Tag Archives: American Cinema Editors

Arrival, La La Land among winners at 67th ACE Eddies

The ACE Eddies, the awards celebrating the best in editing — and voted on by editors themselves — took place last week at the Beverly Hilton Hotel. Arrival (edited by Joe Walker, ACE) won Best Edited Feature Film (Dramatic) and La La Land (edited by Tom Cross, ACE) won Best Edited Feature Film (Comedy). During the 67th Annual ACE Eddie Awards, trophies were handed out recognizing the best editing of 2016 in 10 categories of film, television and documentaries.

ACE President Stephen Rivkin, ACE, presided over the evening’s festivities with actress Rachel Bloom (Crazy Ex-Girlfriend) serving as the evening’s host.

Director/producer J.J. Abrams received the organization’s prestigious ACE Golden Eddie Filmmaker of the Year honor, which was presented to him by friend and collaborator Jeff Garlin. Abrams joins an impressive list of filmmakers who have received ACE’s highest honor, including Norman Jewison, Nancy Meyers, Francis Ford Coppola, Clint Eastwood, Robert Zemeckis, Alexander Payne, Ron Howard, Martin Scorsese, George Lucas, Kathleen Kennedy, Steven Spielberg, Christopher Nolan, Frank Marshall and Richard Donner, among others.

Janet Ashikaga, ACE, and Thelma Schoonmaker, ACE, were presented with Career Achievement awards by Thomas Schlamme and Martin Scorsese, respectively. Their work was highlighted with clip reels exhibiting their tremendous contributions to film and television throughout their careers.

Other presenters at the ACE Eddie Awards included Moonlight star Trevante Rhodes, Fences stars Mykelti Williamson and Saniyya Sidney, This Is Us actress Chrissy Metz and actor Tim Matheson.

Arrival editor Joe Walker, ACE

A full list of winners follows:


BEST EDITED FEATURE FILM (DRAMATIC):

Arrival
Joe Walker, ACE


BEST EDITED FEATURE FILM (COMEDY):
La La Land
Tom Cross, ACE

BEST EDITED ANIMATED FEATURE FILM:
Zootopia
Fabienne Rawley & Jeremy Milton

BEST EDITED DOCUMENTARY (FEATURE):
O.J.: Made in America
Bret Granato, Maya Mumma & Ben Sozanski

BEST EDITED DOCUMENTARY (TELEVISION):
Everything Is Copy – Nora Ephron: Scripted & Unscripted
Bob Eisenhardt, ACE

Veep editor Steven Rasch, ACE.

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
Veep: “Morning After”
Steven Rasch, ACE

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
This Is Us: “Pilot”
David L. Bertman, ACE

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
Game of Thrones: “Battle of the Bastards”
Tim Porter, ACE

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
All the Way
Carol Littleton, ACE

BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain: Parts Unknown: “Senegal”
Mustafa Bhagat


Main Image: La La Land editor Tom Cross, ACE

ACE Eddie nominees include Arrival, Manchester by the Sea, Better Call Saul

The American Cinema Editors (ACE) have named the nominees for the 67th ACE Eddie Award, which recognize editing in 10 categories of film, television and documentaries.

Winners will be announced during ACE’s annual awards ceremony on January 27 at the Beverly Hilton Hotel. In addition to the regular editing awards, J.J. Abrams will receive the ACE Golden Eddie Filmmaker of the Year award.

Check out the nominees:

BEST EDITED FEATURE FILM (DRAMATIC)
Arrival
Joe Walker, ACE

Hacksaw Ridge
John Gilbert, ACE

Hell or High Water
Jake Roberts

Manchester by the Sea
Jennifer Lame
 
Moonlight
Nat Sanders, Joi McMillon

BEST EDITED FEATURE FILM (COMEDY)
Deadpool
Julian Clarke, ACE

Hail, Caesar!
Roderick Jaynes

The Jungle Book
Mark Livolsi, ACE

La La Land
Tom Cross, ACE

The Lobster
Yorgos Mavropsaridis

BEST EDITED ANIMATED FEATURE FILM
Kubo and the Two Strings
Christopher Murrie, ACE

Moana
Jeff Draheim, ACE

Zootopia
Fabienne Rawley and Jeremy Milton

BEST EDITED DOCUMENTARY (FEATURE)

