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The A-List: Hell or High Water
director David Mackenzie

By Iain Blair

Over the course of nine films, acclaimed Scottish director David Mackenzie has managed to pull off quite a trick — appearing to embrace genre filmmaking while simult-aneously subverting the whole concept. His last film, Starred Up, was both a brutal prison drama and a story about anger therapy. Young Adam was both an erotic thriller and a tragic love story. Perfect Sense was a sci-fi romance.

His latest genre mash-up, Hell or High Water, might look like a standard-issue, nail-biting bank-heist thriller, but it’s also a lyrical western, a road movie and a timely commentary on current political and economic issues in America. Written by Taylor Sheridan (who wrote Sicario), it stars Chris Pine and Ben Foster as Toby and Tanner, two brothers who embark on a crime spree in order to save their family ranch from being foreclosed on by the local bank. Following their trail is a world-weary Texas Ranger (Jeff Bridges) and his put-upon partner (Gil Birmingham).

The behind-the-scenes team includes director of photography Giles Nuttgens and Mackenzie’s longtime editor Jake Roberts, and the film features an original score by Nick Cave and Warren Ellis (The Assassination of Jesse James by the Coward Robert Ford, Far From Men). The film, which is just beginning to roll out in theaters nationwide, is already attracting Oscar talk.

I spoke with Mackenzie about making Hell or High Water and his editing process.

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Updates to Adobe Creative Cloud include project sharing, more
By Brady Betzel

Adobe has announced team project sharing! Yes, you read that right — the next Adobe Creative Cloud update, to be released later this year, will have the one thing I’ve always said kept Adobe from punching into Avid’s NLE stake with episodic TV and film editors.

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DP Vittorio Storaro on color and Woody Allen’s Café Society

Legendary Italian cinematographer Vittorio Storaro has had a storied career that includes three Oscar wins for his work on Apocalypse Now (1979), Reds (1981) and The Last Emperor (1987). To call his career prodigious would be an understatement.

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Behind the Title: Stitch
Editing's Tim Hardy

London-based Tim Hardy is co-owner and senior editor at Stitch Editing. He is a 20-year industry veteran who won a Cannes Lion for editing but isn't above fixing a toilet paper holder.

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Wacom intros Intuos 3D
for digital characters

EditShare launches Flow Story, ups Peter Lambert

Panasonic and Codex
team up on VariCam Pure

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