Tag Archives: Millenium DXL2

Panavision Millennium DXL2’s ecosystem grows with color science, lenses, more

Panavision’s Millennium DXL2 8K camera was on display at Cine Gear last week featuring  a new post-centric firmware upgrade, along with four new large-format lens sets, a DXL-inspired accessories kit for Red DSMC2 cameras and a preview of custom advancements in filter technology.

DXL2 incorporates technology advancements based on input from cinematographers, camera assistants and post production groups. The camera offers 16 stops of dynamic range with improved shadow detail, a native ISO setting of 1600 and 12-bit ProRes XQ up to 120fps. New to the DXL2 is version 1.0 of a directly editable (D2E) workflow. D2E gives DITs wireless LUT and CDL look control and records all color metadata into camera-generated proxy files for instant and render-free dailies.

DXL2, which is available to rent worldwide, also incorporates an updated color profile: Light Iron Color 2 (LiColor2). This latest color science provides cinematographers and DITs with a film-inspired tonal look that makes the DXL2 feel more cinematic and less digital.

Panavision also showcased their large-format spherical and anamorphic lenses. Four new large-format lens sets were on display:
• Primo X is a cinema lens designed for use on drones and gimbals. It’s fully sealed, weatherproof and counterbalanced to be aerodynamic and it’s able to easily maintain a proper center of gravity. Primo X lenses come in two primes – 14mm (T3.1) and 24mm (T1.6) – and one 24-70mm zoom (T2.8) and will be available in 2019.

• H Series is a traditionally designed spherical lens set with a rounded, soft roll-off, giving what the company calls a “pleasing tonal quality to the skin.” Created with vintage glass and coating, these lenses offer slightly elevated blacks for softer contrast. High speeds separate subject and background with a smooth edge transition, allowing the subject to appear naturally placed within the depth of the image. These lenses are available now.
• Ultra Vista is a series of large-format anamorphic optics. Using a custom 1.6x squeeze, Ultra Vista covers the full height of the 8K sensor in the DXL and presents an ultra-widescreen 2.76:1 aspect ratio along with a classic elliptical bokeh and Panavision horizontal flare. Ultra Vista lenses will be available in 2019.
• PanaSpeed is a large-format update of the classic Primo look. At T1.4, PanaSpeed is a fast large-format lens. It will be available in Q3 of 2018.

Panavision also showed an adjustable liquid crystal neutral density (LCND) filter. LCND adjusts up to six individual stops with a single click or ramp — a departure from traditional approaches to front-of-lens filters, which require carrying a set and manually swapping individual NDs based on changing light. LCND starts at 0.3 and goes through 0.6, 0.9, 1.2, 1.5, to 1.8. It will be available in 2019.

Following up on the DXL1 and DXL2, Panavision launched the latest in its cinema line-up with the newly created DXL-M accessory kit. Designed to work with Red DSMC2 cameras, DXL-M marries the quality and performance of DXL with the smaller size and weight of the DSMC2. DXL-M brings popular features of DXL to Red Monstro, Gemini and Helium sensors, such as the DXL menu system (via an app for the iPhone), LiColor2, motorized lenses, wireless timecode (ACN) and the Primo HDR viewfinder. It will be available in Q4 of 2018.