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The sound of fighting in
Jack Reacher: Never Go Back

By Jennifer Walden

Tom Cruise is one tough dude, and not just on the big screen. Cruise, who seems to be aging very gracefully, famously likes to do his own stunts, to the dismay of film studio execs.

Cruise’s most recent tough guy turn is in the sequel to 2014’s Jack Reacher. Jack Reacher: Never Go Back, which is in theaters now, is based on the protagonist in author Lee Child’s series of novels. Reacher, as viewers quickly find out, is a hands-on type of guy — he’s quite fond of hand-to-hand combat where he can throw a well-directed elbow or headbutt a bad guy square in the face.

Supervising sound editor Mark P. Stoeckinger, based at Formosa Group’s Santa Monica location, has worked on numerous Cruise films, including both Jack Reachers, Mission: Impossible II and III, The Last Samurai and he helped out on Edge of Tomorrow. Stoeckinger has a ton of respect for Cruise, “He’s my idol. Being about the same age, I’d love to be as active and in shape as he is. He’s a very amazing guy because he is such a hard worker.”

Because he does his own stunts, and thanks to the physicality of Jack Reacher’s fighting style, sometimes Cruise gets a bruise or two. “I know he goes through a fair amount of pain, because he’s so extreme,” says Stoeckinger, who strives to make the sound of Reacher’s punches feel as painful as they are intended to be. If Reacher punches through a car window to hit a guy in the face, Stoeckinger wants that sound to have power. “Tom wants to communicate the intensity of the impacts to the audience, so they can appreciate it. That’s why it was performed that way in the first place.”

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Review: The HP Z1G3
All-in-One workstation

By Brady Betzel

I’ll admit it. I’ve always been impressed with HP’s All-in-One workstations — from their z840 to their zBook mobile workstation and now their HP Z1G3. Yes, I know, the HP line of workstations are not cheap, but you are paying for quality assurance.

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SMPTE: The convergence of toolsets for television and cinema
By Mel Lambert

While the annual SMPTE Technical Conferences normally put a strong focus on things visual, there is no denying that these gatherings offer a number of interesting sessions for sound pros from the production and post communities.

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Behind the Title: Sound mixer/sound designer Rob DiFondi

Rob DiFondi went to school to be a music engineer/producer, then he discovered the world
of mixing television spots and he was hooked. Find out more.

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Quick Chat: Efilm’s new
MD Al Cleland

Promise, Symply team up on Thunderbolt 3 RAID system

Justin Martin joins Hush
as technology director

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