13th
Spencer Averick

Amanda Knox
Matthew Hamachek

The Beatles: Eight Days a Week — The Touring Years
Paul Crowder

OJ: Made in America
Bret Granato, Maya Mumma and Ben Sozanski

Weiner
Eli B. Despres

BEST EDITED DOCUMENTARY (TELEVISION)
The Choice 2016
Steve Audette, ACE

Everything Is Copy
Bob Eisenhardt, ACE

We Will Rise: Michelle Obama’s Mission to Educate Girls Around the World
Oliver Lief

BEST EDITED HALF-HOUR SERIES
Silicon Valley: “The Uptick”
Brian Merken, ACE

Veep: “Morning After”
Steven Rasch, ACE

Veep: “Mother”
Shawn Paper

BEST EDITED ONE-HOUR SERIES — COMMERCIAL
Better Call Saul: “Fifi”
Skip Macdonald, ACE

Better Call Saul: “Klick”
Skip Macdonald, ACE & Curtis Thurber

Better Call Saul: “Nailed”
Kelley Dixon, ACE and Chris McCaleb

Mr. Robot: “eps2.4m4ster-s1ave.aes”
Philip Harrison

This is Us: “Pilot”
David L. Bertman, ACE

BEST EDITED ONE-HOUR SERIES – NON-COMMERCIAL
The Crown: “Assassins”
Yan Miles, ACE

Game of Thrones: “Battle of the Bastards”
Tim Porter, ACE

Stranger Things: “Chapter One: The Vanishing of Will Byers”
Dean Zimmerman

Stranger Things: “Chapter Seven: The Bathtub”
Kevin D. Ross

Westworld: “The Original”
Stephen Semel, ACE and Marc Jozefowicz

BEST EDITED MINISERIES OR MOTION PICTURE (NON-THEATRICAL)
All the Way
Carol Littleton, ACE

The Night Of: “The Beach”
Jay Cassidy, ACE

The People V. OJ Simpson: American Crime Story: “Marcia, Marcia, Marcia”
Adam Penn, Stewart Schill, ACE and C. Chi-yoon Chung

BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain: Parts Unknown: “Manila” 
Hunter Gross, ACE

Anthony Bourdain: Parts Unknown: Senegal
Mustafa Bhagat

Deadliest Catch: “Fire at Sea: Part 2”
Josh Earl, ACE and Alexander Rubinow, ACE

Final ballots will be mailed on January 6, and voting ends on January 17. The Blue Ribbon screenings, where judging for all television categories and the documentary categories take place, will be on January 15. Projects in the aforementioned categories are viewed and judged by committees comprised of professional editors (all ACE members). All 850-plus ACE members vote during the final balloting of the ACE Eddies, including active members, life members, affiliate members and honorary members.

Main Image: Tilt Photo

Editfest LA line-up set

American Cinema Editors’ EditFest, the day-long event celebrating the art and craft of editing, takes place in Los Angeles on August 6. Launched in 2008, EditFest offers audiences the opportunity to hear award-winning film and television editors share their insights and experiences.

Past EditFest participants have included renowned editors Anne V. Coates, ACE; Tim Porter, ACE; Fred Raskin, ACE; Barney Pilling, ACE; Paul Hirsch, ACE; Tom Cross, ACE; and others.

As in previous years, EditFest will feature film and television panels, a catered lunch and a cocktail reception. The event returns again this year to the Frank Wells Theater at the Disney Studios lot in Burbank.

The schedule for Saturday, August 6th is as follows:

Cutting it in Hollywood – Personal learning experiences and overcoming obstacles
John Axelrad, ACE – Crazy Heart, Rudderless, Something Borrowed
Zene Baker, ACE – 50/50, Neighbors, This is the End
Barbara Gerard – Brothers & Sisters, Everwood, Supergirl
David Rogers, ACE – Entourage, The Office, The Mindy Project
Moderated by Mitchell Danton, ACE (Editor and Author of Cutting it in Hollywood)

Cult Film Favorites
Mark Helfrich, ACE – Showgirls
Tina Hirsch, ACE – Deathrace 2000, Gremlins
Norm Hollyn – Heathers
Mark Golblatt, ACE – Terminator, Starship Troopers
Jane Kurson, ACE – Beetlejuice
Moderated by Michael Krulik – Avid Technology Principal Applications Specialist

Inside the Cutting Room with Bobbie O’Steen: A Conversation With Michael Tronick, ACE
Michael Tronick, ACE – Straight Outta Compton (co-editor), Hairspray, Scent of a Woman (co-editor)
Moderated by Bobbie O’Steen (Author of The Invisible Cut & Cut to the Chase)

The Lean Forward Moment
Jeff Ford, ACE – Avengers, Captain America
Kim Roberts, ACE – The Hunting Ground, Waiting for Superman
Kevin Tent, ACE – The Descendants, Nebraska
Moderated by Norm Hollyn (Editor, Author and Head of USC School of Cinematic Arts)

 

ACE awards its Eddies for best editing

Friday evening in Beverly Hills, some of the top editors in the business gathered for the 66th Annual ACE Eddie Awards, which recognize the best editing of 2015 in film, television and documentaries. The night’s host was actor Adam Devine.

