Tag Archives: MTI Film

MTI Film updates Cortex for V.4, includes Dolby Vision HDR metadata editing

MTI Film is updating its family of Cortex applications and tools, highlighted by Cortex V.4. In addition to legacy features such as a dailies toolset, IMF and AS-02 packaging and up-res algorithms, Cortex V.4 adds DCP packaging (with integrated ACES color support), an extended edit tool and officially certified Dolby Vision metadata editing capabilities.

“We allow users to manipulate Dolby Vision HDR metadata in the same way that they edit segments of video,” says Randy Reck, MTI Film’s director of development. “In the edit tool, they can graphically trim, cut and paste, add metadata to video, analyze new segments that need metadata and adjust parameters within the Dolby Vision metadata on a shot-by-shot basis.”

With the integration of the Dolby Vision ecosystem, Cortex V.4 provides a method for simultaneously QC-ing HDR and SDR versions of a shot with Dolby Vision metadata. For delivery, the inclusion of the Dolby Vision “IMF-like” output format allows for the rendering and delivery of edited Dolby Vision metadata alongside HDR media in one convenient package.

Cortex V.4’s Edit Tool has been updated to include industry-standard trimming and repositioning of edited segments within the timeline through a drag-and-drop function. The entire look of the Edit Tool (available in the Dailies and Enterprise editions of Cortex) has also been updated to accommodate a new dual-monitor layout, making it easier for users to scrub through media in the source monitor while keeping the composition in context in the record monitor.

MTI Film is also offering a new subscription-based DIT+ edition of Cortex. “It doesn’t make sense for productions to purchase a full software package if their schedule includes a hiatus when it won’t be used,” explains Reck.

DIT+ contains all aspects of the free DIT version of Cortex with the added ability to render HD ProRes, DNx and H.264 files for delivery. A DIT+ subscription starts at $95 per month, and MTI Film is offering a special NAB price of $595 for the first year.

Meet The Director of Engineering: John Stevens

NAME: John Stevens

COMPANY: Hollywood-based MTI Film, LLC (http://www.mtifilm.com, @MTIFilm)

CAN YOU DESCRIBE YOUR COMPANY?
The official line is: MTI Film is a full-service post facility providing dailies, editorial, visual effects, color correction and assembly for film, television and commercial projects. MTI also boasts a new DI theater that is fully calibrated and capable of 4K play back.

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MTI Film adds post staff for television series work

 

HOLLYWOOD — MTI Film (www.mtifilm.com) has added veteran producers Antoinette Perez and Lawrence Epstein to its post production services division focusing on television work.

Perez joins from Pixomondo where she produced visual effects for such films as Oblivion and Red Tails. Epstein’s appointment is a promotion. He served for the past three years as MTI Film’s night operations manager.

Epstein will oversee post work for several television productions, including Major Crimes, Hell on Wheels, The Walking Dead and Bates Motel. Perez’s responsibilities will include the shows Sirens, Dallas, Key and Peele, A Country Christmas Story and Through the Wormhole.

Epstein-cropped

Lawrence Epstein

Epstein joined MTI Film in 2010 after three years at Encore Hollywood where he held a similar operations role. His expertise encompasses editorial, color correction, graphics and visual effects.

Perez has worked in post production since 1994. She began her career at Encore Hollywood and later joined Cinesite, Europe, where her credits included Tomb Raider and the first two Harry Potter movies. She also held served as a producer at Prime Focus and as a CG production manager Rhythm & Hues.