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A conversation with editor
Hughes Winborne, ACE
By Chris Visser

In the world of feature film editing, Hughes Winborne, ACE, has done it all. From cutting indie features (1996’s Sling Blade) to CG-heavy action blockbusters (2014’s Guardians of the Galaxy) to winning an Oscar (2005’s Crash), Winborne has run the proverbial gamut of impactful storytelling through editing.

His most recent film, the multiple-Oscar-nominated Fences, was an adaptation of the seminal August Wilson play. Denzel Washington, who starred alongside Viola Davis (who won an Oscar for her role), directed the film.

Winborne and I chatted recently about his work on Fences, his career and his brief foray into house painting before he caught the filmmaking bug. He edits on Avid Media Composer. Let’s find out more.

What led you to the path you are on now?
I grew up in Raleigh, North Carolina, and I went to college at the University of North Carolina at Chapel Hill. I graduated with a degree in history without a clue as to what I was going to do. I come from a family of attorneys, so because of an extreme lack of imagination, I thought I should do that. I became a paralegal and worked at North Carolina Legal Services for a bit. It didn’t take me long to realize that that wasn’t what I was meant to do, and I became a house painter.

A house painter?
I had my own house painting business for about three years with a couple of friends. The preamble to that is, I had always been a big movie fan. I went to the movies all the time in high school, but after college I started seeing between five and 10 a week. I didn’t even imagine working in the film business, because in Raleigh, that wasn’t really something that crossed my radar.

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The new Tom and Jerry Show score combines vintage and modern sounds
By Jennifer Walden

The Tom and Jerry Show, produced by Warner Bros. Animation and Renegade Animation, and directed by Darrell Van Citters, started airing on Cartoon Network in 2014. It didn’t really come into its own until Season 2, which began airing in 2016.

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Behind the Title: Artist/Creative Director Barton Damer

My job is to set the vibe for the types of projects, clients and style of work we create. I’m typically developing the creative, working with our chief strategy officer to land projects and then directing the team to execute the creative for the project.

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Katie Hinsen head of ops at NZ’s Department of Post

postPerspective launches Impact Awards at NAB 2017

Assimilate’s Scratch VR
Suite 8.6 now available

Aardman creates short
film, struts its stuff
By Randi Altman

SMPTE’s ETCA conference takes on OTT, cloud, AR/VR

Sony intros SSD drives for 4K and higher bitrates

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