Mad Max: Fury Road, which was edited by Margaret Sixel (our main photo), won Best Edited Feature Film (Dramatic) and The Big Short, cut by Hank Corwin, ACE, won Best Edited Feature Film (Comedy). Inside Out, edited by Kevin Nolting, ACE, won Best Edited Animated Feature Film, and Amy, edited by Chris King, won Best Edited Documentary (Feature).

Let’s take a look at the full list of winners:

Hank Corwin

Hank Corwin

BEST EDITED FEATURE FILM (DRAMATIC)
Mad Max: Fury Road
Margaret Sixel

BEST EDITED FEATURE FILM (COMEDY)
The Big Short
Hank Corwin, ACE

BEST EDITED ANIMATED FEATURE FILM
Inside Out
Kevin Nolting, ACE

BEST EDITED DOCUMENTARY (FEATURE)
Amy
Chris King

BEST EDITED DOCUMENTARY (TELEVISION)  
The Jinx: The Life and Deaths of Robert Durst “A Body in the Bay”
Zac Stuart-Pontier, Richard Hankin, ACE, Caitlyn Greene, Shelby Siegel

BEST EDITED HALF-HOUR SERIES FOR TELEVISION
Inside Amy Schumer: “12 Angry Men
”
Nick Paley

Tom Wilson

Tom Wilson

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION
Mad Men: “Person to Person”
Tom Wilson

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION
House of Cards: “Chapter 39″
Lisa Bromwell, ACE

BEST EDITED LONGFORM (MINISERIES OR MOTION PICTURE) FOR TELEVISION
Bessie
Brian A. Kates, ACE

BEST EDITED NON-SCRIPTED SERIES
Anthony Bourdain: Parts Unknown: “Bay Area”
Hunter Gross, ACE

BEST STUDENT EDITING
Chris Dold – University of North Carolina, School of the Arts

Steve Martin and Nancy Myers

Award-winning filmmaker Nancy Meyers received the organization’s ACE Golden Eddie Filmmaker of the Year honor, which was presented to her by long-time friend and collaborator Steve Martin.

Meyers joins an impressive list of filmmakers who have received ACE’s highest honor, including Norman Jewison, Francis Ford Coppola, Clint Eastwood, Robert Zemeckis, Alexander Payne, Ron Howard, Martin Scorsese, George Lucas, Kathleen Kennedy, Steven Spielberg, Christopher Nolan, Frank Marshall and Richard Donner, among others.

Career Achievement Awards went to industry veterans Carol Littleton, ACE, and Ted Rich, ACE.  Their work was highlighted with clip reels exhibiting their contributions to film and television throughout their careers.

—————-
Thanks to Dan Restuccio for his photos from the event.

Nancy Myers to receive the ACE’s Filmmaker of the Year Award

Veteran filmmaker Nancy Meyers — who has written, directed and produced such films as The Parent Trap, What Women Want, Something’s Gotta Give, It’s Complicated and The Intern — will be receiving American Cinema Editors’ Golden Eddie Filmmaker of the Year Award. It will be presented to Meyers by long-time collaborator Steve Martin at the 66th Annual ACE Eddie Awards black-tie ceremony on January 29.

Meyers joins a distinguished group of past ACE Golden Eddie honorees, including Frank Marshall, Steven Spielberg, Quentin Tarantino, Norman Jewison, Alexander Payne, James Cameron, Clint Eastwood, George Lucas, Francis Ford Coppola, Kathleen Kennedy, Christopher Nolan, Martin Scorsese, Saul Zaentz, Paul Greengrass and Stanley Donen, among others.

ACE, the entertainment industry’s honorary society of film editors, comprises over 750 accomplished editors working in film and television. The ACE Eddie Awards recognize outstanding editing in 10 categories of film, television and documentaries.  Nominees for the 66th Annual ACE Eddie Awards will be announced on January 4.

Editor Sandra Adair, with Oscar-nom for ‘Boyhood,’ to speak at NAB 2015

Editor Sandra Adair, ACE, who is a current Oscar nominee for her work on Richard Linklater’s Boyhood, will be a featured session speaker within the Creative Master Series at the NAB Show in April.

