Tag Archives: cloud

Xytech launches MediaPulse Managed Cloud at IBC

Facility management software provider Xytech has introduced a cloud and managed services offering, MediaPulse Managed Cloud. Hosted in Microsoft Azure, MediaPulse Managed Cloud is a secure platform offering full system management.

MediaPulse Managed Cloud is available through any web browser and compatible with iOS, Android and Windows mobile devices. The new managed services handle most administrative functions, including daily backups, user permissions and screen layouts. The offering is available with several options, including a variety of language packs, allowing for customization and localization.

Slated for shipping in October, MediaPulse Managed Cloud is compliant with European privacy laws and enables secure data transmission across multiple geographies.

Xytech debuted MediaPulse Managed Cloud at IBC2017. The show was the company’s first as a member of the Advanced Media Workflow Association, a community-driven forum focused on advancing business-driven solutions for networked media workflows.

SMPTE’s ETCA conference takes on OTT, cloud, AR/VR, more

SMPTE has shared program details for its Entertainment Technology in the Connected Age (ETCA) conference, taking place in Mountain View, California, May 8-9 at the Microsoft Silicon Valley Campus.

Called “Redefining the Entertainment Experience,” this year’s conference will explore emerging technologies’ impact on current and future delivery of compelling connected entertainment experiences.

Bob DeHaven, GM of worldwide communications & media at Microsoft Azure, will present the first conference keynote, titled “At the Edge: The Future of Entertainment Carriage.” The growth of on-demand programming and mobile applications, the proliferation of the cloud and the advent of the “Internet of things” demands that video content is available closer to the end user to improve both availability and the quality of the experience.

DeHaven will discuss the relationships taking shape to embrace these new requirements and will explore the roles network providers, content delivery networks (CDNs), network optimization technologies and cloud platforms will play in achieving the industry’s evolving needs.

Hanno Basse, chief technical officer at Twentieth Century Fox Film, will present “Next-Generation Entertainment: A View From the Fox.” Fox distributes content via multiple outlets ranging — from cinema to Blu-ray, over-the-top (OTT), and even VR. Basse will share his views on the technical challenges of enabling next-generation entertainment in a connected age and how Fox plans to address them.

The first conference session, “Rethinking Content Creation and Monetization in a Connected Age,” will focus on multiplatform production and monetization using the latest creation, analytics and search technologies. The session “Is There a JND in It for Me?” will take a second angle, exploring what new content creation, delivery and display technology innovations will mean for the viewer. Panelists will discuss the parameters required to achieve original artistic intent while maintaining a just noticeable difference (JND) quality level for the consumer viewing experience.

“Video Compression: What’s Beyond HEVC?” will explore emerging techniques and innovations, outlining evolving video coding techniques and their ability to handle new types of source material, including HDR and wide color gamut content, as well as video for VR/AR.

Moving from content creation and compression into delivery, “Linear Playout: From Cable to the Cloud” will discuss the current distribution landscape, looking at the consumer apps, smart TV apps, and content aggregators/curators that are enabling cord-cutters to watch linear television, as well as the new business models and opportunities shaping services and the consumer experience. The session will explore tools for digital ad insertion, audience measurement and monetization while considering the future of cloud workflows.

“Would the Internet Crash If Everyone Watched the Super Bowl Online?” will shift the discussion to live streaming, examining the technologies that enable today’s services as well as how technologies such as transparent caching, multicast streaming, peer-assisted delivery and User Datagram Protocol (UDP) streaming might enable live streaming at a traditional broadcast scale and beyond.

“Adaptive Streaming Technology: Entertainment Plumbing for the Web” will focus specifically on innovative technologies and standards that will enable the industry to overcome inconsistencies of the bitrate quality of the Internet.

“IP and Thee: What’s New in 2017?” will delve into the upgrade to Internet Protocol infrastructure and the impact of next-generation systems such as the ATSC 3.0 digital television broadcast system, the Digital Video Broadcast (DVB) suite of internationally accepted open standards for digital television, and fifth-generation mobile networks (5G wireless) on Internet-delivered entertainment services.

Moving into the cloud, “Weather Forecast: Clouds and Partly Scattered Fog in Your Future” examines how local networking topologies, dubbed “the fog,” are complementing the cloud by enabling content delivery and streaming via less traditional — and often wireless — communication channels such as 5G.

“Giving Voice to Video Discovery” will highlight the ways in which voice is being added to pay television and OTT platforms to simplify searches.

