Tag Archives: Adobe CC

Winners: IBC2017 Impact Awards

postPerspective has announced the winners of our postPerspective Impact Awards from IBC2017. All winning products reflect the latest version of the product, as shown at IBC.

The postPerspective Impact Award winners from IBC2017 are:

• Adobe for Creative Cloud
• Avid for Avid Nexis Pro
• Colorfront for Transkoder 2017
• Sony Electronics for Venice CineAlta camera

Seeking to recognize debut products and key upgrades with real-world applications, the postPerspective Impact Awards are determined by an anonymous judging body made up of industry pros. The awards honor innovative products and technologies for the post production and production industries that will influence the way people work.

“All four of these technologies are very worthy recipients of our first postPerspective Impact Awards from IBC,” said Randi Altman, postPerspective’s founder and editor-in-chief. “These awards celebrate companies that push the boundaries of technology to produce tools that actually make users’ working lives easier and projects better, and our winners certainly fall into that category. You’ll notice that our awards from IBC span the entire pro pipeline, from acquisition to on-set dailies to editing/compositing to storage.

“As IBC falls later in the year, we are able to see where companies are driving refinements to really elevate workflow and enhance production. So we’ve tapped real-world users to vote for the Impact Awards, and they have determined what could be most impactful to their day-to-day work. We’re very proud of that fact, and it makes our awards quite special.”

IBC2017 took place September 15-19 in Amsterdam. postPerspective Impact Awards are next scheduled to celebrate innovative product and technology launches at the 2018 NAB Show.

Review: Wacom Cintiq Companion 2

A video editor puts this tablet to the test

By Brady Betzel

If you’ve ever used a Wacom Intuos or Cintiq tablet, then you know how efficient they can make your workflow, regardless of your job title. I’m a video editor, and after using a Wacom Intuos 5 I immediately noticed less wrist pain when compared to using a mouse.

Wacom makes very high-quality products that do not disappoint. The Wacom Cintiq Companion 2 is a tablet with the power of a laptop, coupled with the precision of the company’s famous line of pen tablets. Whether you’re an illustrator, a visual effects artist or even an editor, you should check out this tablet.

Under the Hood
While there are multiple configurations of the Wacom Cintiq Companion 2, I will be reviewing only the version I received to test. It’s loaded with the Intel i7 dual core (four thread) 3.1GHz processor, 8GB of DDR3 memory, 256GB SSD Toshiba hard drive and Intel Iris Graphics 5100 graphics card. It comes pre-loaded with Windows 8.1 Pro (if you purchase one with an i3/i5 processor it comes Windows 8.1 standard). This configuration retails for $1,999.95.

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Other configurations run from $1,299.95 all the way up to $2,499.95. In addition, the Companion 2 also comes with a carrying case, stand, the Pro Pen (my favorite accessory), an AC adapter and the Cintiq Connect cable. There is a set of six express keys that I don’t often use — except when doing some Photoshop work — but they are programmable and they are there. Around the outside you get three USB 3.0 ports, a display port,a microSD card slot and a headphone port.

I really liked Wacom’s Cintiq Companion. I thought it was great, but there were a few things I felt could be improved: the stand; the power supply, which was cumbersome and had many problems (Google it); and the ability to use it just like a normal Cintiq when connected to another computer

With the Companion 2, Wacom has listened to what its customers wanted. They addressed the bad power supply connection, although the power connection still hangs off the side. Wacom also made a great improvement — allowing the Companion to be used in conjunction with the Cintiq Connect Cable and perform the same functions as its famous cousin the Cintiq. To use this function, however, you must download the drivers to the computer you want to use the Companion with, as well as have a computer with HDMI out and USB ports.

Unfortunately one of my biggest problems with the Companion is the stand and that has not changed. While it’s not a deal breaker, I find it cumbersome and, in my opinion, should have been built-in, much like the Microsoft Surface.

Testing it Out
Once I got the stand attached, the computer turned on fast, and within five seconds I was up and ready to run. If you haven’t used Windows before, don’t worry. It comes loaded with Windows 8.1 Pro and recently has been suggesting that I upgrade to Windows 10. If you are thinking about upgrading to Windows 10, I would be careful because currently many pro apps are not yet certified.

I immediately downloaded the Adobe CC Suite, specifically After Effects and Premiere. When using this tablet, I wanted to concentrate on its video capabilities as opposed to its well-known illustration abilities. As most reviews and articles will tell you, the Companion 2 has 2,048 levels of sensitivity, as well as tilt and multi-touch offerings.

Not long after launching After Effects and Premiere I discovered that I really like to use touch over the Pro Pen for the most part, which is a true testament to Adobe and the improvements they have made to their apps for touch. The exception came when I was using bezier curves, masks or adjusting color curves. I could not get the same level of accuracy as I do with the pen.