Her collaborations with Linklater also include Dazed and Confused and School of Rock. The session “From Dazed to Boyhood: Collaboration over 22 Years,” will be moderated by veteran film editor Norman Hollyn and produced in partnership with American Cinema Editors (ACE).

Adair (@sadair20) was nominated for an Eddie Award for Best Editing of a Musical or Comedy by the American Cinema Editors in 2003 for School of Rock, and won the Best Edited Documentary award at the Woodstock Film Festival in 2012 for the feature doc Shepard and Dark, directed by Treva Wurmfeld. Some credits with other directors include Everything Must Go, starring Will Ferrell, and the award-winning documentary Sushi: The Global Catch.

She is a member of the Academy of Motion Picture Arts and Sciences and American Cinema Editors and enjoys supporting and mentoring new filmmakers in the Austin area, where she resides.

“From Dazed to Boyhood: Collaboration over 22 Years” will take place on Wednesday, April 15 from 10:30-11:30 a.m. PT in the South Hall Room S220 of the Las Vegas Convention Center.

65th Annual ACE Award noms include tie for Best Feature Drama category

The nominees for the 65th Annual ACE Eddie Awards recognizing editing in 10 categories of film, television and documentaries has been announced. Winners will be presented with statuettes during ACE’s annual awards ceremony on January 30 at the Beverly Hilton Hotel.  Next week, the American Cinema Editors will announce the Golden Eddie Filmmaker of the Year honoree and two Career Achievement honorees.

For only the second time in the organization’s history, a tie resulted in an additional nominee in the Best Edited Feature Film (Dramatic) category creating six nominees instead of five, indicating a tie in the number of votes for the fifth placing films.

The ACE Eddie Award nominees are listed below.

BEST EDITED FEATURE FILM (DRAMATIC): TIE!
American Sniper
Joel Cox, ACE & Gary Roach, ACE

Boyhood
Sandra Adair, ACE

Kirk Baxter

Kirk Baxter

Gone Girl
Kirk Baxter, ACE

The Imitation Game
William Goldenberg, ACE

William Goldenberg

William Goldenberg

Nightcrawler
John Gilroy, ACE

Whiplash
Tom Cross

BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
Birdman
Douglas Crise & Stephen Mirrione, ACE

Guardians of the Galaxy
Fred Raskin, Hughes Winborne, ACE & Craig Wood, ACE

Into the Woods
Wyatt Smith

Inherent Vice
Leslie Jones, ACE

Grand Budapest Hotel
Barney Pilling

BEST EDITED ANIMATED FEATURE FILM:
Big Hero 6
Tim Mertens

The Boxtrolls
Edie Ichioka, ACE

Lego Movie
David Burrows & Chris McKay

BEST EDITED DOCUMENTARY (FEATURE):

Citizenfour
Mathilde Bonnefoy

Finding Vivian Maier
Aaron Wickenden

Glen Campbell: I’ll Be Me
Elisa Bonora

BEST EDITED DOCUMENTARY (TELEVISION):
Cosmos: A SpaceTime Odyssey: Standing Up in the Milky Way
John Duffy, ACE, Michael O’Halloran, Eric Lea

Pauly Shore Stands Alone
Troy Takaki, ACE & Joey Vigour

The Roosevelts: An Intimate History: Episode 3 / The Fire of Life
Erik Ewers

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:
Silicon Valley: “Optimal Tip to Tip Efficiency”
Brian Merken & Tim Roche

Veep: “Special Relationship”
Anthony Boys

Transparent: Pilot
Catherine Haight

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:
24: “10pm to 11am”
Scott Powell, ACE

Mad Men: “Waterloo”
Christopher Gay

Madam Secretary: “Pilot”
Elena Maganini, ACE & Michael Ornstein, ACE

Sherlock: “His Last Vow”
Yan Miles

The Good Wife: “A Few Words”
Scott Vickrey, ACE

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:
True Detective: “Who Goes There”
Affonso Goncalves

True Detective: “The Secret Fate of All Life”
Alex Hall

House of Cards: “Chapter 14”
Byron Smith

BEST EDITED MINISERIES OR MOTION PICTURE FOR TELEVISION:
Fargo “Buridan’s Ass”
Regis Kimble

Olive Kitteridge: “A Different Road”
Jeffrey M. Werner, ACE

The Normal Heart
Adam Penn

BEST EDITED NON-SCRIPTED SERIES:
Anthony Bourdain: Parts Unknown: “Iran”
Hunter Gross

Deadliest Catch: “Lost At Sea”
Josh Earl, ACE & Johnny Bishop

Vice: “Greenland is Melting & Bonded Labor”
Joe Langford & Nick Carew

Final Ballots will be mailed on January 5 and voting ends on January 21.  The Blue Ribbon panels where judging for all television categories and the documentary film category take place January 18.  Projects in the aforementioned categories are viewed and judged by panels comprised of professional editors (all ACE members).  All 700-plus ACE members vote during the final balloting of the ACE Eddies, including active members, life members, affiliate members and honorary members.

