By Brady Betzel
Throughout 2016, we have seen some interesting acquisitions in the world of post production software and hardware — Razer bought THX, Blackmagic bought Ultimatte and Fairlight and Boris FX bought GenArts, to name a few. We’ve also seen a tremendous consolidation of jobs. Editors are now being tasked as final audio mixers, final motion graphics creators, final colorists and much more.
Personally, I love doing more than just editing, so knowing tools like Adobe After Effects and DaVinci Resolve, in addition to Avid Media Composer, has really helped me become not only an editor but someone who can jump into After Effects or Resolve and do good work.
Unfortunately, for some people it is the nature of the post beast to know everything. Plug-ins play a gigantic part in balancing my workload, available time and the quality of the final product. If I didn’t have plug-ins like Imagineer’s Mocha Pro, Boris’s Continuum Complete, GenArt’s Sapphire and Red Giant’s Universe 2, I would be forced to turn down work because the time it would take to create a finished piece would outweigh the fee I would be able to charge a client.
A while back, I reviewed Red Giant’s Universe when it was in version 1, (check it out here). In the beginning Universe allowed for lifetime, annual and free memberships. It seems the belt has tightened a little for Red Giant as Universe 2 is now $99 a year, $20 a month or a 14-day free trial. No permanent free version or lifetime memberships are offered (if you downloaded the free Universe before June 28, you will still be able to access those free plug-ins in the Legacy group). Moreover, they have doubled the monthly fee from $10 to $20 — definitely trying to get everyone on to the annual subscription train.
Personally, I think this resulted from too much focus on the broad Universe, trying to jam in as many plug-ins/transitions/effects as possible and not working on specific plug-ins within Universe. I actually like the renewed focus of Red Giant toward a richer toolset as opposed to a full toolset.
Okay, enough of my anecdotal narrative and on to some technical awesomeness. Red Giant’s Universe 2 is a vast plug-in collection that is compatible with Adobe’s Premiere Pro and After Effects CS6-CC 2015.3; Apple Final Cut Pro X 10.0.9 and later; Apple Motion 5.0.7 and later; Vegas 12 and 13; DaVinci Resolve 11.1 and later; and HitFilm 3 and 4 Pro. You must have a compatible GPU installed as Universe does not have a CPU fallback plan for unsupported machines. Basically you must have 2GB or higher GPU, and don’t forget about Intel as their graphic support has improved a lot lately. For more info on OS compatibility and specific GPU requirements, check out Red Giant’s compatibility page.
Universe 2 is loaded with great plug-ins that, once you dig in, you will want to use all the time. For instance, I really like the ease of use of Universe’s RGB Separation and Chromatic Glow. If you want a full rundown of each and every effect you should download the Universe 2 trial and check this out. In this review I am only going to go over some of the newly added plug-ins — HUD Components, Line, Logo Motion and Color Stripe — but remember there are a ton more.
I will be bouncing around different apps like Premiere Pro and After Effects. Initially I wanted to see how well Universe 2 worked inside of Blackmagic’s DaVinci Resolve 12.5.2. Resolve gave me a little trouble at first; it began by crashing once I clicked on OpenFX in the Color page. I rebooted completely and got the error message that the OpenFX had been disabled. I did a little research (and by research I mean I typed ”Disabled OpenFX Resolve” into Google), and stumbled on a post on Blackmagic’s Forum that suggested deleting “C:\ProgramData\Blackmagic Design\Davinci Resolve\Support\OFXPluginCache.xml” might fix it. Once I deleted that and rebooted Resolve, I clicked on the OpenFX tab in the Color Page, waited 10 minutes, and it started working. From that point on it loaded fast. So, barring the Resolve installation hiccup, there were no problems installing in Premiere and After Effects.
Once installed, you will notice that Universe has a few folders inside of your plug-in’s drop down: Universe Blur, Universe Distort, Universe Generators, Universe Glow, Universe Legacy, Universe Motion Graphics, Universe Stylize and Universe Utilities. You may recognize some of these if you have used an earlier version of Universe, but something you will not recognize is that each Universe plug-in now has a “uni.” prefix.
I am still not sure whether I like this or hate this. On one hand it’s easy to search for if you know exactly what you want in apps like Premiere. On the other hand it runs counterintuitive to what I am used to as a grouchy old editor. In the end, I decided to run my tests in After Effects and Premiere. Resolve is great, but for tracking a HUD in 3D space I was more comfortable in After Effects.