Nonetheless, using the CIntiq Companion 2 as a video editor and effects machine proved to be a great experience — including the fact that I was able to use Video CoPilot’s Element 3D without a problem. It should also be noted that there will be some hiccups when editing multiple video layers; you will need way more memory and a dedicated graphics card. This brings up another point: technically the Cintiq Companion 2 cannot be upgraded, so if you order the 8GB memory version, that’s it. My advice would be to spend a little more money and max it out as much as you can, your renders will thank you.

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I tested the machine with an XDCAM 50 MOV file. The XDCAM codec is a notoriously processor-intensive codec that gives even the largest Mac Pro or HP z840 a run for their compression money. The Companion stayed in the race nicely. I compressed the nine-minute, 11.2GB XDCAM MOV using Adobe Media Encoder, compressing to the YouTube 1080p preset and harnessing the OpenCL acceleration in 12 minutes and 52 seconds — with OpenCL turned off, and using only the software acceleration, it took 11 min 37 seconds. It definitely kept up with rough realtime encoding, but with 16GB of DDR3 we may have seen a slightly faster time.

Summing Up
If you have the money and/or the need for Wacom’s high precision and craftsmanship, the Cintiq Companion 2 is the mobile Cintiq for you. In addition to the precision, the Companion 2 boasts a QHD screen with a resolution of 2560×1440 (an aspect ratio of 1.778 or 16:9) and a color gamut of 72 percent NTSC. While this isn’t the fastest tablet on the market, you will not find one with the same precision and quality that Wacom has become famous for.

I leave you with these highlights: the Companion 2 offers 2,048 levels of sensitivity with the Pro Pen; the Cintiq Connect Cable allows you to use the Companion like a standard Cintiq; and it offers QHD 2650×1440 screen resolution.

Brady Betzel is an online editor at Margarita Mix in Hollywood. Previously, he was editing The Real World at Bunim-Murray Productions. You can email Brady at bradybetzel@gmail.com, and follow him on Twitter, @allbetzroff.

IBC: Updates to Adobe’s CC coming soon

At the IBC show in Amsterdam, Adobe will be showing soon-to-be-released updates to its Adobe Creative Cloud video desktop apps and Adobe Anywhere for video. These new capabilities build on the company’s integration across video workflows, enabling video pros to create, collaborate and deliver high-quality productions across multiple screens.

Key updates include new media and project management tools in Adobe Premiere Pro CC; a refreshed user-interface across all Adobe video desktop apps; and more streamlined production workflows empowering video professionals to edit more efficiently.

Important new updates will also be added to Adobe Anywhere, which enables large virtual teams of talent to collaborate and efficiently shoot, log, edit, share and finish video productions together.

Adobe also announced new capabilities to Adobe Primetime, a TV delivery and monetization platform for programmers and pay-TV service providers. Adobe is previewing these major updates at IBC 2014, Europe’s largest professional broadcast show held in Amsterdam.  www.adobe.com/go/video.

Details on the updates:
– Support for hardware and standards is accelerated via Adobe Creative Cloud.  Key updates extend native file support, with the addition of AJA RAW. Performance enhancements include accelerated Masking & Tracking and new GPU-optimized playback for better performance when viewing extremely high-res 4K and UltraHD footage from Phantom Cine, Canon RAW and Red R3D files.

– New media and project management features, including Consolidate and Transcode; Search Bins; and Multi-project workflows offer more ease and flexibility, at the project level, so Premiere Pro CC users can complete tasks more efficiently. Adobe Media Encoder now includes Destination publishing with preset options so users can render, deliver and share projects to multiple locations such as FTP sites and their Creative Cloud folder, automating the delivery process. Additionally, Extended Match Source support now includes added support for the QuickTime and DNxHD formats, simplifying the workflow for users who are transcoding or rendering content.

– Streamlined workflows and ongoing refinements make everyday tasks easier and faster inside Adobe CC video apps, including Timeline Views in Adobe Premiere Pro CC; Curve adjustments and Look Hover previews in Adobe SpeedGrade CC; and Rough Cut Dissolves and keyboard shortcuts for tagging in Adobe Prelude CC.

Adobe Anywhere, a workflow platform that allows users of Premiere Pro CC and Adobe After Effects CC to work together using centralized media and assets across standard networks, will also be updated.

“The new features in Adobe Premiere Pro CC are amazingly beneficial to my feature film editing workflow,” says feature film editor Vashi Nedomanksy, who cut Sharknado 2 recently. “The ability to open multiple projects all at once without importing assets allows for effortless collaboration in multiple editor projects, while Search Bins add a brand-new layer of organization and custom specificity that help me prioritize my assets. I also love how the latest release unleashes more GPU power so I can dominate any camera codec from 4K to RAW and beyond, natively and in realtime.”

Adobe Anywhere complements Creative Cloud applications and enables collaboration for large organizations working with video, including broadcasters, schools and government agencies. Enhanced support for Adobe After Effects CC enables visual and motion graphic artists to collaborate more effectively so they can spend more time working creatively and less time searching for missing footage and collecting files. Additionally, new options in the Adobe Anywhere app for iPad are added, so users can scrub and review video footage faster.