In a session that explores new consumption models, “VR From Fiction to Fact” will examine current experimentation with VR technology, emerging use cases across mobile devices and high-end headsets, and strategies for addressing the technical demands of this immersive format.

You can resister for the conference here.

IBC Blog: The age of archives

By Tom Coughlin

With the flood of video content being created due to the ease and cost-effectiveness of digital video capture and production and the decreasing costs of storage, digital content saved for the long term will explode. Moving from today’s HD to 4K UHD and then to 8K UHD and at higher frame rates will require greater storage capacities and more sophisticated data management services.

During the IBC 2014 Oracle announced that it was acquiring Front Porch Digital (FPD). Front Porch Digital adds storage management features to Oracle that should complement current Oracle storage products. FPD has been using Oracle tape systems for some time in its largest archives. FPD was the champion and promoter of the AFX storage format that has been adopted as a SMPTE standard. This standard has become popular with many FPD customers Continue reading

Front Porch, offering cloud-based CSM, ups Rino Petricola to COO/GM

Front Porch Digital, a cloud-based content storage management (CSM) solutions company, has promoted Rino Petricola to COO/GM. Petricola is now responsible for sales, sales engineering, delivery and support globally — he also continues his role as GM of Front Porch Digital International.

“Over the past decade, Rino has built an incredible team and a very profitable global business while delivering the highest levels of customer service,” said Mike Knaisch, president/CEO of Front Porch Digital. “My respect for him is no secret, and I am asking him to do more of the same, just on a global basis.”

Petricola has spent more than 30 years in IT, telecomm and media, including a 15-year stint at Digital Equipment Corporation (DEC). He also played key roles at StorageTek Solutions and then ManagedStorage International (MSI) before it was acquired by Front Porch Digital. Upon MSI’s acquisition, Petricola took responsibility for all of Front Porch Digital’s international operations, including sales, marketing, delivery, support and finance.

Petricola splits his time between Front Porch Digital’s offices in Lafayette, Colorado, and Annecy, France. He reports to Knaisch.

HPA Tech Retreat Blog: the cloud, storage, metadata, more

By Tom Coughlin

Object storage is the key technology behind most cloud storage offerings and there were a number of exhibits at last week’s 2014 HPA Tech Retreat in Indian Wells, California, offering cloud-based storage of M&E content.

Zadara Storage is offering SAN/NAS-as-a-Service solutions with a Virtual Private Storage Array (VPSA). The VPSAs offer iSCSI block or NFS/CIFS file storage. The user keeps the keys that allow Continue reading

Core Post in UK adds cloud video platform FORscene

LONDON — Core Post (http://www.corepost.co.uk), founded by industry veterans and former Sumners department heads Tony Greenwood, Matt Brown, and Kate Mather, opened in October across the road from MediaCityUK and has already attracted clients such as the BBC.

They have incorporated Forbidden Technologies FORscene, a cloud video platform, into its regular workflow to make the post-production process more flexible and efficient, especially for large-scale projects.

“FORscene gives us a cloud-based platform for working with footage both within the facility and off site, adding flexibility that is vital, especially for large-scale productions with large volumes of media,” said Lucy Swann, facility manager at Core Post. “We wanted a system that would eliminate the need to create DVDs of rushes and would offer clients an easy way to view and work with their rushes — and the associated metadata — all in one place, and FORscene does just that. The second a media file hits our storage, it is already transcoding to the cloud, allowing production personnel to view material sooner than ever before.”

The ability to view and manipulate rushes both inside and outside the facility was a key requirement for Core Post. Producers can log in to FORscene from anywhere to view rushes before the edit starts, which makes for much more efficient edit prep. Uploading the material to FORscene during the ingest process allows producers to view, log, and even edit sequences before arriving in the edit suite. Rough cuts that were created off site can easily be imported into Core Post’s Avid editing environment.

Core Post also chose FORscene was because of its logging feature since it’s available from anywhere. Loggers can work on the footage as it is ingested, no matter where they are, thus ensuring clients and staff have immediate access to metadata such as timecode, clip naming, and disk labeling.

Core Post has already begun using FORscene for a large BBC production called “Junior Paramedics — Your Life in Their Hands,” which follows a group of paramedic science students at different stages of their course, and the logging feature is particularly helpful on that project.

Core Post also appreciated FORscene’s ability to integrate into Avid Unity, ISIS, and EditShare storage environments, making it a versatile option should Core Post make changes to its storage systems within the facility.