First up is HUD Components, located under the Universe Motion Graphics folder and labeled: “uni.HUD Components.” What used to take many Video CoPilot tutorials and many inspirational views of HUD/UI master Jayse Hansen’s (@jayse_) work, now takes me minutes thanks to the new HUD components. Obviously, to make anything on the level of a master like Jayse Hansen will take hundreds of hours and thousands of attempts, but still — with Red Giant HUD Components you can make those sci-fi in-helmet elements quickly.
When you apply HUD Components to a solid layer in After Effects you can immediately see the start of your HUD. To see what the composite over my footage would look like, I went to change the blend mode to Add, which is listed under “Composite Settings.” From there you can see some awesome pre-built looks under the Choose a Preset button. The pre-built elements are all good starting points, but I would definitely dive further into customizing, maybe layer multiple HUDs over each other with different Blend Modes, for example.
Diving further into HUD Components, there are four separate “Elements” that you can customize, each with different images, animations, colors, clone types, and much more. One thing to remember is that when it comes to transformation settings and order of operations work from the top down. For instance, if you change the rotation on element one, it will affect each element under it, which is kind of handy if you ask me. Once you get the hang of how HUD Components works, it is really easy to make some unique UI components. I really like to use the uni.Point Zoom effect (listed under Universe Glow in the Effects & Presets); it gives you a sort of projector-like effect with your HUD component.
There are so many ways to use and apply HUD Components in everyday work, from building dynamic lower thirds with all of the animatable arcs, clones and rotations to building sci-fi elements, applying Holomatrix to it and even Glitch to create awesome motion graphics elements with multiple levels of detail and color. I did try using HUD Components in Resolve when tracking a 3D object but couldn’t quite get the look I wanted, so I ditched it and used After Effects.
Second up is the Line plug-in. While drawing lines along a path in After Effects isn’t necessarily hard, it’s kind of annoying — think having to make custom map graphics to and from different places daily. Line takes the hard work out of making line effects to and from different points. This plug-in also contains the prefix uni. and is located under Universe Motion Graphics labeled uni.Line.
This plug-in is very simple to use and animate. I quickly found a map, applied uni.Line, placed my beginning and end points, animated the line using two keyframes under “Draw On” and bam! I had an instant travel-vlog style graphic that showed me going from California to Australia in under three minutes (yes, I know three minutes seems a little fast to travel to Australia but that’s really how long it took, render and all). Under the Effect Controls you can find preset looks, beginning and ending shape options like circles or arrows, line types, segmented lines and curve types. You can even move the peak of the curve under bezier style option.
Third is Logo Motion, located under Universe Motion Graphics titled uni.LogoMotion. In a nutshell you can take a pre-built logo (or anything for that matter), pre-compose it, throw the uni.LogoMotion effect on top, apply a preset reveal, tweak your logo animation, dynamically adjust the length of your pre-comp — which directly affects the logo’s wipe on and off — and, finally, render.
This is another plug-in that makes my life as an editor who dabbles in motion graphics really easy. Red Giant even included some lower third animation presets that help create dynamic lower third movements. You can select from some of the pre-built looks, add some motion while the logo is “idle,” adjust things like rotation, opacity and blur under the start and end properties, and even add motion blur. The new preset browser in Universe 2 really helps with plug-ins like Logo Motion where you can audition animations easily before applying them. You can quickly add some life to any logo or object with one or two clicks; if you want to get detailed you can dial in the idle animation and/or transition settings.
Fourth is Color Stripe, a transition that uses color layers to wipe across and reveal another layer. This one is a pretty niche case use, but is still worth mentioning. In After Effects. transitions are generally a little cumbersome. I found the Universe 2 transitions infinitely easier to use in NLEs like Adobe Premiere. From the always-popular swish pan to exposure blur, there are some transitions you might use once or some you might use a bunch. Color Stripe is a transition that you probably won’t want to use too often, but when you do need it, it will be right at your fingertips. You can choose from different color schemes like analogous, tetradic, or even create a custom scheme to match your project.
In the end, Universe 2 has some effects that are essential once you begin using them, like uni.Unmult, uni.RGB Separation and the awesome uni.Chromatic Glow. The new ones are great too, I really like the ease of use of uni.HUD Components. Since these effects are GPU accelerated you might be surprised at how fast and fluid they work in your project without slowdowns. For anyone who likes apps like After Effects, but can’t afford to spend hours dialing in the perfect UI interface and HUD, Universe 2 is perfect for you. Check out all of the latest Red Giant Universe 2 tools here.
Brady Betzel is an online editor at Margarita Mix in Hollywood, working on Life Below Zero and Cutthroat Kitchen. You can email Brady at email@example.com. Earlier this year, Brady was nominated for an Emmy for his work on Disney’s Unforgettable Christmas Celebration.