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Virtual Reality Roundtable
By Randi Altman

Virtual reality is seemingly everywhere, especially this holiday season. Just one look at your favorite electronics store’s website and you will find VR headsets from the inexpensive, to the affordable, to the “if I win the lottery” ones.

While there are many companies popping up to service all aspects of VR/AR/360 production, for the most part traditional post and production companies are starting to add these services to their menu, learning best practices as they go.

We reached out to a sampling of pros who are working in this area to talk about the problems and evolution of this burgeoning segment of the industry...

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What you need to know about Ambisonics
By Claudio Santos

The explosion of virtual reality as a new entertainment medium has been largely discussed in the filmmaking community in the past year, with no consensus about what the future will hold for the technology. But regardless of the predictions, it's a fact that more virtual reality content is being created and various producers are experimenting to find just how the technology fits into the current market.

Out of the vast possibilities of virtual reality, there is one segment that is particularly close to us filmmakers, and that is 360 videos. They are becoming more and more popular on platforms such as YouTube and Facebook and present the distinct advantage that — beside playing in VR headsets, such as the GearVR or the DayDream — these videos can also be played in standalone mobile phones, tablets and stationary desktops. This considerably expands the potential audience when compared to the relatively small group of people who own virtual reality headsets.

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VR Production: Stereo
360, AR, VR and beyond

By Beth Marchant

VR Audio: Virtual and
spacial soundscapes

By Beth Marchant

VR Post: Hybrid
workflows are key

By Beth Marchant

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