was presented with the Advanced Imaging Society’s Harold Lloyd Award and was recently named to Variety’s 2016 Power of Women L.A. Impact Report, which spotlights creatives and executives who’ve ‘rocked’ the industry in the past year.

Alfonso is in good company. Previous winners of the VES Visionary Award have been Christopher Nolan, Ang Lee, Alfonso Cuarón, J.J. Abrams and Syd Mead.