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The challenges of dialogue and ice in
Game of Thrones ‘Beyond the Wall’

By Jennifer Walden

Fire-breathing dragons and hordes of battle-ready White Walkers are big attention grabbers on HBO’s Game of Thrones, but they’re not the sole draw for audiences. The stunning visual effects and sound design are just the gravy on the meat and potatoes of a story that has audiences asking for more.

Every line of dialogue is essential for following the tangled web of storylines. It’s also important to take in the emotional nuances of the actors’ performances. Striking the balance between clarity and dynamic delivery isn’t an easy feat. When a character speaks in a gruff whisper because, emotionally, it’s right for the scene, it’s the job of the production sound crew and the post sound crew to make that delivery work.

At Formosa Group’s Hollywood location, an Emmy-winning post sound team works together to put as much of the on-set performances on the screen as possible. They are supervising sound editor Tim Kimmel, supervising dialogue editor Paul Bercovitch and dialogue/music re-recording mixer Onnalee Blank.

“The production sound crew does such a phenomenal job on the show,” says Kimmel. “They have to face so many issues on set, between the elements and the costumes. Even though we have to do some ADR, it would be a whole lot more if we didn’t have such a great sound crew on set.”

In Season 7, Episode 6, “Beyond the Wall,” the sound team faced a number of challenges. Starting at the beginning of this episode, Jon Snow [Kit Harington] and his band of fighters trek beyond the wall to capture a White Walker. As they walk across a frozen, windy landscape, they pass the time by getting to know each other more. Here the threads of their individual stories from past seasons start to weave together. Important connections are being made in each line of dialogue.

Those snowy scenes were shot in Iceland and the actors wore metal spikes on their shoes to help them navigate the ice. Unfortunately, the spikes also made their footsteps sound loud and crunchy, and that got recorded onto the production tracks.

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Review: OWC’s USB-C dock
By Brady Betzel

We live in a world filled with computer peripherals. So whether you work on a MacBook Pro or a desktop PC, you’ll probably need a dock. And OWC's USB-C dock just might be the one for you.

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Behind the Title: ArsenalFX
Color’s Rory Gordon

This colorist tries to pursue artistic interests that are outside of TV and color. “I find that when I take the time to do this, it really does expand my thinking and help me stay fresh and creative.”

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Avid at IBC with new post workflows via MediaCentral

Boxx intros 16-core Apexx 4
for multi-threaded apps

Xytech launches MediaPulse Managed Cloud at IBC

Composer Zac Colwell
upped to CD at Nylon

Blackmagic’s Ultimatte 12
keyer with one-touch keying

Heidi Netzley joins Royale
as director of biz dev

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