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Joe Wright on directing Darkest Hour
By Iain Blair

Maybe it’s something in the water, but Dunkirk and Winston Churchill seem to be popping up everywhere these days. While the British statesman and prime minister merely hovered unseen in the background of Christopher Nolan’s Dunkirk epic, he’s front-and-center in Joe Wright’s Darkest Hour.

Starring Academy Award-nominee and BAFTA Award-winner Gary Oldman as Churchill, it tells the story of his first weeks in office during the fraught early days of World War II. A witty and brilliant statesman, Churchill is a stalwart member of Parliament, but at age 65 is an unlikely candidate for prime minister. However, the situation in Europe is desperate, with allied nations continuing to fall against Nazi troops and with the entire British army stranded in France at Dunkirk.

He’s appointed PM as the threat of invasion of the UK by Hitler’s forces looms, only to find his own party is plotting against him and King George VI (Ben Mendelsohn) skeptical that the new prime minister can rise to the challenge. He is confronted with the ultimate choice: negotiate a peace treaty with Nazi Germany and save the British people at a terrible cost, or fight on against incredible odds.

With the support of his wife of 31 years, Clemmie (Kristin Scott Thomas), Churchill looks to the British people to inspire him to stand firm and fight for his nation’s ideals, liberty and freedom. Putting his power with words to the ultimate test, and with the help of his tireless secretary (Lily James), Winston must write and deliver speeches that will rally a nation as he attempts to change the course of world history forever.

Working from a script by Anthony McCarten, Wright also assembled a stellar below-the-line team that included DP Bruno Delbonnel, editor Valerio Bonelli and composer Dario Marianelli.

Wright first grabbed Hollywood’s attention with his debut film, 2005’s Pride & Prejudice, which won a raft of awards and four Oscar nominations. He followed that up with the Oscar-winning war drama Atonement, and in 2012 reunited with his Atonement star Kiera Knightley to remake Anna Karenina, Tolstoy’s classic tale of love and betrayal.

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Blade Runner 2049’s dynamic
and emotional mix

By Jennifer Walden

Re-recording mixer Doug Hemphill says Blade Runner 2049's soundtrack “has more dynamic range than any movie we’ve ever mixed.”

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On Hold: Making an indie web series
By John Parenteau

Two VFX veterans channeled their inner filmmaker to create this eight-episode web series on a very limited budget. Learn how they did it.

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The Other Art Fair: Brands as benefactors for the arts
By Tom Westerlin

At The Other Art Fair, presented by Saatchi Art,
I wanted to see how the worlds of interactive and traditional art would intersect.

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