The A-List: Chatting with Moonlight
director Barry Jenkins
By Iain Blair
Moonlight may only be Barry Jenkins’ second film — his first was the 2008 low-budget debut Medicine for Melancholy — but he’s already established himself as a filmmaker to watch. Written and directed by Jenkins, Moonlight chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami.
At once a vital portrait of contemporary African-American life and an intensely personal and poetic meditation on identity, family, friendship and love, Moonlight focuses on the particular, but reverberates with universal truths. Anchored by performances from an ensemble cast that includes Naomie Harris, André Holland, Mahershala Ali, Janelle Monáe, Trevante Rhodes, Alex R. Hibbert and Jharrel Jerome, the film is a moving portrayal of the moments, people and unknowable forces that shape our lives and make us who we are, and since its premiere at Telluride is justifiably getting a lot of awards buzz.
I recently met up with Jenkins to talk about the process of making Moonlight.
Can you talk about the film a bit?
It’s based on the play In Moonlight Black Boys Look Blue, by Tarell Alvin McCraney, which is a coming-of-age story that not so much defied the genre, but that more readily captured what it was like to grow up where we both did, in Miami. It focuses on three different times in this kid’s life, so instead of all the usual beats we take these three big beats and dramatize them in realtime.
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