Review: Røde Mic’s Stereo VideoMic Pro Rycote

By Brady Betzel

There are a ton of microphone types out there, and when it comes to adding an external mic to a camera you need to know what kind of mic works best in different situations. For interviews, you most likely want a microphone that picks up the audio that is placed directly in front of the microphone. If you are recording a music performance or ambience, you may want something that records in multiple directions without concentrating in any one specific location. I wanted to talk about Røde Microphones, which makes many of the on camera mics you see used YouTube content creators, Podcasters and filmmakers.

The way a microphone picks up audio is typically described as a polar pattern. The most common polar patterns in microphones are Cardioid, Super Cardioid and Omnidirectional. A Cardioid microphone will record mostly audio directly in front of it; a Super Cardioid will record mostly audio in the front, but also some directly in the rear; and an Omnidirectional will pick up audio equally from all directions. To further complicate the matter, if you record in stereo you can have a pickup pattern like X-Y Cardioid.

So after all that description of microphone polar patterns (you are welcome), here I’m going to focus on the Røde Stereo VideoMic Pro Rycote, which has an X-Y Cardioid polar pattern. You may be familiar with Rode’s famous VideoMic Pro, which is a great Super Cardioid, dual-mono microphone. The VideoMic Pro would be a great mic for recording a discussion outdoors, focusing on the conversation, but also picking up a little of the ambience. The Stereo VideoMic Pro Rycote uses its X-Y Cardioid to record a stereo scene without a focus on a smaller specific area. In plain language, the Stereo VideoMic Pro Rycote is great for recording ambience or performances. It is not the mic you want to use for an interview; that would be a job for the VideoMic Pro or better yet a directional mic like the Rode NTG series, which will give an intense focus on the area it is pointed at.

Capturing Ambience Outdoors
So why would someone want the Stereo VideoMic Pro Rycote? If you record scenes outdoors, like at a baseball or soccer game, where you want to generally focus your audio on an area but also catch the surrounding ambience of the crowd… or at an outdoor group performance. Something I see missing a lot in videography is ambience in timelapses or b-roll, the Stereo VideoMic Pro Rycote is exactly the on-camera mic you need to grab some great stereo ambience and add life to any b-roll shot, instantly. If you record traffic b-roll with cars crossing the camera from left to right or right to left, the stereo recording will convey traffic movement in a much more natural way engaging the viewer more than a mono recording of traffic that will not convey movement.

For all of the technical nerds out there, the Røde Stereo VideoMic Pro Rycote features a frequency range of 40Hz ~ 20,000Hz but can be limited with the built-in High Pass Filter that clips anything below 75Hz, matched pair ½” condenser capsules in X-Y stereo configuration, three position level control -10dB, 0 and +20dB. It uses a single 9V battery, measures 4.5” x 3.1” x 5.3”. It connects using a 3.5mm stereo mini-jack and weighs only .26 lbs.

The Stereo VideoMic Pro Rycote is an updated version from the original Stereo VideoMic Pro, which includes the nearly indestructible Rycote Lyre shock mount, new condenser capsule setup, new Kevlar reinforced braided cable and improved foam windscreen. Best of all it comes with a 10-year warranty (one-year warranty plus nine additional years when you register your microphone). If you read any online comments about Røde microphones, you will notice one common theme: great customer service. More often than not you will see someone talk about how they needed an addition piece or how their warranty ran out but Rode still helped them out free of charge.

Putting it to the Test
To test the Røde Stereo VideoMic Pro I tried a few different scenarios including some outdoor scenes where I showcased stereo and mono recording. You can check out my YouTube video. I recorded everything on a Blackmagic Pocket Cinema Camera, which is notorious for having low audio recording levels. Luckily, the Stereo VideoMic Pro Rycote has the three position level control and I was able to boost the recording by +20dB with very little noise. Otherwise my levels would have to be boosted when editing and that would definitely introduce more noise than I would have liked. While I did pick up a little bit of handling noise when recording, the Rycote Lyre shock-mount limited the little movements that other mics without this shock mount would have picked up. In terms of noise recorded on the mic, you can hear a little bit but nothing you couldn’t easily take out if it bothered you.

In the end the, Røde Stereo VideoMic Pro is a high-level external microphone that will add production value to any camera recording. It is priced between $279 and $300, although I found differing prices. Visit here to find a retailer near you, and one that will make sure you can take advantage of the tremendous warranty and customer service they offer. I also noticed that many retailers are including the Dead Kitten wind muff for free with purchase for when you are recording in a windy area.

When you listen to the difference between recording stereo with the Røde Stereo VideoMic Pro Rycote vs. recording mono on a mic like the Røde VideoMic Go, you can really feel your b-roll opening up. It adds a great level of depth to what would ordinarily be straight up the middle audio with no sense of left or right panning.

The Røde Stereo VideoMic Pro Rycote has an incredible recording and product build quality that will add depth to any footage you film. If you record outdoor b-roll, performances, or any other non-interview type footage. The Røde Stereo VideoMic Pro Rycote is going to be a vital piece of equipment you need to have in your bag.


Brady Betzel is an Emmy-nominated online editor at Margarita Mix in Hollywood, working on Life Below Zero and Cutthroat Kitchen. You can email Brady at bradybetzel@gmail.com. Follow him on Twitter @allbetzroff.


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