PostChat’s Jesse Averna named affiliate member of the ACE

American Cinema Editors held its annual holiday party on December 7 in Los Angeles. As part of the night’s festivities, the organization presents new inductees into the ACE. Sesame Street editor Jesse Averna, who helps run the weekly Twitter conversation #PostChat, was among them.

Averna (@dr0id), a four-time Emmy winner for his work on Sesame Street, was presented with a plaque from Oscar-winning editor Alan Heim (All That Jazz, Network, American History X, The Notebook). Averna was invited into the ACE as an Affiliate Member. While Averna notes that Active membership is his ultimate goal, he fully acknowledges the great honor of this induction, stating, “Tonight I received one of the biggest honors of my career — induction into ACE as an Affiliate member.”

In addition to editing and associate directing Sesame Street, you can catch Averna teaching Avid and FCP X at the School of Visual Arts Continuing Ed. He is also editing a feature documentary on rare kaiju monster flicks called Kaiju Gaiden, editing a short film with LiveStar Entertainment for Marvel called Tales to Astonish, directing a children’s live-action puppet show called Monica’s Mixing Bowl and moving his own film into production.

Quick Chat: Editor Chris Peterson takes on ‘The Sixties’ for CNN

By Randi Altman

What do you think of when someone mentions the 1960s? Hippies protesting the Vietnam War? Woodstock? Putting a man on the moon? There is so much to reflect on when thinking of this pivotal time in history, and CNN agrees.

At the end of May, the news network launched a 10-part original series called The Sixties. It airs on Thursday nights. The series takes a closer look at the moments in a decade that brought the civil rights movement, the assassinations of JFK, Martin Luther King Jr., Robert Kennedy and Malcolm X, the Vietnam War, the British Invasion and so much more.

The Sixties has some big-named Emmy Award-winning producers behind it: Tom Hanks and Gary Goetzman (HBO’s John Adams and The Pacific) of Playtone, and Mark Continue reading

A.C.E.’s EditFest arrives in London June 21

EditFest London hits the UK for the second time on June 21 with top film and television editors talking about the art of editing. This year, American Cinema Editors (A.C.E.) will present the daylong event at London’s BFI Southbank.

A.C.E. launched EditFest LA in 2008. EditFest NY was added to its agenda in 2009. The event is designed for professional as well as aspiring editors, post people, students, content creators, production execs, and others who are interested in learning more about editing.

“Last year we had a terrific experience in London,” said the organization’s president, Alan Heim, A.C.E. (All That Jazz, Network, The Notebook). “The city, the panelists and the attendees were everything we could have hoped for and more. The most gratifying thing was to see just how much the attendees wanted to learn from and interact with the editors. There was a thirst for connection and knowledge, and the panelists were delighted to discuss the art of editing and meet those who wanted to explore it. All of us at A.C.E. are really looking forward to returning to London with an exciting new group of editors who will discuss the amazing projects they’re working on.”

EFL Engaged Audience

Sessions include:
Small Screen, Big Picture – The Television Editors
Moderated by John Wilson, A.C.E.
• Mags Arnold – The Trip
• Mark Everson – Alan Partridge
• Tim Porter – Game of Thrones, Doctor Who

From Dailies to Delivery – Editing Features 
Moderated by Mick Audsley
• Mark Day – Harry Potter and The Order of the Phoenix, The Half-Blood Prince, The Deathly Hallows, Parts 1 & 2.
• Alexandra Mackie A.C.E. – Indian Summer, Kill Command, Rogue, Downton Abby, A Poet in New York
• Mark Sanger, A.C.E. – Gravity
• Ken Schretzmann, A.C.E. – Toy Story 3, The Lorax
• Lucia Zucchetti, A.C.E. – The Queen

Closing Panel: A Conversation with Alan Heim
Moderated by Adrian Pennington, American CinemaEditor Magazine
.

Tickets for EditFest are available online for £200/$299.