Tag Archives: Coffee

1stAveMachine makes coffee for Nespresso

People take their coffee very seriously. They want it brewed and served in a certain way, and any aberration could ruin the entire experience. With this in mind, 1stAveMachine and director Roman Rütten showcased the intricate brewing process of the Nespresso VertuoPlus (for agency 360i) in a mysterious way that actually shows little of the machine itself.

“You’re taken on this really interesting journey, and in the end this complex structure collapses into the actual machine, which makes it feel quite slick and sophisticated,” says Rütten. “We’re making the complex, hidden art of coffee-making from the inside look simple.”

1stAveMachine got involved in the project early on. “We really collaborated with the agency to come up with a concept that deconstructs the Nespresso machine and shows coffee brewing in an artistic way,” explains Rütten. “We wanted to inspire and surprise people with visuals that are usually hidden inside a coffee machine.”

Highlighting the inner workings of Nespresso’s VertuoPlus required a bit of creativity since all parties agreed to shoot everything in-camera. “We had to basically create a rig to show something in a way it has never been seen before while working with the real coffee on a macro level in high-speed,” he explains. “It’s just a really fragile process of fine-tuning adjustments, which just adds a lot of variables to the shoot as we’re dealing with real physics. So, you need the patience to keep pushing for the perfect shot. It can come quick or take a little bit longer, but in the end, every shot looked really pretty and very classy when we walked away from it.”

Why not go the visual effects route?  “An in-camera approach may add complexity but also creates a warm and tactile feel,” explains Rütten. “There is something really intimate about working with the product on a macro level like this, which you might not get when strictly using post. A practical approach is more difficult to achieve and replicate which shows a certain level of expertise and craft. This works really well with the Nespresso brand and their level of craft that goes into the development of their products.

The spot was was developed over a period of weeks and shot in two days with a Phantom and Bolt rig. “These were really challenging and long days since we were dealing with real physics at a macro level and just a slight adjustment gives a complete different result,” reports Rütten.

According to the director, embracing the spontaneity and unpredictability of any shoot can lead to such an ultimately rewarding result. “With an interesting creative concept, some unconventional framing and the natural epic-ness of high-speed photography, you get some really stunning results that are quite mesmerizing,” he says. “Every time it’s slightly new and we always learn a lot about how certain rigs perform and physics react. You try to set up the stage with some interesting variables and embrace happy accidents. When no take looks the same, it’s a blessing and curse at the same time. But with the right patience and talented crew, we can push the boundaries, come in with some fresh ideas and try to have a little fun.”

The spot was edited in Adobe Premiere and color graded in Blackmagic Resolve.

Splenda Naturals gets the stop-motion treatment in new spot

Production company 1stAveMachine worked with J. Walter Thompson Toronto and Splenda to create an integrated marketing campaign that promotes the Stevia-based, calorie-free sweetener Splenda Naturals.

Coffee, a fully stop-motion animated spot, features an office scene where a gruff boss (a coffee mug) is laying off a packet of sugar, telling him that “sweet ain’t enough anymore.” The sugar packet figures out it’s that new “Splenda Naturals gal” who is replacing him. The boss explains that not only is she sweet, she’s healthier than sugar. The piece ends with a box of the product and the tag “Hello New Splenda Naturals Sweetener.”

Production companies Tronco and 1stAveMachine worked together to provide production and post production on the piece. The directors of the spot were Becho Lo Bianco and Mariano Bergara, and the production director was Anuk Torre Obeid. 1stAveMachine has represented Tronco and Mab and Becho exclusively worldwide for the last seven years, each year doing more work in the North American and international market.

“Mab, Becho and Anuk are directors and storytellers first and foremost. They own a stop-motion studio in Buenos Aires and have been experimenting in and perfecting this craft for over a decade, but perfect craftsmanship is only a tool to tell the story. We worked in a very collaborative way with the agency and were lucky enough to be able to be a part of the films from the ground up. We designed and built every character as well as the set,” reports 1stAveMachine executive producer/partner Sam Penfield. “As we work with agencies from around the world, many times remotely, we have built many tools in order to collaborate from a distance. Many in our business have not worked in stop-motion, and it is has some peculiarities in regards to process. The first step when we begin a job is to educate anyone on the team who is not familiar with stop motion — how to exploit its natural charm and what limitations that one should be aware of. Once there is an overall understanding of process, we build and previs in CG in order to work on pacing, camera and, most importantly, acting. In stop-motion, even inanimate objects ‘act.’

“For each frame, we build a visual hierarchy so that the viewer follows the story easily and then we fill each frame with interesting details that make for a richer experience on each viewing thereafter,” he continues. “In the case of Splenda, the pre-production was done remotely and the agency/client attended the shoot. Having a great pre-production process meant the shoot went smoothly and we had plenty of time to enjoy being in Buenos Aires.”

The editor was Nicolas Rivas and Alejandro Armaleo provided the color grade. The sound mix was via Pirate Toronto.